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Get the Job Done with Focus!

by Karen Ball

Puzzle

I was just talking with a client the other day about the writing life. She’d struggled with getting started on her novel. Then, once she started, she said it was as though she couldn’t keep her backside in the chair. Everything else caught her attention: laundry, dishes, kids, dogs, yard work, and on and on. And when she finally managed to write most of the book, there was that darned ending! She’d written and rewritten and rewritten it again. What’s more, she was about to rewrite one more time!

“Am I the only one who struggles with all this? Does anyone else?”

After I snorted my coffee—and then cleaned up—I told her the bald truth: “Only everyone.”

Okay, maybe not every writer struggles with these things. But more writers do than don’t. It’s SO much easier to do…well, anything…than to stay focused on writing. It’s not that we don’t love what we do. Of course we love it. But it’s just so hard! And getting immersed enough in the story to stay immersed can be a real battle. So what’s a writer to do?

Well, use the different level of focus, for one thing.

I’m firmly ensconced in the camp of writers that has trouble starting, continuing, and ending well. Which is what got me focused on focus to begin with. And here’s what I’ve found. It helps a great deal to start out with mountaintop focus. How? By looking at the whole picture, I can then break it down to bite-sized pieces. And breaking things down into bite-sized pieces engages my love of puzzles and my desire to “fix” things, which gets me fully engaged. I do this as often every week, or as little as once a month, depending on how the writing is going. Any time I realize I’m out of the chair more than I’m in it, I take a day to do an overview—mountaintop focus–of the book. I consider the following:

Leave ‘Em Wanting More?

by Tamela Hancock Murray

The End Green Road Sign Illustration on a Radiant Blue Background.

Do you like stories with unsure endings? Where you don’t know if the main characters will live happily ever after?

I am a reader who doesn’t like open endings, probably because I enjoy novels that are heavy on romance and I like to know the couple can expect a happily-ever-after. My personal preference is for a novel that doesn’t beg for a sequel for the protagonist.

A Satisfying End?

Gone with the Wind ended with Scarlett O’Hara saying that tomorrow is another day. Because we had spent considerable time with Scarlett — 1200 pages, in fact, we knew that Scarlett would get her way. Somehow. Because she was Scarlett. So while in the most technical of terms, Margaret Mitchell left us with an open ending, it was still satisfying enough. Except that later, some felt the story did beg for a sequel. The sequel was panned in most quarters.

Is Your Novel Historical or Whimsy?

by Tamela Hancock Murray

Farmington Colonial Home 2

As a proud native Virginian, I find it painful to read about the possibility that our early settlers may have practiced cannibalism when my state was but a mere colony. If you have been following the story, you have seen that much of the media presents conjecture as fact but at this point whether or not they resorted to cannibalism during the starving season is speculation. Speculation or not, the idea makes me shudder.

The Gallant Sir Walter Raleigh

My third grade Virginia History book opened with the story of how the gallant Sir Walter Raleigh placed his cloak on the mud for Queen Elizabeth I so that Her Majesty’s feet would not have to touch the ground. Then, as far as I can remember, we moved on to the House of Burgesses, the heroic Pocahantas (not the Disney version), and the founding of the College of William and Mary (not necessarily in that order). I’m sure they mentioned the colony’s hard times. An eternal optimist, I like to focus on success so those facts didn’t stick as well with me. Of course, we were told a few more brutal tidbits during high school, but still, according to my memory, the accounts were coated with frothy icing.

But Surely Everyone Was Rich!

As a teenager, I used to imagine myself as a heroine in an historical novel as being among the rich women who wore pretty dresses and drank tea all day. A more realistic scenario is that I would have been wearing simple clothing while toiling with my husband to eke out a living from the Virginia soil. Perhaps like my great-grandmother, I would have given birth to seven boys.

Everyone is a Critic

by Steve Laube

chef

One of the burdens an artist must bear is the scrutiny of public opinion. It can either be exhilarating or devastating. At the risk of oversimplifying the issue let’s look at some of the categories that define this topic.

Opinion
Everyone has an opinion. The problem for the author is to determine how much weight to give to those opinions. One mistake a writer will make is to ask someone or group of someones, “What do you think of this?” with “this” being your work or the cover of their latest book.

Think of it this way, if someone is asking for your opinion and genuinely says they want to hear your thoughts, you will give that opinion…and it is often critical. It is as if we don’t feel like we have been “honest” unless we find something wrong or something we don’t like. We can become overly nitpicky and focus on things that are not vital to the design or the composition of the project. And this is where it becomes dangerous for the author. The tendency is to place too much credence on these type of opinions given by those who may not have the experience or know-how to truly be of service. That is not to say their opinions are wrong or misinformed, merely that discernment must be used when filtering these comments.

The gathering of too many opinions can clutter a sure vision or shake your confidence. It can become like the cynical definition of a committee: “A body that keeps minutes but wastes hours.”

