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Writers Learn to Prepare

by Steve Laube

Preparation is awfully important if you are planning to climb Mt. Everest. If you show up in a t-shirt, shorts, flip flops, and a sack lunch it is likely  you will perish during the ascent.

The same idea applies to the writer. You must do the hard work ahead of time to achieve success.

There are No Shortcuts

Despite numerous methods for efficiency, there is still no shortcut in writing a great book. It is rare for anyone to slap together a masterpiece in a few short days. Don’t think we can’t tell the difference!

There are No Substitutes

This is your  work, not your neighbors. Yes, you may use the help of a Book Doctor, a freelancer, a critique group, or even a collaborator, but it is still your work. It is your name that goes on the cover.

There are No Guarantees

You could put in the 10,000 hours of practice Malcom Gladwell says is the minimum time before you are ready. You could come up with a great idea. But it still doesn’t guarantee that it is going to break through. Someone else may have just released a book too similar to yours. The execution of your craft may need another 10,000 hours before it is good enough. Many writers fail at this stage because they get a sense of entitlement and are frustrated with rejections.

John Creasy the English novelist kept at it. He kept getting rejected so decided to use pen names to create a new identity. Fourteen of them! Collectively he received 753 rejection letters. But he didn’t give up. His 754th became the first of his 564 published books. What if he had quit at the 700th rejection?

The bottom line is to take the time necessary to truly excel. It will be worth it in the end.

Christian Romance — Fact or Fiction?

by Tamela Hancock Murray

In response to a recent blog post, “A Matter of Taste,”  a reader asked what I would say if someone claimed there is no such thing as Christian romance.

In fact, I have been confronted with this question before. At a Christian writers’ conference a few years ago, a woman told me in a snide manner that romance is a “fantasy” and walked away before I could respond. I felt especially sad that the woman was no doubt a fellow Christian, but it sounded like it had come from a jaded secularist. I believe this woman’s attitude reflects her own experience rather than the state of Christian publishing. True, not all real life endings are happy, and Christian romance novels traditionally end with the premise that the couple will enjoy a bright future. That is the hope and promise these books offer. Indeed, isn’t that the hope and promise of weddings in real life?

The Lord never promised Christians perfect unions. My heart aches for anyone in a miserable marriage. Hurt people hurt people, so no amount of convincing will change some minds about romance. But God is bigger than any situation, and He heals willing hearts.

Inspiration

Yet to dismiss Christian romance as a fantasy is wrong, in my view. When I wrote my own Christian romance novels, my husband inspired the best elements in my heroes. My heroines were not modeled upon myself, but on women I admire. I gave my heroines qualities I wish I had in bounty. I felt uplifted as I wrote my stories. Judging from the fan mail, those stories connected with readers as well. Other authors receive heartwarming fan mail by the bagful, so I know God is using Christian romance novels to touch lives.

In Real Life…

As for real life? My husband and I have the advantage of great examples. All four sets of grandparents demonstrated “till death do us part.” Three sets celebrated their 50th wedding anniversaries. Our family demonstrates that the Lord is a God of second chances, too. My husband’s mother is the child of her mother’s second marriage, as she was widowed young. My mother-in-law always speaks of how her parents encouraged her and her brother to be active in church. She ended up marrying the youth pastor who moved to town from the Midwest!

Both sets of our parents have celebrated their 50th wedding anniversaries. They are still devoted to each other. Though we aren’t perfect, my husband and I have tried to emulate their models. We make time for one another every day. We are individuals, but have cultivated the same interests so we enjoy doing the same things. We look forward to spending time together. We are devoted to each other. To me, that is the key word: devotion. How can you not feel romantic toward your mate when you are both devoted to one another?

Your turn:

What do you do to make your Christian marriage a Christian romance? Share your best ideas and stories!

Writers Learn the Waiting Game

by Steve Laube

Ours is a process industry. Good publishing takes time. Unfortunately time is another word for “waiting.” No one really likes to wait for anything. Our instant society (everything from Twitter to a drive-thru burger) is training us to want things to happen faster. Awhile ago I wrote about how long it takes to get published which gave an honest appraisal of the time involved. Below are some of the things for which a writer must learn to wait.

Waiting for the Agent

We try our best to reply to submissions within 6-8 weeks and are relatively good about that. But if your project passes the first review stage and we are now reviewing your entire manuscript remember that reading a full manuscript is much more demanding than reading a few short proposals.

