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Recent Posts
The Inciting Incident (Part 5)
Hey, friends, here’s the worksheet I promised you. I hope you find it helpful.
Your Inciting Incident Worksheet
Print this out. Fill it in. Use it on every project.
SECTION A: CHARACTER GROUNDWORK
My protagonist’s name:
Their ordinary world (daily routine, comfort zone):
Their deepest wound (what happened in their past):
Their greatest fear:
Their strongest desire:
Their weakest point:
SECTION B: THE DISRUPTION
What event would make it impossible for my character to keep living this way?
How does this event target my character’s wound, fear, or desire?
Describe the event as it happens on the page (external, concrete, specific):
When does this event occur in my manuscript? (chapter/page):
SECTION C: THE THREAD FORWARD
What central story question does this inciting incident create?
How does my climax answer that question?
SECTION D: DIAGNOSTIC CHECKLIST
Check each box. If any answer is no, revisit the step indicated.
- Is it an event? (Something concrete happens on the page.) → Step 3
- Does it disrupt the ordinary world? (The “before” is clearly broken.) → Step 1
- Does it launch the main story? (Remove it and the story doesn’t exist.) → Step 4
- Is it irreversible? (The character cannot go back to normal.) → Step 2
- Does it catalyze transformation? (It targets wound, fear, or desire.) → Steps 1 & 2
- Does it happen early enough? (Readers still have momentum.) → Step 3
- Does the central story question connect to the climax? → Step 5
- Is it the inciting incident and not just the hook? → Part 3, Mistake #1
And that’s it. You now have everything you need to craft an inciting incident that can carry a novel.
You’ve done the hard work of learning the craft behind this moment.
Next month I’ll start talking about another topic. I’m still noodling on that. Do you have any suggestions for what it should be? I’d love to hear what you want to me to share.
But for now …
… Go write your earthquake.
Leave a CommentHow to Read More in Less Time
I have the privilege of reading for a living. Someone once asked, “What do you do for a living?” I replied, “I read.” Then they asked what I did for fun. And I replied with a huge smile, “I read.” But not all reading is alike. There is immersive reading of a technical nature. There is escapist reading of a great thriller. And there is cursory reading where you are “browsing.” It is this last technique I learned as a bookseller, a billion years ago. I’ll never forget a customer in our bookstore asking me, “Have you read every book …
Fun Fridays – June 19, 2026
Today is WORLD SAUNTERING DAY! To saunter. To stroll, amble, meander, wander, or mosey. Walk without a plot (like the way many try to write their novels!). Confuse your step counters and productivity apps. Don’t pretend you’re late for something. Drift past signs without reading them. (You’ll forget what they said anyway.) Walk as if your phone battery just died, and you’ve accepted your fate. By the end of your saunter, nothing is finished, yet everything is somehow attended to. Perfect for a summer day. ShareTweet
A Writer’s Many Hats
Writers write. That may seem just a tad obvious, but it’s true. We write. But—brace yourself—that’s not the whole story, at least not for writers who publish. Those folks wear many hats, so to speak. Some fit better than others, but we ignore them to our peril. Here’s a baker’s dozen of a writer’s many hats, mixed metaphor or not: The writing task requires editing skills, as even the most gifted among us must rewrite and edit his or her own work. Ad infinitum. Ad nauseum. Good writers are always learning, improving, adding to their skills and knowledge of the …
5 Questions Your Proposal Must Answer: Question 5
Why Should You Write It? Why Not Someone Else? This is the most personal question of all. Writers often hesitate here, unsure how to present themselves without sounding self-promotional. But this is not about self-aggrandizement. If you cannot explain why you are best suited to write this book, a publisher cannot explain it to a sales team. Then the sales team cannot express it to a vendor. Then the vendor cannot describe it to a potential reader. A strong idea is not enough. A viable market is not enough. A publisher must also be convinced that you are the right …