Fancy Schmancy!

by Tamela Hancock Murray

Isolated crown

I just saw a funny short video about how to go from boring to fancy. Examples included labeling the same bread as “bread” and then “artisan bread” and the identical “cheddar” as “aged cheddar.” I would have gone with “artisan” cheddar, myself. The last time our family dined in a restaurant with my in-laws in Connecticut, “Cheese made by Vermont artisans,” was offered as an appetizer.

How about adding letters to an ordinary word? An example: Ye Olde Shoppe. Would you rather shoppe there than shop at Nordstrom?

Does drinking water out of a crystal goblet make the water seem fancier than drinking the same water out of an everyday glass?

How about paying money for water that comes bottled instead of from the tap? I have read articles that claim some bottled water is, in reality, tap water. I don’t know if that’s true.

I DID Finish Your Book…and I Plan to Read it Again!

by Karen Ball

Reading a book

After reading Steve’s and Tamela’s thought-provoking blogs on why they don’t finish books, I decided to talk about the flip-side. I totally agree with all that Steve and Tamela said. I’m not among the camp that has to finish a book once I’ve started it. But what a delight it is to find a book that I not only want to finish, but that I wish would never end. Those are rare treasures that live on my bookshelves, friends I can’t wait to be with again.

So here’s why I finished your book—and plan to read it again and again and again:

Consuming Story

From the first page I knew the story was powerful—and that spending time in it would be not just worthwhile, but wonderful. Your attention to the ebb and flow of the tale; to making it true to life and heart; to giving me a moment to catch my breath, then plunging me even deeper into the conflict; to the powerful and satisfying ending…it all wove the story together into a tapestry that I will revisit to catch new details and beauties and truths.

Cover Bands Don’t Change the World

by Steve Laube

Icon People Line - One Red at the Front

I had been reading and thinking about creativity when I came across the title of today’s post as a chapter by that name in a book called The Accidental Creative: How to be Brilliant at a Moment’s Notice by Todd Henry (2011). It stopped me in my tracks. I knew he was right. A cover band plays other people’s music. Often it is a new interpretation of a familiar song and sometimes it is a direct copy, like a tribute band. While popular and entertaining for the moment they rarely have lasting impact.

What sells in our market, also known as “trends,” moves like a chased rabbit, very difficult to capture and quickly shifting its path. To our detriment we often chase these trends in order to find success. After thirty years in the book business I’ve seen this happen time and again. Hot trends of the past include non-fiction books on prophecy, angels, spiritual warfare, Bible promises, heaven, and even martyrdom. In fiction it has been novels that revolved around prairie romance, supernatural battles, and chick-lit. While imitation may be the sincerest form of flattery it betrays original thinking.

I Didn’t Finish Reading Your Book, Either

by Tamela Hancock Murray

free_books_online

Followers of this blog know that on Monday, Steve Laube wrote a superb post on why he doesn’t finish reading certain books.  I have stopped reading certain books for those same reasons. And for different reasons.

Beginnings

When I was in grade school, one of my mentors said always give a book at least one chapter, preferably three, before giving up. I have followed that rule on any book I felt strongly enough about to begin. As a result, I have been enriched by many stories with slow starts, but incredible payloads. However, in today’s market, I don’t recommend a slow start. Do everything you can to draw your reader in from page one. Even sentence one. Caveat? Be sure the plot lives up to its initial promise.

I don’t care about your characters. I don’t even like them

I Did Not Finish Reading Your Book

by Steve Laube

unfinished-books

In the past year have you started a book, fiction or non-fiction, and did not finish it? I have. Many times.

There are many reasons for this to happen. Here are a few examples:

Fiction:
I didn’t care about your characters.
The plot fizzled.
The story became ridiculous and unrealistic.
It was too easy to put down. Or in other words, it was forgettable.

Non-Fiction:
It became repetitive. I already got the point, why say it three or four different ways?
The conclusions were obvious, to the point of cliché.
The author lost focus and began to meander.
The whole book felt manufactured. As if it has been an assignment and not a passion.

What about you? Have you had a similar experience? Love to hear your comments below.

What Do You Do For a Living?

by Tamela Hancock Murray

New Glasses

We have a new eye doctor and this past weekend I had my first appointment with him for my annual checkup.

He noted that I’m a literary agent. For one, I was impressed that he understood what a literary agent is. Most people have to ask. The conversation led to thoughts about professions as they are portrayed in books and on TV. Let me recap his thoughts:

“There are very few opthamologists in movies.” He named a couple of films, one with an eye doctor as a minor character.

“It’s hard for a character to have a 9-5 job because they work all day. People in movies seem to be architects. For one, no one knows what hours they work, so they can be available any time. Two, you can show them carrying around a set of blueprints as a visual. And three, they have a cool prop like a drawing board.”

From that perspective, he’s right. Visuals for the career of an architect can be rather effective and easy. And though regular office hours may be the reality for most architects, few people know one way or the other, so the perception is that they work when they please. Just look at any “Brady Bunch” TV show. Did the dad ever put in a full day of work?

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