If you are already represented all I can say is that agents do their best to be responsive to your questions and phone calls. Crisis Management is part of our job description. But one of the first things a First Responder must do is triage. Some issues are more critical than others which can create consternation if yours is next in line instead of first.

Waiting for a Publisher

After working hard to get your proposal just right we send it out to a select list of publishers. Then we sit back and wait. It can take 3-6 months to hear an answer from a publisher. The longest our agency waited was 22 months before we received a contract offer. No kidding. Just shy of two years. [Both I and my client had already moved on, thinking the project was dead.] But that is truly the exception. I believe that if we don’t receive some sort of answer within four months it is probably not going to connect.

Waiting for Your Contract

Once terms are agreed it can take quite a while to get the actual contract issued by some publishers. Many can take as long as two months to generate the paperwork. We once had to change the date of the contract because it had taken so long to create the paperwork that the due date for the manuscript was earlier than the actual date on the contract! This delay can be excruciating. Ask your agent what is typical for the specific publisher you are working with. Some are quick some are slooooow.

Waiting for Your Editor

You met your deadline. And then you wait.

Months.

And you begin wondering if anyone is reading the manuscript at all!

This is actually quite typical. The publisher needs to have the manuscript in hand to know that it actually has been written. But don’t think the editor is sitting at their inbox, on the due date, with rapt anticipation of receiving your contracted manuscript. They manage their time in order to keep things in the queue and moving along. It can very frustrating to wait. The key here is to be in communication with your editor. It is okay to ask! Or talk to your agent to see if they know if there is anything going on that is preventing that editor from working on your book.

Waiting for Your Marketing and Publicity to Kick In

The new author is so excited about their new book that they want to start chatting about it the day after they turn in the manuscript. A great athlete or sports team wants to peak at the right time, never too early. The same with book promotion. If you begin tweeting and Facebooking (is that a verb now?) without inventory to back it up, the window of sales opportunity closes.

“But e-books solves that issue because they can be ready today!” you shout. Remember that a lot of people still buy books in stores, online, and off your back table at an event. The physical book is still alive and well and must be available if your publicity and marketing is to be effective.

Recently we had a client contacted by “People” magazine for an interview. Unfortunately their book won’t be out for another year. The story is timeless and we asked if they would be willing to wait for the interview and run it as part of a larger campaign. The risk is that they won’t do the story, but it would have been worse to tell the story and not have a book to back up the feature.

Waiting for Your Money

When I became an agent I didn’t know I’d become a Collections Agent…not just a Literary Agent. Getting paid can take time (i.e. waiting).

Waiting for the “on signing” advance — Normally the publisher can take a full 30 days before issuing the check.

Waiting for the “on acceptance of manuscript” advance — This can vary widely. Just because you turned it in doesn’t mean it is acceptable. One publisher we work with will not issue a “acceptance” check until the book has gone through every stage of the editorial process and has been sent to production for typesetting. This can take months.

Waiting for the advance to earn out and new royalty earnings to arrive — Yes, some books do not earn out their advances. (Read the post about “The Myth of the Unearned Advance.”) But many do earn out and the money eventually starts coming, even if in tiny pieces. This can take a couple years.

_____

At each stage the writer chaffs at the process. This is quite understandable. Recently I read an author’s angry screed (on their blog) criticizing their publisher for the excruciating process of getting their book out. The problem, as I see it, is that the author’s expectations were not in line with reality. Much of a writer’s angst can be avoided by understanding the process and modifying their expectations to match.

Therefore my encouragement for you is to learn the waiting game. Some scientists even claim that it might be good for you (click here for the article). Truly it is to your benefit to accept the nature of this process and embrace the agony of waiting. Anticipating the result can be as fulfilling as holding the finished product.

 

Floating Body Parts

by Tamela Hancock Murray

Writers conferences and blogs talk about this topic often so I don’t pretend to be breaking new ground with this post. Yet I still see some floating body parts and cliches creep into otherwise great stories. No, I don’t mean murder mysteries depicting a stray arm floating in a river. I mean much gentler fare.

Yes, floating body parts offer the reader — and writer — shortcuts. But relying on them as description in narrative doesn’t challenge anyone’s imagination.

