Tag s | Writing Craft

Too Much Social Media?

The following article appeared in Forbes Magazine in June of this year: “Americans Spent On Average More Than 1,300 Hours On Social Media Last Year.” In the article it said:

Last year, driven in no small part by the pandemic, Americans spent more than an average 1,300 hours on social media according to a new study from Uswitch. Facebook led the way, where Americans spent an average 58 minutes a day on the app – or 325 hours a year.

I wrote a blog post on this topic in November 2009 when studies showed users spent 72 hours a year on Facebook. Think about that for a second. In a little over a decade the hours spent on this particular platform has quadrupled!

I don’t want to join the predictable throng saying how dangerous this is. I suspect most of you have common sense and understand that already. Facebook and other social media are a wonder of technology and allow for unique ways to connect. We have also written here about the importance of platform and specifically showing engagement with your readers is of particular importance in getting the word out about your ideas and your book.

However, not all writers are full-time. Some must juggle day jobs or home-life responsibilities around their writing. So let’s say the average writer is cramming 20 hours a week of actual writing into their craft.

Thus if you are a writer AND you “Facebook,” this would mean the average writer is spending nearly a month’s worth of work time on Facebook or other social media.

In 325 hours, a nose-to-grindstone writer could produce 50,000 words on their next work-in-progress (that is about 1/2 page per hour). A motivated person could memorize the Constitution and the Epistle to the Galatians. An avid reader could consume at least a dozen of their favorite books.

Don’t get me wrong. I know there are tremendous benefits for the author in connecting with readers via social networking. And I’m not criticizing Facebook or Facebook users. My concern is with the amount of time authors spend on something other than making their next book a masterpiece.

Social media or social networking is something being “added” to our lives. And if something is added, something is usually subtracted. My question is, “What has been subtracted?”

An entire generation is growing up with social media as something embedded in the fabric of their lives. Not an addition. The irony is that in their case, subtracting now means subtracting social media! Not adding it.

It is also true that some of us have “addictive” personalities, and the snare of social networking can become an addiction if one isn’t careful.

It is also true that if we didn’t have social media, it may be that we wouldn’t spend the extra time writing. We’d find some other distraction to avoid having to write! (Like sorting your bookshelves by color.)

Next time you enter the social networking world, time yourself. Then ask if it was beneficial to you personally, professionally, spiritually, emotionally, or otherwise. As with all things, use common sense, discipline, and moderation. I’ve heard there are software programs (article about a few linked here) that can help by literally turning off your access after a certain period of time.

It will also keep your agent or your editor from posting a comment on your feed like “What are you doing here? You are on a deadline!”

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Always Be Curious (The ABCs of the Writing Life)

by Steve Laube

Depending on where you live and your school district policies you may already be in a back-to-school mode or preparing for it.

It got me to thinking about the need for all writers to always have a “back to school” mentality.

Here are five things we can learn from always going “back to school.”

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When Editorial Errors Matter

by Steve Laube

Writers make mistakes. It happens. Often an editor’s job is to be the safety net and catch those tidbits that find their way into an early draft of a manuscript for any number of reasons.

The simplicity of “cut & paste” has created more opportunity for error than ever before. I’ve seen half sentences left in their original place because the writer failed to cut and paste accurately. Many books evolve over time with additional research or new thoughts. Errors can creep in this way. I’ve seen an author actually contradict himself between chapters. There are too many details to keep straight so the writer overlooks the inconsequential trusting the editor to fix things. I remember talking to a Bethany House editor who revealed that an author accidently brought a character back to life, forgetting that the character had died earlier in the story.

None of the above examples ever found their way into the final edition of the book and the public never knew the error was made. An editor caught it and fixed it. That is why errors found in a finished and published book are so jarring.

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The Dreaded Blank Page

by Steve Laube

A clean slate. An empty canvas. A fresh start. A new beginning.
Or a potential nightmare of guilt, failure, and shame.

Thus begins the process of each writing project. This blog post began with a blank page. I wondered why I ever agreed to write a blog. I procrastinated with enough excuses to be described as legion. I told myself that no one cares what I think on any subject.

Once my episode of complaining was done I began to write. Each of my posts begins in a Moleskine notebook written by hand. The pages are littered with half-started ideas and incomplete thoughts. And this was no exception. Today’s post is the fourth one that received some scratches.

The blank page is the universal place where every writer begins. And in that moment and in that place all things are equal.

A place where the artist begins creating verba ex nihilo.*

A place of immeasurable potential and endless possibilities.

A place upon which a treasure map is drawn leading a reader to riches unimagined.

A place where worlds are spun into existence.

A place of creation, inspiration, and wonder.

Remember this as you fill today’s blank page:

The world will be a little different tomorrow because of what you write today.

