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Also, Stop Doing These Things
When attending a conference, class, or seminar, I’ve disciplined myself over the years to not only take notes but also turn what I learn into action items. I’ll jot down something from the presenter, then create an action point and circle it in my notes so I don’t forget.
Once in a while, I’ll even put something down that I need to stop doing. In a similar vein, fellow agent Bob Hostetler wrote this blog post in 2019 on things to stop doing as a writer.
Taking action to stop doing something is difficult. It includes an admission that you’ve been doing something wrong, which is unnatural for anyone. After all, why would I knowingly do something that isn’t the right thing to do?
For any level of author, here is my list of things to stop doing that hopefully won’t be too difficult to swallow if they pertain to you:
Looking for Shortcuts
In general, some people attend writers conferences and their accompanying workshops and sessions, looking for quick and easy ways to navigate the world of book publishing. Looking for shortcuts in just about anything will only lead to more disappointments than usual, not easy solutions. Sure, there are time-saving ways to do many tasks these days, but book writing is not fast, easy, or devoid of challenges to overcome. In publishing, the road less traveled leads to nowhere.
Avoiding Platform Building
This item is a subset of the previous one, but one that deserves its own cautionary tale. Those who skip this usually think that, even though all the indicators suggest platform-less authors have a much harder road to successful publication, they are willing to bypass it and try to make it work as a publicly unknown person with few connections. This is a big mistake.
Not Writing Consistently
Any author should have a folder filled with other things they have written. Poetry, devotionals, short stories, tributes to people they know, letters, thoughts on important events, or other books, whether they be finished or in process. Like any endeavor, a writer’s work improves the more they write.
Skipping Learning Altogether (Conferences, Groups)
Ongoing, lifelong learning is a major pivot point to not only growth in life, but improvement in your work. The minute you stop pushing yourself to learn new things, you will eventually begin to forget the former things you learned and regress in all areas of life (even physically). This could be the most important lesson for writers.
Disengaging From Other Writers
Many writers are introverts, so this can be an issue that creeps up on you when your world becomes smaller and smaller. Without overspiritualizing this, Scripture urges us not to avoid assembling together (Hebrews 10:25). I believe this applies to Christian writers as well; they always need encouragement and support from others to keep moving forward in their ministry of the written word.
Sometimes it is simpler to make a list of things to do than things to avoid. The entire list above could be categorized as taking the easy route, even though almost every well-developed skill or gift comes from pressing forward consistently.
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Why I Decline
Yes, the life of a literary agent is idyllic. Working with brilliant writers. Rubbing shoulders with powerful editors and publishers. And cashing the big fat commission checks. Yes, that’s how it is. Except that sometimes a literary agent has to read submissions, looking for that rare jewel that will produce another bestseller, another classic, another big fat commission check. Alas, those moments are few and far between. A disproportionate part of an agent’s task is saying, “No, thank you.” And for a nice guy like me, that’s really hard and really, really depressing. I hate saying no. As often as …
5 Questions Your Proposal Must Answer: Question 2
Is Your Idea a Book or a Magazine Article? Not every good idea is a book-length idea. This can be a challenge for any writer to accept. A nonfiction book requires breadth, depth, and durability. It must sustain a reader’s attention over 40,000 to 60,000 words (or more) without thinning out or repeating itself. Many proposals begin with a compelling premise; but when examined closely, they contain only a single strong chapter—or worse, a single strong paragraph. The question is not whether your idea is interesting. The question is whether it can be sustained and therefore carry enough substance. A …
Fun Fridays – April 17, 2026
Enjoy today’s video of a solo guitarist. It is wonderful to watch a gifted artist maximizing their creativity. Notice a couple things. (1) He is left-handed. That is rare to see because most guitars are strung for a right-handed player. I know I’m showing ignorance here, but that was a delight to observe. (2) He uses so many difficult techniques that if you close your eyes they might be missed. That is the mark of a craftsman. I spent a couple of college years trying to learn to play the classical guitar (inspired by Leo Kottke and others). Thus, when …
5 Questions Your Proposal Must Answer: Question 1
Is Your Audience/Platform Big Enough? This platform question is one of the more aggravating and frustrating issues most writers face. Either they try to explain it away, overestimate it, or avoid it entirely. A publisher is not asking whether your topic has a large audience in theory. They are asking whether you can reach enough of that audience in practice. There is a difference. Many proposals mistakenly claim a sizable readership—“millions of Christians,” “thousands of leaders,” “anyone struggling with …”—but fail to connect that audience to the author. The assumption is that if the audience exists, the book will find …

