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The Perils of Social Media

Guest Blog by Tosca Lee

Our guest today is Tosca Lee, author of Demon: A Memoir and Havah: The Story of Eve. She is also the co-author with Ted Dekker of the NYTimes bestseller Forbidden. The next book in that series will be out this Summer. A sought-after speaker and former Mrs. Nebraska, Tosca was a senior consultant for a global consulting firm until turning to writing full-time. She holds a degree in English and International Relations from Smith College and also studied at Oxford University. Please visit her web site at www.toscalee.com.

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Facebook. Twitter. Shoutlife. LinkedIn. Dopplr. Google+. Plaxo. Blogger. WordPress. Shelfari. Goodreads. Writer’s loops. Conference loops. Endless loops.

By the time I finish updating my status, writing my blogs, tweeting, pasting my bulletins, my newest pictures, my URLs and YouTube links, recruiting friends, recommending friends, sharing reads, rating reads, ranking reads, ranking friends, tagging friends, responding to posts, responding to friends, responding to blogs, ranting, reblogging, re-bulleting, re-accepting (plants, gifts, pinches, bits o’ karma, flowers, flare, tickles, candy, drinks, siege warfare by angry goats and lil green patches–what the heck is a lil green patch anyway??) it’s time to repost my status–and respond to those responding to my status who are reading their walls, shuffling friends, organizing bookshelves, recommending contacts and waging mob wars.

By then, the day is over. I have missed my hair appointment, my deadline and a conference call, needed to go to the bathroom three hours ago, blown off dinner, ticked off my friends (who live in town and did not check my wall to see why I never showed up), neglected my Significant Other, alienated my family, and defaulted on my mortgage.

I’m already grossly behind on an article and some reading, on projects for friends and the synopsis I owe my agent… and yet I cannot tear myself from Facebook because I might miss something important–say, another lil green patch–and then I will have gone from being behind with writing, reading and work, to being behind with the relational fiber of my life that is supposed to make the reading, the writing, the work all meaningful.

***
Bouncing back and forth between the social, networking and professional sites I signed up for to catch up with friends, connect with readers and promote my work, it’s plausible that I might never have time to write another book–or if I do, it’ll be 360 pages of 140-character one-liners.

I don’t know half the people in my extended network, but they came highly recommended. And even though I may not actually know Marlene in Dekalb, I’m fascinated by how white her teeth are in her picture and the fact that her relationship status just changed from “In a relationship” to “Single.” I’m wondering if they broke up or she forgot to change it before her last boyfriend. And if I know any friends of friends willing to dish.

I’m fascinated by hub friends, who seem to know and be on everyone’s page, horrified at how many colleagues know schoolmates who have seen me do stupid things, appalled friends’ exes who never had the decency to settle down more than one degree away.

It gets a bit uncomfortable–I worry if raucous friends will offend the straight-laced among my network (or vice versa). I wonder whether I’ll say something dumb that will haunt me forever–or at least until it scrolls off the new bulletin list, pushed down by the newest rants, requests, ramblings or reciprocal idiocy of others.

The only way to know, of course, is to stay pasted to the screen. I find that trolling for feedback is an especially convenient time to spy on high school friends and frenemies, the real lives of people I only see in suits, my exes, my readers (it seems only fair), my colleagues, my neighbors. And I am at peace with my virtual social life, holed up like a voyeuristic hermit, my picture neatly made up in the window as I sit stinky and unkempt at home in my sweats.

One of these days, God willing, I’ll start a new project. Crickets will chirp from the void that was my blog. The status line of my Facebook page will stare blankly at no one. Invites will turn kudzu on my homepage, and my Shelfari shelves will grow dust. Concerned friends will send notes like morose pings into the ether as I wrestle with metaphors and confront the empty page, wishing I could trade my Roget’s for the tiniest lil green patch or bit o’ karma.

***

Tosca just sent you a lil green patch.

[Accept] [Decline] [Ignore] [Wage Mob War Instead]

#caffiene

 

 

2011 – The Year in Review

by Steve Laube

It is a good exercise to reflect on the past year. Count the blessings, reflect on the hard lessons, and remember the good times.

The highlight was bringing both Tamela Hancock Murray and Karen Ball into the agency in late May. I was and continue to be very excited about the talent and work these two are doing on behalf of our clients.

