The Steve Laube Agencyis committed to providing top quality guidance to authors and speakers. Our years of experience and success brings a unique service to our clients. We focus primarily in the Christian marketplace and have put together an outstanding gallery of authors and speakers whose books continue to make an impact throughout the world.
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Our Service Philosophy


To help the author develop and create the best book possible. Material that has both commercial appeal and long-term value.


To help the author determine the next best step in their writing career. Giving counsel regarding the subtleties of the marketplace as well as the realities of the publishing community.


To help the author secure the best possible contract. One that partners with the best strategic publisher and one that is mutually beneficial for all parties involved.

Recent Posts

More Great News for the Agency!

In the final step of our current expansion we are excited to announce that Karen Ball is joining The Steve Laube Agency as a new literary agent for the firm.

Karen is one of the most widely respected editors in the publishing business. For nearly 30 years she has built and led successful fiction lines for Tyndale, Multnomah, Zondervan, and, most recently, the B&H Publishing Group. She’s had the honor of discovering several of the best-selling CBA novelists, including Francine Rivers, Karen Kingsbury, Sharon Ewell Foster, Liz Curtis Higgs, and, most recently, Ginny Yttrup (a Steve Laube Agency client), whose debut novel Publisher’s Weekly declared “a masterpiece!”

Karen has also worked with numerous top novelists, including Angela Hunt, Robin Jones Gunn, Robin Lee Hatcher, Brandilyn Collins, and many others. In addition, Karen is a best-selling, award-winning novelist and a popular speaker. She will work out of her office in Oregon where she lives with her husband, father, and two four-legged, furry “kids.”

Proposals meant for Karen can be sent to


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A New Agent Joins Us!

We are thrilled to announce that Tamela Hancock Murray is joining The Steve Laube Agency as a new literary agent for the firm. For the last ten years she has been with the Hartline Literary Agency representing a number of successful authors.

She interned on Capitol Hill and at the U.S. Department of State before graduating with honors in Journalism from Lynchburg College in Virginia. Tamela brings significant writing expertise to the agency as an  author of twenty novels, novellas, and nonfiction works. When she’s not working as an agent Tamela spends time with her husband and their two daughters.

She will be working out of her office in Virginia, giving the agency a specific East Coast connection.

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A Defense of Traditional Publishing: Part Five


The more I write on this series the more “boring” it seems to become. Why? Because I’m not revealing anything particularly new or uncovering the secret to getting published. However, the goal has been to talk about things that the traditional can do quite well. And this series ultimately is a journey through the innards of the publishing business.

Today we discuss infrastructure. I’m talking about the yawn-worthy topics of accounting, licensing, legal protection, and metadata.

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A Defense of Traditional Publishing: Part Four


Napoleon Bonaparte, is supposed to have said, “Un bon croquis vaut mieux qu’un long discours,” translated “A good sketch is better than a long speech.” That has morphed into the modern phrase “A picture is worth a thousand words,” which is a fundamental truth when talking of book covers.

Another cliché states, “don’t judge a book by its cover,” but we do it all the time. We are a visual people and our eyes are drawn to images that capture our imagination. In my opinion, the title and the cover vie for preeminence as the most important part of the presentation of a book to a potential reader.

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A Defense of Traditional Publishing: Part Three


I need to clarify what I’m attempting to do with this series of posts. I am not digging deeper trenches and pouring the dirt over a head that is already buried in the sand. Some think I’m defending a dying industry and failing to see the changes around it. This series is merely an attempt to remind us what traditional publishers do well. Their critics are jettisoning all of traditional publishing as antiquated. But I posit that there is good to be found in the things that brought publishing to this place.

Today’s topic is Content Development – or more simply, “Editorial.”

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