Six Tough Truths About Self-Publishing (That the Advocates Never Seem to Talk About) – Rob Hart writes an insightful and cautionary tale.
22 Rules of Story Telling According to Pixar – This is an excellent article for every novelist to read.
10 Great Science Fiction Novels for People Who Don’t Read Sci-Fi – I have to say that I agree with only four of their choices. Such is the nature of reading and recommending fiction! (Of the 10 I would choose Card, Bester, Shelley, and Herbert.)
Are Books Becoming too Long to Read? – A stimulating article that makes you think twice about the length of your books. I do see a trend in NON-fiction toward shorter books. Fiction is still a matter of taste and storytelling ability.
How Fast Do You Read? – Staples.com provides a quick little test including a comprehension quiz at the end. How fast are you?
A Summertime graphic for you to enjoy:
by Steve Laube
Last week I was asked to define what is meant when an author is deemed “high maintenance” by an agent or a publisher. The more I thought about this the more I realized how difficult it is to quantify. Any attempt to do so is fraught with potential misunderstanding because most people are looking for specific rules to follow.
Normally “high maintenance” is a description of someone who is difficult to work with or is constantly in need of attention. It can be anyone from a “diva” to a “rookie.” The best way to express the issue is in the following word picture:
When you contract with an agent or a publisher you are granted a large measure of “Good Will” in the form of a bag of gold coins. You are free to spend these coins however you wish during the course of the business relationship. The cover design is completely wrong? Spend some coins. The marketing plan appears weak. Spend some coins. And as time goes by and positive things happen you receive more gold coins for your bag.
However, many authors make the mistake of spending their entire bag of coins the first time something goes wrong. And then the next time they need a favor or a special dispensation there isn’t any “Good Will” left.
I think there are three areas where these relationships can break down.
M.C. Grammar…. ???
A pseudo-good idea gone hopelessly strange. Only two minutes long.
Because the synopsis is so critical to a proposal, I decided to write this spin-off of last week’s blog, “Keys to a Great Synopsis,” in hopes of helping authors not only write more effective synopses, but to impart a bit about the fiction market, too.
When I read synopses from authors, much is revealed. For instance, I see:
Cozy mysteries that are meant to be romance.
Gothic plots presented as historical romances.
Women’s fiction that the author intended to be romance.
Mysteries masquerading as romantic suspense.
In the submissions I see, these are almost never flipped, so to my mind, this suggests the romance market in particular is one that many authors seek to understand, but don’t quite get. Hence the near-miss plots. I think this may be because the romance formula is strict and authors seek to offer readers something unique so without realizing it, they can stray into other genres. An eternal truth about romance novels is that editors and readers do want fresh plots. However, they also know that the romance story has set guidelines from which writers must not venture. Plots can hit the edges of the box but not punch holes. In my view, what the author must understand about the Christian romance reader is that she seeks to be assured that even in our coarse culture, a godly woman unwilling to compromise her faith and the accompanying physical and spiritual virtues can find a Christian man to love her forever.