That hard work had visible results as we secured sixty-four (64) new book contracts that will cover 113 new books. That works out to a new contract every four business days.

There were some challenges with three authors having their contracts cancelled for a variety of reasons. This is never easy, but it can happen.

Keeping track of the blistering changes in the industry would give any sane person whiplash. Amazon’s surge and Border’s demise gave many of us pause. I read over 150 pages of industry related material each week in an attempt to keep up. I like to joke that an agent’s job is to keep track 24/7 because the industry can change on Tuesday. This was proven last month when two major personnel changes were announced on the same day at two different firms…and that day was Tuesday.

The biggest publishing news event was the sale of Thomas Nelson to HarperCollins. (click here for my thoughts on that event.)

Our client list grew exponentially with the addition of Tamela and Karen. We now represent over 150 authors. It is an honor and a privilege to serve such a talented group.

We redesigned the web site early in the year which created the infrastructure to ramp up our blogging efforts. Having three agents allows us to share the blogging load so each person takes one day while I also collect weekly news articles and find something lighthearted to share each Friday. The number of regular readers has tripled since mid-year.

I spoke at seven different writer’s events around the country and also attended my 30th consecutive ICRS convention in July.

On a personal note my wife and I celebrated our 30th Anniversary and we took an Alaskan cruise along with my brothers and their wives. What made it even greater was being able to watch our daughter perform 14 times in 10 days since she was one of the dancers on board the Sea Princess. We topped off our trip by visiting my parents to celebrate my father’s 90th birthday. Then later in the year we celebrated the 100th birthday of my wife’s grandmother.

Here is wishing you all a happy new year!

News You Can Use – Dec. 20, 2011

The Self-Aggrandizing Self-Publishing Kings: Extreme Rhetoric, Inflammatory Language and Ulterior Motives - A welcome response to the constant negativity found on select blogs regarding the publishing business.

Don’t Support Your Local Bookstore – An outrageous and inciting article from Farhad Manjoo, Slate‘s technology columnist. Great responses from Tim Redmond and Will Doig.

The Rise of the Cowboy Romance Novel – Time magazine article on secular cowboy romance novels.

Pirates are Stealing my Books! – Karen Ranney is justifiably angry. I am surprised her publisher is not doing more to help. Maybe the whole story is not yet being told.

Ignore Everything but the Writing – Wisdom from Carrie Ryan

Screenwriting 101 – Ever wondered how to write a screenplay? Here are the basics.

The Writing Process as a Board Game – A highly creative post by Margo Berendsen.

11 Frequently Asked Questions About Book Royalties, Advances and Money - Great post by  Chuck Sambuchino.

Author Accolades – Dec. 5, 2011

We are very pleased to announce that we have two clients whose books have been named as “The Best Christian Fiction of 2011″ by The Library Journal.

Ted Dekker and Tosca Lee’s Forbidden (Center Street) – we represent Tosca

Tracy Higley’s Pompeii: City on Fire (B&H Publishing Group)

Also Debbie Ulrick and Liz Tolsma are part of the Log Cabin Christmas collection of novellas which is #7 on the ECPA Fiction bestseller list for December.

Congratulations to all!

Christian Romance — Fact or Fiction?

by Tamela Hancock Murray

In response to a recent blog post, “A Matter of Taste,”  a reader asked what I would say if someone claimed there is no such thing as Christian romance.

In fact, I have been confronted with this question before. At a Christian writers’ conference a few years ago, a woman told me in a snide manner that romance is a “fantasy” and walked away before I could respond. I felt especially sad that the woman was no doubt a fellow Christian, but it sounded like it had come from a jaded secularist. I believe this woman’s attitude reflects her own experience rather than the state of Christian publishing. True, not all real life endings are happy, and Christian romance novels traditionally end with the premise that the couple will enjoy a bright future. That is the hope and promise these books offer. Indeed, isn’t that the hope and promise of weddings in real life?

The Lord never promised Christians perfect unions. My heart aches for anyone in a miserable marriage. Hurt people hurt people, so no amount of convincing will change some minds about romance. But God is bigger than any situation, and He heals willing hearts.

Inspiration

Yet to dismiss Christian romance as a fantasy is wrong, in my view. When I wrote my own Christian romance novels, my husband inspired the best elements in my heroes. My heroines were not modeled upon myself, but on women I admire. I gave my heroines qualities I wish I had in bounty. I felt uplifted as I wrote my stories. Judging from the fan mail, those stories connected with readers as well. Other authors receive heartwarming fan mail by the bagful, so I know God is using Christian romance novels to touch lives.

