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Our Service Philosophy


To help the author develop and create the best book possible. Material that has both commercial appeal and long-term value.


To help the author determine the next best step in their writing career. Giving counsel regarding the subtleties of the marketplace as well as the realities of the publishing community.


To help the author secure the best possible contract. One that partners with the best strategic publisher and one that is mutually beneficial for all parties involved.

Recent Posts

News You Can Use – June 19, 2012

IVP Takes a Book Out-of-Print Because of Errors – This is an impressive (and expensive) response by a publisher. A review by Carl Trueman detailed numerous factual errors, typos, and mistakes for an academic volume on the Reformation. IVP correctly responded by removing the book from circulation and will fix the errors and re-release the book this Summer. And will replace, for free, any copies already purchased.

Forbes Article about Smashwords Founder Mark Coker – An interesting article. Makes you admire his entrepreneurial spirit and vision!

How are Millenials Different from Previous Generations? –  If you want more, make sure to click through to the entire study from Focus on the Family.

Leaders Need to Read Fiction! – All I can say is “Preach it!”

Are You Depressed? Bipolar? Anxious? – Believe or not, there is an app for that. And if you need your Smart Phone to verify if you are depressed, there is something more seriously wrong with you.

Ever wonder how the Internet works? This quick video explains it in terms even I can understand:

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Inside a Publishing Company

by Steve Laube

I just returned from three days at the Write! Canada writers conference outside Toronto. During my time there I presented a six session lecture series on the Complete Publishing Process: From Idea to Print.

When the entire process is compressed into a short series like that it becomes evident how many people are involved in the publishing of a book at any given publishing company.

Recently Random House did a 10 minute video interviewing a number of key people in-house who are involved in the acquisition, editing, design, marketing, and sales of a book. Having worked for a publisher (Bethany House Publishers) this video made me smile as I remembered many of the great people I was privileged to work with (many of whom are still working there!).

What thoughts does this video invoke for you?

If you are self-publishing, how much of this are you doing yourself?

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Fun Fridays – June 15, 2012 – Weird English Language Quirks

Fun Fridays – June 15, 2012

Weird English Language Quirks

What is another word for “thesaurus”?

Have you ever run into someone who was combobulated, gruntled, ruly or peccable?

If a book about failures doesn’t sell, is it a success?

Did you know that “verb” is a noun?

If a word is misspelled in a dictionary, how would we ever know?

Why isn’t phonetic spelled the way it sounds?

Have you experienced requited love?

Why is the word abbreviation so long?

How can you look up words in a dictionary if you can’t spell them?

If a vegetarian eats vegetables, what does a humanitarian eat?

If two mouses are mice and two louses are lice, why aren’t two houses hice?

If Webster wrote the first dictionary, where did he find the words?

Is there another word for a synonym?

Have you ever said, “The present is a good time to present the present?”

Shouldn’t there be a shorter word for “monosyllabic”?

Why can’t you make another word using all the letters in “anagram”?

Why do fat chance and slim chance mean the same thing?

Why do overlook and oversee mean opposite things?

Why do people use the word “irregardless”?

We say something is out of whack. What is a whack?

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My Book is Like…

When I posted about writing great book proposals, I noticed a trend toward anxiety about the market comparison section. This is understandable since authors need to strike a balance between, “I am the next C.S. Lewis,” and “You don’t want to read this, do you?”

Aspiring to be like…

Most of the time, newer authors don’t think about comparing their work to the work of others in the proposal. Some do venture to compare themselves to classic authors in the query letter, and that can help the agent or editor orient herself to what you are writing, especially when your work isn’t of a specific genre. Do couch your words with care, however. “I compare my work to that of Francine Rivers,” reads differently than, “I greatly admire Francine Rivers. Reading her books has helped me aspire to touch hearts and souls with deep, emotional stories.”

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Do You Have Perfect Pitch?

Thanks so much for all the ideas for my mini-conferences. I’ll put those together soon.

Speaking of conferences, while I was at a writer’s retreat awhile back, I was struck, as I always am when in the company of writers, by the power of the right word used in the right way. On the first day of the conference, I had group meetings with the writers. This is where a group of writers come in, sit at a table together, and each takes a turn pitching his/her book to me to see if I would be interested in representing the author. I had six groups, each lasting a half hour, made up of anywhere from 5-7 people each. So folks had a total of 3-5 minutes to engage me in their project.

It’s the writer’s conference version of speed dating!

The cool thing is, a good number of those who came had such a strong understanding of their project and of the market that they were able to hook me in the first few words. Now that’s doing your homework! For example, one woman told me right off the bat her book was romantic suspense, what the main story line was (in a sentence), and what the conflict and spiritual takeaway were. That took about 45 seconds of her 4 minutes, so from there I asked questions about the story and focus and she was able to relax and just talk. I ended up asking her to send me the proposal. Don’t know if we’ll pursue it–the writing is what tips the scales, of course. But I was impressed with her well chosen descriptions. And if I’m considering two manuscripts and all things are basically equal, I’ll always go with an author who is, first and foremost, teachable, and then able to communicate the heart and soul of her story quickly and effectively.

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