Tag Archive - Titles

Silly Saturday


Today is International Bacon Day! Celebrate the Bacon!

Apparently this past week, according to the LA Times, a rapidly trending Twitter “game” has been to replace movie titles or book titles with the word Bacon. For example:

The Lion, the Witch, and the Bacon
Pretty in Bacon
Harry Potter and the Goblet of Bacon
Eat, Bacon, Love
The Lord of the Bacon

So I thought, “Why not apply the same to bestselling Christian titles?” And came up with the following list:

The Bacon Driven Life
The Five Bacon Languages
Crazy Bacon
Bacon Wins
Redeeming Bacon
21 Immutable Laws of Bacon
Bacon is for Real
90 Minutes in Bacon
Same Kind of Bacon as Me

What titles can you add to the list? Be creative! And add them to the comment section.

Have fun this Labor Day weekend.

En-TITLE-ment: Finding the Perfect Title (Part Three)

by Karen Ball

Remember that old adage for retailers, “The customer is always right?” Well, for novelists seeking the perfect title, that should be “The audience is always right.”

Tip #4: Remember Your Audience! Novelists do a great job, on the whole, of keeping their audience in mind as they write. But sometimes when trying to come up with a catchy title or cover image, they go a bit far afield of that audience. The result is that readers who would love the story won’t even pick it up. And those who do pick it up may not find what they expected inside. So as you work on your title, remember who your reader is. For example:

  •  Age range. If your book would appeal mostly to Christian women in their 40s and up, then don’t use a trendy title that will appeal to the twenty-somethings. And watch out for technology phrases. Unless your certain your core audience is familiar with both the meaning and use of something technologial, steer clear. For example, using RAM, bits, bytes, and bauds as words in your title may work for a younger audience, or one that’s technologically savvy, but for older readers? Odds are good you’d lose ‘em. (Or have them writing you letters scolding you for misspelling bites.)
  • Region. If your book is set in a particular region, are there phrases or even familiar sayings you can adapt to a title? Or, as we discussed in the character tip, are there landmarks that will position your story in a readers’ mind? In the Northwest, using words such as Cascade, Siskiyou, Sun Valley, and Snohomish create an immediate image in our minds.For example, the publishing house I work for, B&H Publishing Group, is based in Nashville. Can you guess the phrase that I hear ALL the time…and now say on a regular basis? Yup: Bless yer heart!
  • Education levels. This has nothing to do with your readers’ intelligence, but more with the fact that what appeals to those who’ve gone through advanced levels of education often is different than what appeals to those who finished their formal education in high school. And studies have shown that reading tastes of those with different educational backgrounds often differ as well.
  • Married and family status. Are your readers married? Single? Do they have kids or not? Are you readers of an age where their children are toddlers, teens, college-bound, etc? All of these factors come into play with what appeals. For example, I’ve been married almost 30 years, but my hubby and I never had children. So while I’m drawn to titles focusing on love or relationships, I’m not inclined to pick up a book that, by its title, is aimed at either someone single or someone with children. Unless, of course, the children are in jeopardy! Then that moves it from relationship into suspense, and I love that!
  • Gender. Yes, it does make a difference! Not that women aren’t drawn to guy titles, or vice versa, but you do need to remember your core consumer and how the title will both sound and feel to them.
  •  Tastes in music. Song titles can be great book titles, or great springboards to a title. And every generation has universally known titles. Think about it: Leader of the Pack, Close to You, Great Balls of Fire, Hotel California, Billion Dollar Babies, If God Was One of Us, and so on. Also, consider hymns. There’s a wealth of beautiful imagery in hymn titles. (note: you can’t copyright a title, so no worries about copyright infringement. But to be aware of Trademarks. Trademarks cannot be used.)

Also, keep in mind what may be uppermost on your readers’ minds. What are they feeling, struggling with, fearing, anticipating? For example:

  •  Economics (is your audience made up of those who are most likely hit by the current economic issues such as job and retirement loss?)
  • Issues with children
  • marital struggles
  • struggles with organized church
  • faith crises
  • Emotions (for example, with all the job and retirement loss in the last year, fear is a huge factor for many people. Titles that offer hope and peace, or a respite from the struggles, would draw readers’ attention)

Remember, good titles–combined with good cover art–create an image or mood and garner a visceral response from the reader. It’s my hope these tools will provide you with some assistance in coming up with two or three good options to send to you publisher when the time comes to do so.

So have at it–and happy titling!