In Real Life…

As for real life? My husband and I have the advantage of great examples. All four sets of grandparents demonstrated “till death do us part.” Three sets celebrated their 50th wedding anniversaries. Our family demonstrates that the Lord is a God of second chances, too. My husband’s mother is the child of her mother’s second marriage, as she was widowed young. My mother-in-law always speaks of how her parents encouraged her and her brother to be active in church. She ended up marrying the youth pastor who moved to town from the Midwest!

Both sets of our parents have celebrated their 50th wedding anniversaries. They are still devoted to each other. Though we aren’t perfect, my husband and I have tried to emulate their models. We make time for one another every day. We are individuals, but have cultivated the same interests so we enjoy doing the same things. We look forward to spending time together. We are devoted to each other. To me, that is the key word: devotion. How can you not feel romantic toward your mate when you are both devoted to one another?

Your turn:

What do you do to make your Christian marriage a Christian romance? Share your best ideas and stories!

Writers Learn the Waiting Game

by Steve Laube

Ours is a process industry. Good publishing takes time. Unfortunately time is another word for “waiting.” No one really likes to wait for anything. Our instant society (everything from Twitter to a drive-thru burger) is training us to want things to happen faster. Awhile ago I wrote about how long it takes to get published which gave an honest appraisal of the time involved. Below are some of the things for which a writer must learn to wait.

Waiting for the Agent

We try our best to reply to submissions within 6-8 weeks and are relatively good about that. But if your project passes the first review stage and we are now reviewing your entire manuscript remember that reading a full manuscript is much more demanding than reading a few short proposals.

If you are already represented all I can say is that agents do their best to be responsive to your questions and phone calls. Crisis Management is part of our job description. But one of the first things a First Responder must do is triage. Some issues are more critical than others which can create consternation if yours is next in line instead of first.

Waiting for a Publisher

After working hard to get your proposal just right we send it out to a select list of publishers. Then we sit back and wait. It can take 3-6 months to hear an answer from a publisher. The longest our agency waited was 22 months before we received a contract offer. No kidding. Just shy of two years. [Both I and my client had already moved on, thinking the project was dead.] But that is truly the exception. I believe that if we don’t receive some sort of answer within four months it is probably not going to connect.

Waiting for Your Contract

Once terms are agreed it can take quite a while to get the actual contract issued by some publishers. Many can take as long as two months to generate the paperwork. We once had to change the date of the contract because it had taken so long to create the paperwork that the due date for the manuscript was earlier than the actual date on the contract! This delay can be excruciating. Ask your agent what is typical for the specific publisher you are working with. Some are quick some are slooooow.

Waiting for Your Editor

You met your deadline. And then you wait.

Months.

And you begin wondering if anyone is reading the manuscript at all!

This is actually quite typical. The publisher needs to have the manuscript in hand to know that it actually has been written. But don’t think the editor is sitting at their inbox, on the due date, with rapt anticipation of receiving your contracted manuscript. They manage their time in order to keep things in the queue and moving along. It can very frustrating to wait. The key here is to be in communication with your editor. It is okay to ask! Or talk to your agent to see if they know if there is anything going on that is preventing that editor from working on your book.

Waiting for Your Marketing and Publicity to Kick In

The new author is so excited about their new book that they want to start chatting about it the day after they turn in the manuscript. A great athlete or sports team wants to peak at the right time, never too early. The same with book promotion. If you begin tweeting and Facebooking (is that a verb now?) without inventory to back it up, the window of sales opportunity closes.

“But e-books solves that issue because they can be ready today!” you shout. Remember that a lot of people still buy books in stores, online, and off your back table at an event. The physical book is still alive and well and must be available if your publicity and marketing is to be effective.

Recently we had a client contacted by “People” magazine for an interview. Unfortunately their book won’t be out for another year. The story is timeless and we asked if they would be willing to wait for the interview and run it as part of a larger campaign. The risk is that they won’t do the story, but it would have been worse to tell the story and not have a book to back up the feature.

Waiting for Your Money

When I became an agent I didn’t know I’d become a Collections Agent…not just a Literary Agent. Getting paid can take time (i.e. waiting).

