Even strong ideas lose their force when they are poorly arranged because readers depend on structure far more than writers sometimes realize. You just read this opening sentence and are already forming an impression of whether the rest of this article is worth reading! If my direction remains unclear, your attention will fade; and once that happens, even the best material struggles to recover. A …

In the last post, we looked at the purpose of a scene. We learned that a scene should: earn its place move the story forward reveal character increase tension change the reader’s understanding or set up and pay off something important. So, how do we make that happen? Before revising a scene, ask yourself these three basic questions: What does the character want? What stands in the way? What …

I see a lot of good nonfiction writing that falters at the same point. It happens when the writer begins with what they want to say, rather than with an awareness of the audience who will be reading it. Think of it from the reader’s perspective. Imagine you are the reader. You approach a piece of writing with your framework already in place. That framework, unique to you, has been formed over time …

Many writers assume persuasion begins the moment their argument appears on the page. However, it begins much earlier, in how the writer understands the truth they are trying to convey. When writing is treated as a way of proving a point, the tone tends to harden and the sentences become more authoritative, which can create a subtle resistance in the reader. However, when writing is treated as a …

Hello friends. I hope your summer is going great. I’m hibernating because I’m a winter girl, but good news! Hibernating means working, and working means more books. Ha. So, we have finished the inciting incident series, and I thought we’d move into scenes and how to make everyone you write matter. Have you ever written a scene you loved but couldn’t explain why it belonged in the story? Maybe the …