Rolling eyes

The offender I see most often is:

“She rolled her eyes.”

Yes, we all know this means that her eyes went from the ceiling and back. No, wait a minute. Her eyes didn’t go the ceiling and back. Her gaze went to the ceiling and back. See the difference? No pun intended.

Eyes are never glued anywhere — unless you’re talking about a stuffed teddy bear.

Fingers and feet don’t fly on their own.

And don’t throw up an arm — I’m terrible at sports and liable not to catch it.

Want to eliminate these from your writing? This post from A Novel Writing Site offers suggestions, along with substitutions for the word “gaze.”

Never Famous Enough

Some bloggers say that famous writers can get away with using floating body parts. Perhaps. But rather than than striving to be famous enough to get away with using them, why not hone your writing to its best, regardless of where you are in your career? Use your powerful imagination to find other ways of describing eyes locking and stares boring. The only exception I would make is that in dialogue, the occasional floating body part is appropriate. Why? Because that’s how some people express themselves. But narrative should be more formal.

Old Hat

Cliches are just as distracting as floating body parts in narrative. But for the same reasons as floating body parts may work in dialogue, so can a few well-placed cliches. For a pretty comprehensive list (caution — contains the occasional off-color word), read Cliches, Avoid Them Like the Plague.

Your turn:

What floating body parts and cliches distract you the most in books? When, if ever, have you seen a cliche or floating body part used effectively?

 

 

How Things Used to Be

by Karen Ball

My family and I have discovered a new TV channel we absolutely love: ME TV. No, it’s not about being egotistical. ME stands for Memorable Entertainment, and its lineup boasts all the old shows that we used to watch when I was a kid. No fooling! It’s like my youth has been reborn! Everything from Rockford Files to Wagon Train, Perry Mason, to Dick VanDyke, Hawaii 5-0 (the REAL 5-0) to Family Affair, Columbo to The Guns of Will Sonnett…so many shows that, even at the earliest age, caught my imagination and introduced me to the power of story. Each show, in it’s own way, drew me in, making me a part of the drama, adventure, or romance. I knew, even back then, that I wanted to be a part of all that. Of weaving stories. Of letting them bring truths to life in a way that engaged the heart, imagination, and mind.

But as I’ve watched these old shows, I’ve discovered something. Something that absolutely astounded me. God is there. Up front and center. In these TV shows—Prime Time shows–shows that, all those years ago, visited countless homes every week, characters—beloved characters—quote Scripture, pray, and read the Bible. Faith is as much a part of these stories as anything else, and it’s woven in seamlessly. Even, at times, masterfully.

And here’s the thing: I didn’t remember that about these shows. As I’ve wondered why, I realized something. My not remembering wasn’t because the faith aspect wasn’t well done, but because it was a natural part of things back then. Not only of the shows, but of life. When this realization hit me, I found myself inexplicably moved. And saddened.

Moved, because God’s truth is so beautifully represented. Because the power of God’s Word and love is demonstrated so honestly, so realistically, that I want to jump up and cheer. The faith element isn’t tacked on or “Hollywood.” It’s just a part of the fabric of the characters and the story. And it’s perfect.

And saddened because of how much we’ve lost. After a few days of watching these old shows, I found myself fighting tears. I turned to my dad during a particularly moving episode of Wagon Train, where they offered a simple but beautiful prayer for God’s intervention during a crisis. “That’s what America used to be,” I said to him, pushing the words past a sudden tightness in my throat. “I miss that America.”

Friends, we’ve lost so much. Not just in the shows we watch on TV, but in our lives. Because odds are, if a TV show today showed the reality of faith and God as unashamedly as these old shows, there would be an outcry. Complaints about what folks were being forced to watch, about not being “tolerant” of other world views. But more than that. My heart breaks because, back then, Americans were proud not just of their country, but of the fact that we were people of faith. People who prayed for each other, people who acknowledged God freely, in every aspect of life. Who recognized and celebrated the positive impact of Truth. Shoot, people who understood there was Truth!

That’s why I believe so much in what we as writers, editors, agents, and speakers do. We may not have those kinds of shows on TV today, but we—you and I—can bring such stories to life in the pages of our books. So stay the course, friends. Let God’s love and truth shine bright in the stories and books you craft. Remind your readers that we are still, no matter what the world wants to think, people of faith. People who pray for each other. People who are moved and inspired by Scripture. People who understand that what makes us American isn’t freedom from faith, but freedom of faith.

