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CONTENT

To help the author develop and create the best book possible. Material that has both commercial appeal and long-term value.

CAREER

To help the author determine the next best step in their writing career. Giving counsel regarding the subtleties of the marketplace as well as the realities of the publishing community.

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To help the author secure the best possible contract. One that partners with the best strategic publisher and one that is mutually beneficial for all parties involved.

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News You Can Use

Non-Fiction is True, Fiction is Un-True – Tony Reinke explodes this myth.

Campus Crusade Changes its Name – No longer call Campus Crusade by that name. It is now called Cru. This is not a prank, it is the real deal. One scalpel edged writer has some pointed things to say about the change.

The Difference Between Buzz and Word-of-Mouth – Matt Perman makes a simple definition to help clarify.

Top Ten Differences Between the Published and the Self-Published – Robert Chazz Chute discussed the main reasons that separate the two groups. Ending quote: “It used to take a powerful store of hope to be a self-published author. Now more faith is demanded of my traditionally published friends.”

Nine Things Successful People Do Differently – a great article from the Harvard Business Review. Number four is my favorite: “Be a realistic optimist.”

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Back to School?

by Steve Laube

Depending on where you live and your school district policies you may already be in a back-to-school mode or preparing for it.

It got me to thinking about the need for all writers to always have a “back to school” mentality.

Here are five things we can learn from always going “back to school.”

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Responding to Criticism

When someone tells me she’s not sure she wants me to read her manuscript, I know she’s not ready for publication. Such sentiment shows a lack of confidence and a fear of both rejection and criticism. Even though readers usually treat writers with respect, a critical word can puncture the heart.

Imagine the wounds delivered on Internet sites such as Amazon from readers who lack that respect. A major complaint I hear from distraught authors is that people download free Christian novels and then post hostile reviews. A cursory bit of research reveals some say they felt duped because they didn’t realize they were downloading a Christian novel. It is likely they just grabbed it because it was free and did not look at other reviews or the book’s description. These readers aren’t victims of duplicity, they were, at the very least, lazy and then blamed others when the book wasn’t to their taste. Unfortunately the temptation is for the author to strike back with a serrated reply.

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Show or Tell: How Do You Know?

As we discussed last week, it’s okay to tell at times, but in fiction you want to show the important, emotion-laden scenes. That way the reader gets the vicarious experience along with the character. So how do you know when you’re telling rather than showing? Here are a few tips:

Beware the dreaded –ly adverbs.

“Get out of my novel, you –ly adverbs!” Alice said angrily.

Ah-ah-ah! Any time you use an –ly adverb (angrily, happily, stupidly, etc), you’re telling us what the emotion is rather than showing it. Instead, show the emotion, whatever it may be, through actions or punctuation. In the example above, the exclamation point tells us Alice is being vehement, but it’s not clear if she’s angry or frightened.

Alice stared at the page of her novel, her blood pressuring rising. Thirty-two! Thirty-two –ly adverbs on one page! What was wrong with her? “Auughh!” Her cry still echoing around her, she grabbed the page, crumpled it into a compact ball, and pitched it, as hard as she could, against the wall.

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