 

 

 

 

 

En-TITLE-ment: Finding the Perfect Title (Part Two)

by Karen Ball

First, here are the answers to last week’s questions:

Name That Tone!

The Boneman’s Daughters–chilling

Redeeming Love–romantic

The Shunning–Amish

The Riddlemaster of Hed–fantastical

A Vase of Mistaken Identity–whimsical

Without a Trace–suspensful

Three Weddings & a Giggle—humourous and romantic

Name that Genre!

Kidnapped–adventure

Sister Chicks Down Under—witty women’s fiction

The Lightkeeper’s Ball—historical romance

Deadly Pursuit—suspense

The Twelfth Prophecy, A.D. Chronicles—biblical fiction

Okay, now, on to Tip #3 for crafting strong titles. As USA channel puts it, Characters welcome! Ever and always, Keep Your Characters in Mind. Sometimes the best title for a book focuses on the character. But not just on the name, though that can work well. You can also base a title on your character’s:

  • Personality
  • Personal struggle
  • Conflict with other characters
  • Lesson learned
  • Nickname
  • Nationality
  • Flaw
  • Physical characteristics
  • Occupation or calling

…and so on. Look at all the facets of your character to see if there’s something that would lend itself well to an eye- and imagination-grabbing title. Also, remember that these kinds of titles can often lead to wonderful designs.

Also, remember that your location can be considered a character as well. Certain regions, states, or countries tend to have personalities, so to speak. Build on that for a title that creates the image of your story before the reader has even hit page one.

Some examples of character-based titles:

Name

Magdalene (interesting that they chose Magdalene rather than Mary Magdalene. Used the far more negative/emotional portion of the name for the title)

Rachel’s Secret

Here Lies Arthur

Ruby’s Slippers (outstanding cover art enhances the name and tongue-in-cheek connection to Wizard of Oz. See below!)

Physical Characteristic

The Eye of Jade (cover design played off this title beautifully. See below.)

The Face

The Bluest Eye

Character’s struggle or “state”

A Bride in the Bargain

Daughter of Liberty

Deceived

Snow Angel

Personality

The Duchess & the Dragon (gives you a strong sense of the heroine and hero, right up front)

Sisterchicks in Wooden Shoes (this title uses location as well)

That Certain Spark (the cover art is what makes this title so effective! See cover below.)

Location as a character

The Shack

What the Bayou Saw

Savannah from Savannah (wonderful mix of name and location)

Texas Angel

Occupation/Calling

Guardian of the Flame

The Alchemist

The Night Watchman

     

Any others you can think of to illustrate this tip?

 

 

 

 

 

En-TITLE-ment: Finding the Perfect Title (Part One)

by Karen Ball

One of the most difficult—and important—things we did when I worked in the publishing house was come up with titles for our authors’ novels. Sometimes it was a breeze, either because the author’s title was spot-on or because the story lent itself organically to a certain title. But more often than not, it was a long process of back-and-forth with the author, marketing, and sales. So how can you, the author, develop a title that works well? Give the following tips a try.

1. Tone. Be sure your title reflects the tone of your story accurately. A whimsical title on a book that is dark and tense will leave the reader feeling suckered or betrayed. Avoid disconnects, so that when the reader is drawn by the title, what they find on the back cover and in the content will only make that draw even stronger. Be sure the title creates a sense of whimsy, tension, danger, romance, mystery, fantasy, the future…whatever best reflects the tone of your story.

Okay, so ready for a challenge? Based on the titles below…

Name That Tone!

The Boneman’s Daughters

Redeeming Love

The Shunning

The Riddlemaster of Hed

A Vase of Mistaken Identity

Without a Trace

Three Weddings & a Giggle

2. Genre. This goes hand in hand with tone. While it’s important to reflect the tone of your book, you also need to be sure the title fits the genre you’re writing. For example, many contemporary novels have a strong thread of romance in them, but you don’t want to put a title that focuses too much on the romance element. Those who read romances have specific expectations, some of which won’t be met by a contemporary novel. The beauty of genre, though, is that we often mix genres. Cozy mysteries, for example, mix mystery with a bit of a whimsical tone. Romantic adventure–self-evident. So you can use that interplay in titles. One caveat: you can offset the genre focus with the cover art. For example, a title like The Longing Heart could be romance, could be contemporary. How the designer treats the cover will clarify genres for the reader.

Name that Genre!

Kidnapped

Sister Chicks Down Under

Deadly Pursuit

The Twelfth Prophecy, A.D. Chronicles

 

Part two coming next week!