• Skip to main content
  • Skip to after header navigation
  • Skip to site footer

The Steve Laube Agency

Helping to Change the World…Word by Word

The Steve Laube Agency

The Steve Laube Agency

Helping to Change the World Word by Word

  • Home
  • About
    • Who We Are
    • Frequently Asked Questions
    • Interview with Steve Laube
    • Statement of Faith
    • Terms and Conditions
    • Privacy Policy
  • Guidelines
  • Authors
    • Who We Represent
    • Awards and Recognition
  • Resources
    • Recommended Reading
    • Christian Writers Market Guide Online
    • Christian Writers Institute
    • Writers Conferences
    • Freelance Editorial Services
    • Copyright Resources
    • Research Tools
    • Selling What You Write
  • Blog
  • Contact
  • Twitter
  • FaceBook
  • RSS Feed
  • Get Published
  • Book Proposals
  • Book Business
  • Writing Craft
    • Conferences
    • Copyright
    • Craft
    • Creativity
    • Grammar
  • Fun Fridays
Home » High Concept

High Concept

High Concept: Catching Readers One at a Time

By Tamela Hancock Murrayon August 16, 2012
Share
Tweet
34

Not every fiction proposal needs something called a High Concept, but I like to see one. A High Concept shows that the author can hone in on the story and has thought about what it says and how it can be positioned in the marketplace. It helps the publisher know in a snap of the fingers the unique and compelling nature of your story. One popular way to create a High Concept is to compare your work to two books or movies. You can choose extremely famous titles or venture into lesser known works with self-explanatory titles. I will make up a couple of examples:

Star Wars meets Across Five Aprils in this alternative history novel in which a spaceship lands in the middle of the battle of First Manassas.

The Wheel of Fortune meets Missing in this thriller about a Las Vegas kidnapping ring.

High Concepts like these are capsules that help orient an editor or marketing director to your work. They lend excitement and anticipation to the proposal.

However, not all stories work with this type of high concept. If you have to strain to find the high concept using titles, I recommend not pressing the issue, because stretching too far may only serve to make the book seem silly or unappealing. Instead, you may opt for a sound bite, which describes your book in 25 words or less. A couple of made-up examples:

A young woman finds what she thinks is a worthless trinket hidden among her deceased father’s possessions, but her discovery attracts the most sordid kinds of evil.

or

When rival chefs are booked to serve on the same cruise ship, will their competition ignite Molotav cocktails or flames of passion?

Again, this technique encapsulates what you as an author are attempting with your story, and high concepts encourage the editor to read more.

Remember at the proposal stage, the agent and editor are your readers. Once you lure them, the bait is set for many more fans!

Your turn:

What high concept or sound bite are you using for your WIP?

Make up a high concept that would entice you to read a story.

Make up a high concept for your favorite book.

Leave a Comment
Category: Book Proposals, Get Published, TamelaTag: book proposals, High Concept

Sidebar

Get Blog Updates

Enter your email address to get new blog updates delivered via email. You can unsubscribe at any time.

You have Successfully Subscribed!

Grow as a Writer


Find Out More →

Popular Posts

Top Posts on Book Proposals
  • Hints for a Great Cover Letter
  • The Keys to a Great Book Proposal
  • What Steve Laube is Looking For
  • Book Proposals I’d Love to See – Tamela Hancock Murray
  • What I’m Looking for – Bob Hostetler
  • What I’m Looking for – Dan Balow
  • What I’m Looking for – Lynette Eason
  • What’s the Best Way to Submit My Self-Published Book?
  • What Is the Agent Doing While I Wait?
  • God Gave Me This Blog Post
Top Posts on The Business Side
  • When Your Book Becomes Personal
  • The Myth of the Unearned Advance
  • How Long Does it Take to Get Published?
  • What Are Average Book Sales?
  • Can You Plagiarize Yourself?
  • Never Burn a Bridge
  • Who Decides to Publish Your Book?
  • That Conference Appointment
  • Goodbye to Traditional Publishing?
  • Who Owns Whom in Publishing?
  • Ten Commandments for Working with Your Agent
  • Writers Beware! Protect Yourself
Top Series
  • Book Proposal Basics
  • Publishing A-Z
  • A Defense of Traditional Publishing
Top Posts on Rejection
  • The Slush Pile: Enter at Your Own Risk
  • Even the Best Get Rejected
  • Five Reasons Why You May Never Get Published
  • The Unhelpful Rejection Letter
  • Writers Learn to Wait

Blog Post Archives by Month

  • Home
  • About
    • Who We Are
    • Frequently Asked Questions
    • Interview with Steve Laube
    • Statement of Faith
    • Terms and Conditions
    • Privacy Policy
  • Guidelines
  • Authors
    • Who We Represent
    • Awards and Recognition
  • Resources
    • Recommended Reading
    • Christian Writers Market Guide Online
    • Christian Writers Institute
    • Writers Conferences
    • Freelance Editorial Services
    • Copyright Resources
    • Research Tools
    • Selling What You Write
  • Blog
  • Contact

Copyright © 2025 · The Steve Laube Agency · All Rights Reserved · Website by Stormhill Media