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The Steve Laube Agency

Helping to Change the World…Word by Word

The Steve Laube Agency

The Steve Laube Agency

Helping to Change the World Word by Word

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Home » Writing Craft

Writing Craft

The Art of Persuasive Writing Series (3 of 7): A Good Argument Has a Shape

By Steve Laubeon August 31, 2026
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Even strong ideas lose their force when they are poorly arranged because readers depend on structure far more than writers sometimes realize. You just read this opening sentence and are already forming an impression of whether the rest of this article is worth reading! If my direction remains unclear, your attention will fade; and once that happens, even the best material struggles to recover.

A persuasive argument, therefore, requires a clear and deliberate shape. The opening establishes orientation by showing what is at stake and why it matters. This does not require elaborate language or artificial clickbait urgency. The reader should be able to understand, right away, what is being addressed and why it deserves careful thought. In that sense, the task resembles the instruction to “make it plain” so that it can be readily grasped (Habakkuk 2:2).

From there, a presentation develops through steady progression. The central idea is introduced and then expanded with care, each paragraph building upon what has already been established. Transitions can serve as an internal GPS of the piece (turn here, turn there), guiding the reader from one thought to the next and ensuring a smooth ride. When transitions are neglected, the writing feels abrupt (a dead end). When they are handled well, the argument makes more sense.

The hardest part of any book, or speech, is the middle. This is where many writers begin to lose focus, often by introducing tangents that, while interesting, do not serve the central point. If you are not careful, the listener will start daydreaming and the reader will find something else to read. But, a cohesive and powerful idea, laid out and supported with well-chosen words, will serve you better than several ideas competing within the same space.

As the argument approaches its conclusion, the writer begins to gather what has come before. Nothing new needs to be introduced. Instead, what has been well established becomes reasserted in digestible form. The reader sees the point and its significance without having to reconstruct it.

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Category: Writing Craft

Make Every Scene Matter (Part 2): Three Questions Every Scene Must Answer

By Lynette Easonon August 26, 2026
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In the last post, we looked at the purpose of a scene. We learned that a scene should: earn its place move the story forward reveal character increase tension change the reader’s understanding or set up and pay off something important. So, how do we make that happen? Before revising a scene, ask yourself these three basic questions: What does the character want? What stands in the way? What …

Read moreMake Every Scene Matter (Part 2): Three Questions Every Scene Must Answer
Category: Writing Craft

The Art of Persuasive Writing Series (2 of 7): Start With the Reader, Not Your Idea

By Steve Laubeon August 24, 2026
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I see a lot of good nonfiction writing that falters at the same point. It happens when the writer begins with what they want to say, rather than with an awareness of the audience who will be reading it. Think of it from the reader’s perspective. Imagine you are the reader. You approach a piece of writing with your framework already in place. That framework, unique to you, has been formed over time …

Read moreThe Art of Persuasive Writing Series (2 of 7): Start With the Reader, Not Your Idea
Category: Writing Craft

Stinks to Be Multitalented

By Bob Hostetleron August 19, 2026
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I meet a lot of gifted writers in my travels as I speak and teach at quality writers conferences from east to west (not to mention north and south, though I just did mention it, so I’ve already lowered my grade on this homework assignment. You didn’t know Steve Laube—He Who Must Be Obeyed—assigns homework? Psssht. Don’t be naïve.) Anyhoo (more points off for the slang, doggone it), I often find …

Read moreStinks to Be Multitalented
Category: Book Proposals, Conferences, Pitch, Pitching

The Art of Persuasive Writing Series (1 of 7): Where Persuasion Really Starts

By Steve Laubeon August 17, 2026
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Many writers assume persuasion begins the moment their argument appears on the page. However, it begins much earlier, in how the writer understands the truth they are trying to convey. When writing is treated as a way of proving a point, the tone tends to harden and the sentences become more authoritative, which can create a subtle resistance in the reader. However, when writing is treated as a …

Read moreThe Art of Persuasive Writing Series (1 of 7): Where Persuasion Really Starts
Category: Writing Craft

I’ll Probably Ask to See Your Work

By Tamela Hancock Murrayon August 5, 2026
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If you have an appointment to meet with me at the ACFW conference later this month, thank you. I love meeting with authors! I know you have many options at the conference, and I appreciate you for choosing to meet with me. What Can I Expect? My goal is to get to know authors and, hopefully, make a great impression on all the authors I’m privileged to meet. The appointments are necessarily limited …

Read moreI’ll Probably Ask to See Your Work
Category: Conferences

Make Every Scene Matter: What Is a Scene Supposed to Do? (Part 1)

By Lynette Easonon July 29, 2026
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Hello friends. I hope your summer is going great. I’m hibernating because I’m a winter girl, but good news! Hibernating means working, and working means more books. Ha. So, we have finished the inciting incident series, and I thought we’d move into scenes and how to make everyone you write matter. Have you ever written a scene you loved but couldn’t explain why it belonged in the story? Maybe the …

Read moreMake Every Scene Matter: What Is a Scene Supposed to Do? (Part 1)
Category: Writing Craft

Your Money Is Your Business or Keep a Lid on How Much Money You Make

By Steve Laubeon July 27, 2026
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I think it is a mistake to reveal how much money you make as an author. The details of your royalty advance on your latest deal should not be shared with other authors. It is similar to finding out the salary of the co-worker in the office cubicle next to yours. When I was a retail store manager, we had major problems when salaries were discovered. I had to physically stop a near fistfight between …

Read moreYour Money Is Your Business or Keep a Lid on How Much Money You Make
Category: Book Business, Career, Communication, MoneyTag: Book Business, Contracts, Facebook, Gossip, Money, rumors

The Odd English Language: You Can’t Make This Stuff Up

By Steve Laubeon July 13, 2026
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In the English language, there is a two-letter word that has more meanings than any other two-letter word, and that word is UP. It is listed in the dictionary as an adverb, preposition, adjective, noun, or verb! (Click here for the Merriam-Webster Dictionary link and keep scrolling down the page.) There are over 30 definitions! I cannot claim total originality for what follows (I think variations …

Read moreThe Odd English Language: You Can’t Make This Stuff Up
Category: Craft, Editing, Fun Fridays, LanguageTag: Language

The Inciting Incident (Part 5)

By Lynette Easonon June 24, 2026
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Hey, friends, here’s the worksheet I promised you. I hope you find it helpful. Your Inciting Incident Worksheet Print this out. Fill it in. Use it on every project. SECTION A: CHARACTER GROUNDWORK My protagonist’s name: Their ordinary world (daily routine, comfort zone): Their deepest wound (what happened in their past): Their greatest fear: Their strongest desire: Their weakest point: SECTION B: …

Read moreThe Inciting Incident (Part 5)
Category: Writing Craft
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