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Ancient Wisdom from an Ancient Editor

by Steve Laube

I came across a remarkable section in a book written around 124 B.C. The editor of the book wrote the following preface to help the reader understand his methodology and purpose. It shows the concern a good editor has for the ultimate reader. His job was to abridge a massive five volume work into an abbreviated 16,00 word document. Can anyone tell me where this comes from and the name of the editor? (Without googling the text!) I’ll reveal the answer in the comments later in the day.

The number of details and the bulk of material can be overwhelming for anyone who wants to read an account of the events. But I have attempted to simplify it for all readers; those who read for sheer pleasure will find enjoyment and those who want to memorize the facts will not find it difficult.

Writing such a summary is a difficult task, demanding hard work and sleepless nights. It is as difficult as preparing a banquet that people of different tastes will enjoy. But I am happy to undergo this hardship in order to please my readers. I will leave the matter of details to the original author and attempt to give only a summary of the events.

I am not the builder of a new house who is concerned with every detail of the structure, but simply a painter whose only concern is to make the house look attractive. The historian must master his subject, examine every detail, and then explain it carefully, but whoever is merely writing a summary should be permitted to give a brief account without going into a detailed discussion. So then, without any further comment, I will begin my story. It would be foolish to write such a long introduction that the story itself would have to be cut short.

Note a few pearls of eternal wisdom from this ancient editor:

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Proofreading: Tips and Tricks

[Since today, March 8th, is National Proofreading Day I thought I would re-post this article from a few years ago, with some revisions. I’ve left the comments attached below since so many were illustrative. Please add new thoughts as well.] I have regularly displayed my lack of proofreading skills in …

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Diligence Is Rewarded

by Steve Laube

The ease of today’s social media communication brings a casual layer to the task of writing. Careful composition is trumped by the need for speed. For most “throw away” emails and posts that is the new normal. But it should never leak into the business of writing, either in craft or in delicate communication.

The other day I received an email query/proposal. There was a very large file attached and the body of the email read, “Here is my book. Please take a look.” No signature line, that was it. At least it rhymed. This was not a friend, a client, or someone I had ever met. But the casual, even flippant, nature of the note all but says, “I’m not serious about the craft or business of writing.”

The best writers are those who take their ideas and their words and run them through a gauntlet of critique and reformation. They pour their words into a garlic press and slice and dice them into bits that can flavor their entire book.

This takes time. This takes hard work. And it is a process that seems endless.

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Responding to Criticism

When someone tells me she’s not sure she wants me to read her manuscript, I know she’s not ready for publication. Such sentiment shows a lack of confidence and a fear of both rejection and criticism. Even though readers usually treat writers with respect, a critical word can puncture the heart.

Imagine the wounds delivered on Internet sites such as Amazon from readers who lack that respect. A major complaint I hear from distraught authors is that people download free Christian novels and then post hostile reviews. A cursory bit of research reveals some say they felt duped because they didn’t realize they were downloading a Christian novel. It is likely they just grabbed it because it was free and did not look at other reviews or the book’s description. These readers aren’t victims of duplicity, they were, at the very least, lazy and then blamed others when the book wasn’t to their taste. Unfortunately the temptation is for the author to strike back with a serrated reply.

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He Said. She Said.

A blog reader recently left an excellent comment on an earlier post:

Tamela, fiction workshop presenters taught me that the best word for “said” is “said”–that others only tend to slow down the reader’s eye. I’d appreciate a discussion on this.

While I don’t know the workshop presenters in question, what I can guess they meant is to avoid substituting creative verbs for “said” as a tag. For example:

“Cyrus, tell that joke about the tortoise and the hare,” the cowboy chuckled.

“This caviar is not up to my standards,” the dowager sniffed.

These tags aren’t without merit, because they do help convey the emotions and actions of the characters. In fact, they could even be expanded into effective action tags. At the least, simple punctuation would keep these characters from performing the improbable task of sniffing and chuckling words:

“Cyrus, tell that joke about the tortoise and the hare.” The cowboy chuckled.

“This caviar is not up to my standards.” The dowager sniffed.

So why would fiction workshop presenters tell writers to use the word “said” as a tag? I would say that there is a time and place to use a simple tag. In a fast-paced scene, a simple tag will keep the action flowing. For example:

“Get the gun,” Bruce said.

“What?”

“I said, get the gun.”

“Why?”

“Don’t ask questions,” Bruce said. “Just do as I say. Now.”

In a case such as this, complicated action tags could slow down the rhythm and urgency of the scene, distracting the reader rather than adding to the story. The “said” tag is used infrequently to help the reader keep track of the conversation.

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Letting Go of Your Babies

One of the worst mistakes writers can make is being too possessive of their words. They fight for each adjective, adverb, and conversation tag.

My early writing suffered from too many words. I once wrote an artist didn’t “really” understand the difficulties of making a living in his profession. The editor kindly cut all instances of “really,” “just,” “so,” “very,” and other weak words experienced editors call “weasel” words.

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