News You Can Use – Nov. 15, 2011

The End of Borders and The Future of Bookselling – BusinessWeek article shows why Borders failed and why it doesn’t mean the demise of bookstores. Every writer should read this.

Another Change in How We Read Books? – Cloud-based book rentals…is it the future?

You Don’t Have to Accept Rejection – Copyblogger makes the case for the Indie route

Does Your Web Site Use Flash? – If so, then it is time to change. It is no longer supported by Adobe.

Random House of Canada to Try New Book Tour Model – Selling tickets that include the price of the book. Thus the book is “free.”

Jeff Bezos of Amazon, Owns the Web – A fascinating article from Wired magazine

Kindle’s Cost More to Make than What Amazon Charges – Obviously a “loss leader” that gets readers buying tons from Amazon.

A Fascinating infographic. Enjoy!
From: Media Beat

 

 

 

 

 

 

 

 

Would You Buy Your Own Book?

by Steve Laube

When I ask a room of writers if they would buy their own book if they saw it on the shelf at a major bookstore I am met with a variety of reactions. Laughter. Pensiveness. Surprise. And even a few scowls. How would you answer that question?

But the question is meant to ask if your book idea is unique. Whether it will stand out among the noise of the competition.

It is not a question of whether your book is important or valuable or even well written. It is ultimately a question of commercial viability.

You may heard it said that piracy is a problem for writers (and it can be). But I would agree with those who say that obscurity is an even greater problem. If no one knows about your book no one will steal it…and no one will buy it either!

This is why that competitive analysis portion of your proposal is so important. Help the agent help the publisher to create space on the physical store shelf but also on the virtual Internet store shelf. Help them position your book so that it rises from obscurity into viability.

This can be as “simple” as a dynamite title. Or it could be a strong platform that stand out in the crowd. Or the skill in the writing is so amazing that the book creates evangelists who will tell the world to read it.

So. Would you buy your own book if it was on the shelf next to an über-famous author on the same topic or in the same genre?

Fun Words

by Tamela Hancock Murray

I don’t usually stay up late enough to watch Conan O’Brien but awhile back I caught a show during which he campaigned to bring back use of the word thrice.

Thrice. Indeed, a fun word.

Yesterday Karen wrote about beautiful words so well that today I thought we could play with words and look at those that are entertaining. I’d like to suggest some other fun words that I think just aren’t used enough.

Slapdash

Because I’d rather negotiate contracts, send out proposals, and encourage writers, I employ a slapdash approach to housekeeping.

Draconian

While Steve Laube is draconian regarding book proposals, cooperative writers are rewarded with praise and contracts.

Phalanx

Popular agents and editors face a phalanx of proposals upon returning from conferences.

Twixt

There’s a lot of work twixt writing a proposal and getting a book published.

Ribald

We are never allowed to be ribald in CBA.

Lickety-split

I can do my slapdash housework lickety-split!

Fractious

Incoherent proposals make me fractious.

Tolerable

Oh, I’m feeling tolerable today. How about you?

 

Serious words everyone needs to say more often. Seriously:

I love you.

You are beautiful.

I thank God for you every day.

 

Your turn:

What are some fun words you like?

Beautiful Words…100 of Them!

by Karen Ball

As someone who has studied other languages (French, Spanish, and Russian), I love the physicality of words. When you speak either French or Russian, your whole lower face gets a workout. It’s as though you’re tasting the words as well as speaking them.

Happily, English has words like that as well. Consider the following:

• impecunious
• circuitous
• mellifluous
• exsanguinate
• ebullient
• flummery

Words like these are not only fun to use, they’re fun to say. The feel of some even reflect their meaning. Impecunious has a tight, stingy feel to it. Mellifluous rolls off the tongue. Flummery feels a bit foolish as it escapes you.

I was trolling the internet, just looking for articles on felicitous (there’s another one!) words, and came across a delightful site: The 100 Most Beautiful Words in the English Language.

Writers, Readers, Word Lovers, do yourselves a favor and check it out! I had a blast just trying to pronounce some of them. And I thought there were several that should have been on the list.

How about you? I’ll share my words after some of you share yours.

