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Our Service Philosophy

CONTENT

To help the author develop and create the best book possible. Material that has both commercial appeal and long-term value.

CAREER

To help the author determine the next best step in their writing career. Giving counsel regarding the subtleties of the marketplace as well as the realities of the publishing community.

CONTRACT

To help the author secure the best possible contract. One that partners with the best strategic publisher and one that is mutually beneficial for all parties involved.

Recent Posts

News You Can Use

by Steve Laube

Thirty Three Twitter Feeds to Follow – The folks at Poets & Writers put together a helpful list of publishing and writing oriented twitter feeds to follow.

Kindle Spam Clogging Amazon – What a mess. Fake compiled books are being uploaded on the Kindle digital platform and sold to unsuspecting people. Another argument for Curation.

Google Books Creates Affiliate Program – Click this to apply to become a sales affiliate for Google Books. Similar to the Amazon program. At least it gives you an alternative if your state has been shut out by Amazon’s war with State Departments of Revenue.

Turn Off Your Phone – Donald Miller seeks out the secret to productivity. Simple but effective.

How Many of Your Facebook Friends do You Know? – Tech Crunch summarizes a Pew Research Study. They claim, “Facebook users have about 229 Friends, with about 22% of their total Friends list being comprised of people they know from high school, 12% extended family, 10% coworkers, 9% college friends, 8% immediate family, 7% people from extracurricular groups and 2% being neighbors.” I guess I’m not normal.

 

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The Fear of Rejection

Randy Ingermanson recently interviewed author Mary DeMuth in his “Advanced Fiction Writing E-Zine” and the topic of rejection surfaced. I thought it was very insightful and, with permission, am posting their conversation.

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My friend Mary DeMuth recently published an e-book with the title The 11 Secrets of Getting Published.

Given that the price is only $2.99, I assumed the book would be about 50 pages with a few simple tips on breaking into publishing.

When Mary sent me a copy, I was astounded to find that it ran to 229 pages of solid information on breaking in. Developing your craft. Learning discipline.

Learning to accept critiques. Writing a query and a proposal. And tons more. Mary packed this book.

The chapter that hit home for me was titled, “Overcome Fear and Rejection.” You’d think I’d be good at that after 23 years of this writing game, but I still hate rejection and I still battle fear.am posting their conversation.

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To Romance or Not to Romance

According to St. Teresa of Avila’s biography, the battle over romance novels has been going on at least since the 1500s:

Teresa’s father was rigidly honest and pious, but he may have carried his strictness to extremes. Teresa’s mother loved romance novels but because her husband objected to these fanciful books, she hid the books from him. This put Teresa in the middle — especially since she liked the romances too. Her father told her never to lie but her mother told her not to tell her father. Later she said she was always afraid that no matter what she did she was going to do everything wrong.

Those of us who write, represent, and publish Christian romance novels can be made to feel the same way when our brothers and sisters in Christ object to our efforts to provide readers with God-honoring entertainment.  I have spoken with authors whose pastors have derided their writing, read negative blogs, and heard conference speakers criticize Christian romance novels.

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The Myth of the Unearned Advance

by Steve Laube

A common myth permeating the industry is that a book is not profitable if the author’s advance does not earn out. I would like to attempt to dispel this myth.

First let’s define the term “Advance.” When a book contract is created between a publisher and an author, the author is usually paid an advance. This is like getting an advance against your allowance when you were a kid. It isn’t an amount that is in addition to any future earnings from the sale of the book. Instead, like that allowance, it is money paid in advance against all future royalties, and it must therefore be covered by royalty revenue (i.e. earned out) before any new royalty earnings are paid.

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