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Our Service Philosophy

CONTENT

To help the author develop and create the best book possible. Material that has both commercial appeal and long-term value.

CAREER

To help the author determine the next best step in their writing career. Giving counsel regarding the subtleties of the marketplace as well as the realities of the publishing community.

CONTRACT

To help the author secure the best possible contract. One that partners with the best strategic publisher and one that is mutually beneficial for all parties involved.

Recent Posts

Letting Go of Your Babies

 

One of the worst mistakes writers can make is being too possessive of their words. They fight for each adjective, adverb, and conversation tag.

My early writing suffered from too many words. I once wrote an artist didn’t “really” understand the difficulties of making a living in his profession. The editor kindly cut all instances of “really,” “just,” “so,” “very,” and other weak words experienced editors call “weasel” words.

The cuts hurt, but I exercised restraint in venting only to my mother. I didn’t have a literary agent! She agreed with me. “If you cut out ‘really’ then you’re saying he had no idea at all!” Sharing offense is the job of mothers.

Weasel words are great in everyday conversation because they soften the impact of strong verbs and can make painful statements gentler to the listener’s ear, but they waste a reader’s time.  Embrace the power of a vibrant verb. You want your reader to feel every emotion, whether your goal is to offer a sense of relief and peace through nonfiction, or bristle with anger and fall in love along with fictional characters.

In my role of agent, I sometimes edit manuscripts and point out areas needing improvement. My writers know I am partnering with them to give editors their best work. Sometimes an author puts forth a convincing reason why an element should remain as is. If so, I relent.

But a literary agent is only part of the equation. In the hands of an editor at a publishing house, the stakes increase. The editor represents the publisher, who is paying for your work and will bring the book to paying customers. Expressing outrage is not the order of the day when talking with your editor. Choose your battles wisely, if at all, and be prepared to present airtight reasons for resisting changes. This is especially true for new writers but even veterans need to be respectful of the publishing professionals the Lord puts in their path.

When you do, you will be happier, your editor will be happier, and you will have a happy agent!

 

 

 

 

 

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Print: A Thing of the Past?

by Karen Ball

Remember the musical Oklahoma? Gordon MacRae singing to, of all people, Rod Steiger: “Poor Jud is daid, poor Jud Fry is daid…”

Well, the way folks have been talking lately, I’m waiting for the new musical, “Digital World,” where a Gordon MacRae-esque editor will stand next to a book and sing out, “Poor print is daid, poor print books is daid, they’re lookin’ oh, so tattered and passé…”

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News You Can Use

by Steve Laube

Thirty Three Twitter Feeds to Follow – The folks at Poets & Writers put together a helpful list of publishing and writing oriented twitter feeds to follow.

Kindle Spam Clogging Amazon – What a mess. Fake compiled books are being uploaded on the Kindle digital platform and sold to unsuspecting people. Another argument for Curation.

Google Books Creates Affiliate Program – Click this to apply to become a sales affiliate for Google Books. Similar to the Amazon program. At least it gives you an alternative if your state has been shut out by Amazon’s war with State Departments of Revenue.

Turn Off Your Phone – Donald Miller seeks out the secret to productivity. Simple but effective.

How Many of Your Facebook Friends do You Know? – Tech Crunch summarizes a Pew Research Study. They claim, “Facebook users have about 229 Friends, with about 22% of their total Friends list being comprised of people they know from high school, 12% extended family, 10% coworkers, 9% college friends, 8% immediate family, 7% people from extracurricular groups and 2% being neighbors.” I guess I’m not normal.

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The Fear of Rejection

Randy Ingermanson recently interviewed author Mary DeMuth in his “Advanced Fiction Writing E-Zine” and the topic of rejection surfaced. I thought it was very insightful and, with permission, am posting their conversation.

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My friend Mary DeMuth recently published an e-book with the title The 11 Secrets of Getting Published.

Given that the price is only $2.99, I assumed the book would be about 50 pages with a few simple tips on breaking into publishing.

When Mary sent me a copy, I was astounded to find that it ran to 229 pages of solid information on breaking in. Developing your craft. Learning discipline.

Learning to accept critiques. Writing a query and a proposal. And tons more. Mary packed this book.

The chapter that hit home for me was titled, “Overcome Fear and Rejection.” You’d think I’d be good at that after 23 years of this writing game, but I still hate rejection and I still battle fear.am posting their conversation.

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The Myth of the Unearned Advance

by Steve Laube

A common myth permeating the industry is that a book is not profitable if the author’s advance does not earn out. I would like to attempt to dispel this myth.

First let’s define the term “Advance.” When a book contract is created between a publisher and an author, the author is usually paid an advance. This is like getting an advance against your allowance when you were a kid. It isn’t an amount that is in addition to any future earnings from the sale of the book. Instead, like that allowance, it is money paid in advance against all future royalties, and it must therefore be covered by royalty revenue (i.e. earned out) before any new royalty earnings are paid.

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