As promised last week, here’s the template for the style sheet I use. Feel free to change, add, and adapt as you wish!
Have fun.
STYLE SHEET
Title:
Author:
Updated:
I find it’s a good idea to put the date I’ve updated the sheet to ensure I send the most recent one with my manuscript.
These first sections are for fiction and nonfiction
Source Materials
This is where I list my primary sources, such as the edition of Merriam-Webster’s and Chicago Manual of Style. I also list any dictionaries or websites that are unusual, such as the Urban Dictionary.
Style Notes
Use this section to lay down those parameters I mentioned last week. List such things as the Bible version you used for Scripture quotations, how you want deity pronouns addressed, and any departures from CMOS. For example, do you hate commas and only use them when you feel they can’t be avoided? Make that known. I usually point out that sentence fragments and using like as a conjunction are perfectly acceptable in fiction. And I explain my use of past perfect in fiction (don’t want hads popping up all over the place).
Formatting Notes
As with the Style Notes, use this section to pinpoint any formatting particulars the editor needs to know. For example, your treatment of headers and chapter numbers, if you have letters in your manuscript and want them indented, if you want a line space before and after callouts, how you want quotations at the beginning of chapters formatted, and so on.
Now, one thing to keep in mind about formatting if you’re traditionally published is that the publisher may follow your formatting ideas, and they may not. But at least they’ll know what you’re thinking.
Word List (all are verified in Mirriam-Webster’s except for those with notations otherwise)
List any and all words that you want spelled or formatted exactly as you use them. For example, I’d put here that SAR is what needs to be used, not Search and Rescue. Anyone in SAR calls it that, not Search and Rescue or S&R, as I’ve seen in other books.
Author-coined Words/terms
If you have words you’ve created for your novels, or if you have words in your nonfiction that you created and want used as you have them (such as a phrase I often use, hunky dorky rather than hunky dorry), list them here.
Regional Word List
Same idea. List anything you want kept as you’ve used it. I put my Oregon words here, such as tad bit, crick (rather than creek), and so on.
Period/Foreign Language Word List
For words specific to the time period of your book or to a foreign language you’re using, particularly those that the editor may not be able to find in a regular dictionary. For one of my novels I had a list of Yiddish and of Spanglish words and terms. For another I listed urban jargon I’d found online and in the Urban.
Timeline
You can put in a chapter-by-chapter timeline to show the progression of the story.
Misc. Details
This handy dandy little section is for anything you want the editor to know that doesn’t fit under other headings.
_______
The following sections are for fiction
Dialogue
This is the place to go more in detail if you need to. I remind the editors that there are intentional grammatical inaccuracies in dialogue, that the editor shouldn’t correct or change dialect without checking with me first, and that I absolutely do not want he said/she said or –ly adverbs added in without querying. This is also a good place to let them know of any intentional dialogue quirks for characters, such as if your foreign characters don’t use contractions.
Primary Character List
I always list these alphabetically and give the following info:
Name, role (protagonist, antagonist, etc), any family connections to other characters, physical descriptions, fears, and so on.
Minor Characters
I always list these in order of appearance rather than alphabetically. I give the same details as with the primary characters.
Geographic/Place Details
Just what it says. Any details you think it will help the editor to know about places (e.g., towns, regions, buildings, streets, etc.)
Jackie Layton
Always something new to learn. Thanks so much for sharing! I’ll be studying this and pulling it out often.
Karen Ball
So glad you find it helpful!
Ane Mulligan
Thanks, Karen! I can really use this.
Karen Ball
Enjoy!
Mindy Peltier
You answered all my questions from last week, thank you. I love this idea and it makes so much sense. I appreciate how the Steve Laube Agency invests much time in this blog. I know you’re all very busy, but you provide information writers can’t find other places, but need to know. Thank you.
Karen Ball
That’s great! Sorry I didn’t get to your questions last week, but I was on the road. So happy to be back home. And so happy you’ll find this helpful.
Chris Storm
This is a keeper. Printed and saved for future use. Hoping I can submit this to an editor someday!
Karen Ball
That’s great! Sorry I didn’t get to your questions last week, but I was on the road. So happy to be back home. And so happy you’ll find this helpful.
Karen Ball
That’s the plan, Chris!
Carol Ashby
Thanks for providing the detailed outline, Karen. Yet again you’ve given us a tool that will be invaluable.
I would not have included some of the items, such as the timeline, if you hadn’t mentioned it, but I can see how useful that is where parallel streams of events are happening before they intersect in time and space. That happens in all my historicals. He said/she said is virtually nonexistent in my work since I use context and short sentences describing an associated action or expression of the speaker instead of dialog tags. It would be quite distressing to have a “helpful” editor mess up an entire manuscript by adding what is undesired and unnecessary. Now I need to go back and create the style sheets for the novels that are virtually complete and for the completed parts of the incomplete. It should be time well spent. Going forward, I’ll create a version as I write.
Karen Ball
Carol, I think you’ll be amazed how this helps you and those who work on your manuscripts with you.
Yvonne Weers
Thank you, Karen, for sharing your style sheet. I wish I’d used one when I submitted an historical novel to a contest where the heroine was a Chinese immigrant. It would have saved the reader/judge from thinking my dialog was stilted, when in fact the character used broken English.
Karen Ball
Well, now you’ll have it for future contests. Hope it’s a help.
Wendy L Macdonald
Thank you, Karen. I’ve pinned this for future use. And I’ll definitely be needing it for my own author-coined words. So glad I’m not alone on that one. 😉 You’ve just made my day.
Blessings ~ Wendy
Tammy Fish
Wow, this is so helpful, Karen. You’ve given us all so much useful info. Thank you for inserting examples within each category.
Janet Ann Collins
Many thanks for sharing this.