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The Steve Laube Agency

Helping to Change the World…Word by Word

The Steve Laube Agency

The Steve Laube Agency

Helping to Change the World Word by Word

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The Steve Laube Agency is committed to providing top quality guidance to authors and speakers. Our years of experience and success brings a unique service to our clients. We focus primarily in the Christian marketplace and have put together an outstanding gallery of authors and speakers whose books continue to make an impact throughout the world.

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To help the author develop and create the best book possible. Material that has both commercial appeal and long-term value.

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To help the author determine the next best step in their writing career. Giving counsel regarding the subtleties of the marketplace as well as the realities of the publishing community.

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To help the author secure the best possible contract. One that partners with the best strategic publisher and one that is mutually beneficial for all parties involved.

Recent Posts

Crafting Dialogue That Resonates (Part 2)

By Lynette Easonon November 12, 2025
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In last month’s post, I talked about how every line of dialogue should serve a purpose: revealing character, advancing the plot, building tension, or deepening theme. I also explored voice, subtext, and how to balance dialogue with internal thought and action. Today, I’m taking it a step further. Let’s look at five additional ways to elevate your dialogue, so it not only sounds real but lingers with readers long after the scene ends.

Let Dialogue Reveal Emotion, Not Announce It

Weak dialogue tells emotion. Strong dialogue shows it.

Instead of: “I’m angry with you, and I don’t want to talk.”

Try: “Don’t. Just don’t.” She grabbed her keys and shoved past him toward the door.

Readers don’t need your character to label how they feel. They’ll feel it through tone, rhythm, and behavior. Let the tension simmer under the words, rather than splashing emotion across the surface.

Use beats and pacing (short sentences, pauses, or interruptions) to mirror the emotion. Rapid-fire exchanges create urgency. Long silences heighten unease.

Use Dialogue to Control Pacing

Dialogue speeds up a scene. It creates momentum and keeps the story moving. But too much rapid back-and-forth can make readers feel breathless—or worse, detached.

How do you do this? Let’s take a look at some examples.

For fast-paced scenes, keep exchanges short and snappy to reflect tension or urgency.

For slower, emotional scenes, stretch pauses, add introspection, or allow one character to dominate the conversation.

Example:

“Run!”
“What? Why?”
“Now!”

Versus:

“I didn’t expect to see you here,” he said, his voice low. Tense.
“Neither did I.” Her eye lowered to the scar on his hand.

Both convey emotion, but one races forward while the other lingers in place.

Let Power Dynamics Shape the Conversation

Dialogue is rarely neutral. Every exchange has an undercurrent of power—who’s in control, who’s retreating, who’s trying to gain ground.

A confident boss might use short, declarative sentences. An insecure employee might hedge with qualifiers or questions. As the scene evolves, those dynamics can shift, creating subtle tension even in ordinary conversation.

Ask yourself this when creating the dialogue:
Who holds the upper hand in this exchange?
How can I show that through speech patterns, interruptions, or what’s not said?

Cut the Stage Directions

New writers often overuse dialogue tags and adverbs to prop up flat exchanges. Hint: Try to write your story without any adverbs.

Example:

“I don’t care,” she said angrily.
“You should,” he replied forcefully.

Instead, let the words do the heavy lifting:

“I don’t care.”
“You should.”

The emotion lands harder when the prose trusts the reader to infer it.

Use “said” and “asked” when you need tags; they’re invisible workhorses. But lean on action beats and rhythm to carry emotion, rather than cluttering dialogue with unnecessary explanations.

Layer the Meaning with “Echoes”

Great dialogue doesn’t just live in the moment; it echoes throughout the story.

A phrase repeated at key points (“You promised me”) can take on new weight as context changes. A bit of humor shared early can return later with deeper emotional resonance. These callbacks make dialogue feel intentional and layered, showing growth, irony, or heartbreak.

Example:

Early in the story:

“Don’t fall for me,” she said, her tone teasing while she grinned over the rim of her coffee mug.
“Too late,” he said. “I already did.”

Later, near the end:

“You told me not to fall for you,” he said, voice soft.
She blinked away the tears. “You should’ve listened.”

Why it works: The repeated phrase Don’t fall for me shifts from lighthearted banter to poignant regret. This full circle moment—or echo—underscores emotional evolution and loss, making readers feel the ache of what’s changed.

These moments connect the emotional dots for readers and remind them that words have consequences. Just like in real life.

Great dialogue is about more than what’s spoken. It’s about what’s meant, what’s withheld, and what’s at stake. Every word, pause, and glance adds texture to your characters and heartbeat to your story.

When you write or revise your dialogue, read it aloud. Does it sound like something a real person would say—or like something a writer would write? The difference is everything.

Next time, I’ll talk about using dialogue to heighten suspense and reveal secrets, because sometimes what’s unsaid is more dangerous than what’s spoken.

Your Turn

What’s one line of dialogue you’ve written that perfectly captures your character’s personality? Share it in the comments below; I’d love to see what you’re working on.

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Filed Under: Writing Craft

Veterans Day

By Steve Laubeon November 11, 2025
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Today is a special day in the United States when we honor our veterans. It is our opportunity to thank and celebrate all those who have served our country in military service. Thank you for your service! A few years ago, Andrew Budek-Schmeisser posted these great words; and we are reposting them, like we have done previously, with his permission. They are perfect for this day. They did not have deferments,or parents in high places,yet death has still same permanence;do you recall their faces?They went at the draft board call,didn’t flee across the border,and now their names are on the …

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Fun Fridays – November 7, 2025

By Steve Laubeon November 7, 2025
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All writers and teachers of writing should get a kick out of today’s video. Wait for it … [If you cannot see the video in your newsletter, please click through to the website where you can watch.]   ShareTweet2

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Don’t Write What You Know

By Bob Hostetleron November 5, 2025
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It may be the most common writing advice of all time: “Write what you know.” It’s often misunderstood or misapplied; but it means, basically, draw from your own experience, emotion, environment, and passions to produce the most authentic creative work possible … for you. That’s not bad advice, as far as it goes. But it’s not “gospel.” After all, Nobel honoree Kazuo Ishiguro, author of The Remains of the Day, calls it “the most stupid thing I’ve heard.” I’m not yet a Nobel prizewinner (nominations are being invited this month), but I mostly agree. I think there’s a better approach: …

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Inspiration or Perspiration?

By Steve Laubeon November 3, 2025
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Thomas Edison was to have said, “Genius is one percent inspiration and ninety-nine percent perspiration.” Apparently, he made 1,000 failed attempts to invent the light bulb. After accomplishing it, he was asked about all the previous failures. Edison replied, “I didn’t fail 1,000 times. The light bulb was an invention with 1,000 steps.” The exercise of writing can be somewhat similar. If you wait for inspiration before you write, you might be waiting a long time. If things have to be perfect for creativity to commence, the desk arranged in a certain way, the lighting just right, the surroundings quiet …

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    • Christian Writers Market Guide Online
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    • Selling What You Write
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