Who Owns Whom in Publishing?

by Steve Laube

The purchase of Thomas Nelson by HarperCollins has raised the question of who owns whom in Christian Publishing. And are there any independent publishers left?

First we must review the Big Six. These are the six major conglomerates that control a sizable portion of the marketplace.

Who are these big six?

In no particular order:

1. HarperCollins
Owned by Rupert Murdoch’s media conglomerate News Corp., HarperCollins has around fifty imprints. Zondervan had been their sold evangelical Christian imprint. But they also have HarperOne (formerly HarperSanFrancisco which publishes religious books. Also Avon Inspire is a Christian fiction division of the Avon fiction imprint. And now Thomas Nelson Publishers. News Corp. is the parent company of 20th Century Fox, the film company with numerous divisions including several Fox television networks.

2. Hachette Book Group
Formerly Warner Books (of Time Warner), they were acquired by Hachette Livre, a subsidiary of the French media conglomerate Lagardère Group. Their Christian imprint is FaithWords. A few of their imprints include Little Brown, Grand Central, and Center Street.

3. Pearson
A British corporation known in the U.S. as Penguin. They have imprints like Putnam, Berkley, Viking, etc. They have tipped their hat to the Christian market with the Penguin Praise imprint, but does not have a dedicated staff developing those titles, their editors go on a case by case basis. For example their Dutton imprint publishes Tim Keller. Their Tarcher/Penguin imprint does a number of religious titles.

3. Holtzbrinck Publishing Group
Owned by the German Georg von Holtzbrinck Publishing Group. Primarily known in the U.S. as MacMillan. They do not have a Christian imprint. But do have strong commercial imprints like St. Martin’s, Tor, and Farrar, Straus, & Giroux.

5. Bertelsmann
Bertelsmann is a German media conglomerate that owns Random House which is the largest English-language publisher in the world. They have several divisions. The Crown Publishing Group has within it the Waterbrook/Multnomah imprint. Their Knopf Doubleday Publishing Group includes Doubleday which is a religious imprint that generally has had Catholic oriented titles, but with many exceptions, including John Eldrege’s Love and War published in 2010.

6. Simon & Schuster
Owned by CBS (the TV station). Their Christian imprint is Howard Books. Other well known imprints include Pocket, Free Press, and Scribner.

A little trivia for you. ABC (the TV station) used to own Word Entertainment, which included Word Books and Word Music, which was a well known Christian company. Word Entertainment was purchased by…Thomas Nelson. Nelson later sold the Word Music division to Gaylord Entertainment, the folks who own Opryland.

What about the rest of the Christian Publishing Industry?

Christian publishers still independently and/or family owned include:
Tyndale House Publishers
The Baker Publishing Group (including Bethany House, Revell, Baker, Brazos, and Chosen)
Barbour Publishing
Worthy Publishing
Charisma Media
Crossway Books
Harvest House
Kregel
Eerdmans
P&R
Whitaker House
Standard Publishing
New Leaf Press

But then there are publishers owned by a larger organization.
For example:
David C. Cook is part of a large non-profit organization that distributes literature around the world.
Guideposts (which has the Summerside Press imprint) is also a non-profit organization.
IVP is a part of a parachurch organization, InterVarsity.
NavPress is owned by the Navigators.
Regal Books is a division of Gospel Light
B&H Publishing Group is owned by Lifeway Christian Resources (aka the Southern Baptist Convention).
Abingdon is an imprint The United Methodist Publishing House.
CLC is the publishing arm of the Christian Literature Crusade
New Hope is owned by the Women’s Missionary Union (an organization which is part of the Southern Baptists).
Beacon Hill is the publishing arm of the Nazarene Publishing House.
Leafwood Books is a division of Abilene Christian University Press.
Moody Publishing is owned by The Moody Bible Institute.
Concordia is owned by the Missouri Synod Lutheran Church.
Westminster/John Knox is owned by the Presbyterian Publishing Corporation.
Augsburg/Fortress is owned by Evangelical Lutheran Church in America.
AMG is owned by AMG International (a missions organization).
Love Inspired is the Christian fiction division of Harlequin Enterprises.

If I have left out someone I apologize. I am not trying to duplicate The Christian Writer’s Market Guide. Merely trying to show that there are a number of publishers in the Christian industry that are not owned by the corporate giants.

And if I have something wrong in this list, let me know and I’ll correct it as soon as possible.

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