Waiting for the “on signing” advance — Normally the publisher can take a full 30 days before issuing the check.

Waiting for the “on acceptance of manuscript” advance — This can vary widely. Just because you turned it in doesn’t mean it is acceptable. One publisher we work with will not issue a “acceptance” check until the book has gone through every stage of the editorial process and has been sent to production for typesetting. This can take months.

Waiting for the advance to earn out and new royalty earnings to arrive — Yes, some books do not earn out their advances. (Read the post about “The Myth of the Unearned Advance.”) But many do earn out and the money eventually starts coming, even if in tiny pieces. This can take a couple years.

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At each stage the writer chaffs at the process. This is quite understandable. Recently I read an author’s angry screed (on their blog) criticizing their publisher for the excruciating process of getting their book out. The problem, as I see it, is that the author’s expectations were not in line with reality. Much of a writer’s angst can be avoided by understanding the process and modifying their expectations to match.

Therefore my encouragement for you is to learn the waiting game. Some scientists even claim that it might be good for you (click here for the article). Truly it is to your benefit to accept the nature of this process and embrace the agony of waiting. Anticipating the result can be as fulfilling as holding the finished product.

 

News You Can Use – Nov. 15, 2011

The End of Borders and The Future of Bookselling – BusinessWeek article shows why Borders failed and why it doesn’t mean the demise of bookstores. Every writer should read this.

Another Change in How We Read Books? – Cloud-based book rentals…is it the future?

You Don’t Have to Accept Rejection – Copyblogger makes the case for the Indie route

Does Your Web Site Use Flash? – If so, then it is time to change. It is no longer supported by Adobe.

Random House of Canada to Try New Book Tour Model – Selling tickets that include the price of the book. Thus the book is “free.”

Jeff Bezos of Amazon, Owns the Web – A fascinating article from Wired magazine

Kindle’s Cost More to Make than What Amazon Charges – Obviously a “loss leader” that gets readers buying tons from Amazon.

A Fascinating infographic. Enjoy!
From: Media Beat

 

 

 

 

 

 

 

 

Would You Buy Your Own Book?

by Steve Laube

When I ask a room of writers if they would buy their own book if they saw it on the shelf at a major bookstore I am met with a variety of reactions. Laughter. Pensiveness. Surprise. And even a few scowls. How would you answer that question?

But the question is meant to ask if your book idea is unique. Whether it will stand out among the noise of the competition.

It is not a question of whether your book is important or valuable or even well written. It is ultimately a question of commercial viability.

You may heard it said that piracy is a problem for writers (and it can be). But I would agree with those who say that obscurity is an even greater problem. If no one knows about your book no one will steal it…and no one will buy it either!

This is why that competitive analysis portion of your proposal is so important. Help the agent help the publisher to create space on the physical store shelf but also on the virtual Internet store shelf. Help them position your book so that it rises from obscurity into viability.

This can be as “simple” as a dynamite title. Or it could be a strong platform that stand out in the crowd. Or the skill in the writing is so amazing that the book creates evangelists who will tell the world to read it.

So. Would you buy your own book if it was on the shelf next to an über-famous author on the same topic or in the same genre?

Fun Words

by Tamela Hancock Murray

I don’t usually stay up late enough to watch Conan O’Brien but awhile back I caught a show during which he campaigned to bring back use of the word thrice.

Thrice. Indeed, a fun word.

Yesterday Karen wrote about beautiful words so well that today I thought we could play with words and look at those that are entertaining. I’d like to suggest some other fun words that I think just aren’t used enough.

Slapdash

Because I’d rather negotiate contracts, send out proposals, and encourage writers, I employ a slapdash approach to housekeeping.

Draconian

While Steve Laube is draconian regarding book proposals, cooperative writers are rewarded with praise and contracts.

Phalanx

Popular agents and editors face a phalanx of proposals upon returning from conferences.

Twixt

There’s a lot of work twixt writing a proposal and getting a book published.

Ribald

We are never allowed to be ribald in CBA.

Lickety-split

I can do my slapdash housework lickety-split!

Fractious

Incoherent proposals make me fractious.

Tolerable

Oh, I’m feeling tolerable today. How about you?

 

Serious words everyone needs to say more often. Seriously:

I love you.

You are beautiful.

I thank God for you every day.

 

Your turn:

What are some fun words you like?

Who Owns Whom in Publishing?

by Steve Laube

The purchase of Thomas Nelson by HarperCollins has raised the question of who owns whom in Christian Publishing. And are there any independent publishers left?

First we must review the Big Six. These are the six major conglomerates that control a sizable portion of the marketplace.

Who are these big six?

In no particular order:

1. HarperCollins
Owned by Rupert Murdoch’s media conglomerate News Corp., HarperCollins has around fifty imprints. Zondervan had been their sold evangelical Christian imprint. But they also have HarperOne (formerly HarperSanFrancisco which publishes religious books. Also Avon Inspire is a Christian fiction division of the Avon fiction imprint. And now Thomas Nelson Publishers. News Corp. is the parent company of 20th Century Fox, the film company with numerous divisions including several Fox television networks.

2. Hachette Book Group
Formerly Warner Books (of Time Warner), they were acquired by Hachette Livre, a subsidiary of the French media conglomerate Lagardère Group. Their Christian imprint is FaithWords. A few of their imprints include Little Brown, Grand Central, and Center Street.

3. Pearson
A British corporation known in the U.S. as Penguin. They have imprints like Putnam, Berkley, Viking, etc. They have tipped their hat to the Christian market with the Penguin Praise imprint, but does not have a dedicated staff developing those titles, their editors go on a case by case basis. For example their Dutton imprint publishes Tim Keller. Their Tarcher/Penguin imprint does a number of religious titles.

3. Holtzbrinck Publishing Group
Owned by the German Georg von Holtzbrinck Publishing Group. Primarily known in the U.S. as MacMillan. They do not have a Christian imprint. But do have strong commercial imprints like St. Martin’s, Tor, and Farrar, Straus, & Giroux.

5. Bertelsmann
Bertelsmann is a German media conglomerate that owns Random House which is the largest English-language publisher in the world. They have several divisions. The Crown Publishing Group has within it the Waterbrook/Multnomah imprint. Their Knopf Doubleday Publishing Group includes Doubleday which is a religious imprint that generally has had Catholic oriented titles, but with many exceptions, including John Eldrege’s Love and War published in 2010.

6. Simon & Schuster
Owned by CBS (the TV station). Their Christian imprint is Howard Books. Other well known imprints include Pocket, Free Press, and Scribner.

A little trivia for you. ABC (the TV station) used to own Word Entertainment, which included Word Books and Word Music, which was a well known Christian company. Word Entertainment was purchased by…Thomas Nelson. Nelson later sold the Word Music division to Gaylord Entertainment, the folks who own Opryland.

What about the rest of the Christian Publishing Industry?

Christian publishers still independently and/or family owned include:
Tyndale House Publishers
The Baker Publishing Group (including Bethany House, Revell, Baker, Brazos, and Chosen)
Barbour Publishing
Worthy Publishing
Charisma Media
Crossway Books
Harvest House
Kregel
Eerdmans
P&R
Whitaker House
Standard Publishing
New Leaf Press

But then there are publishers owned by a larger organization.
For example:
David C. Cook is part of a large non-profit organization that distributes literature around the world.
Guideposts (which has the Summerside Press imprint) is also a non-profit organization.
IVP is a part of a parachurch organization, InterVarsity.
NavPress is owned by the Navigators.
Regal Books is a division of Gospel Light
B&H Publishing Group is owned by Lifeway Christian Resources (aka the Southern Baptist Convention).
Abingdon is an imprint The United Methodist Publishing House.
CLC is the publishing arm of the Christian Literature Crusade
New Hope is owned by the Women’s Missionary Union (an organization which is part of the Southern Baptists).
Beacon Hill is the publishing arm of the Nazarene Publishing House.
Leafwood Books is a division of Abilene Christian University Press.
Moody Publishing is owned by The Moody Bible Institute.
Concordia is owned by the Missouri Synod Lutheran Church.
Westminster/John Knox is owned by the Presbyterian Publishing Corporation.
Augsburg/Fortress is owned by Evangelical Lutheran Church in America.
AMG is owned by AMG International (a missions organization).
Love Inspired is the Christian fiction division of Harlequin Enterprises.

If I have left out someone I apologize. I am not trying to duplicate The Christian Writer’s Market Guide. Merely trying to show that there are a number of publishers in the Christian industry that are not owned by the corporate giants.

And if I have something wrong in this list, let me know and I’ll correct it as soon as possible.

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