Welcome to part 3 of crafting characters. I did warn you there might be quite a few posts on this topic, but I hope you’re enjoying the journey. In the last post, I talked about building our characters and all of the things we needed to start doing that. If you haven’t yet, visit the post and take a look at the list/template I provided.
Once I have most of the template filled in, I jump right to my character’s Most Painful Life Moment (MPLM), main goal, and motivation. I think about these all at the same time because they’re all related, but the MPLM comes first. Some people call the MPLM The Wound. It really doesn’t matter what you call it, it’s all the same—a past hurt. Think about your character and his or her backstory. Now decide what happened to that character that helped shape who they are today. For example, if you’ve created a character whose sole purpose is to find and bring down the bad guys to the exclusion of all else, why did that character come to that decision and what did she do to make that happen?
In Vow of Justice, my character Allison (Allie) Radcliffe lost her entire family to a murder when she was a teenager. The murderer was never caught, and she vowed to avenge their deaths. That was her goal: She wanted revenge. So, for Allie, her MPLM was the murder of her family. That doesn’t mean she didn’t have other painful things happen. She certainly did. But, that one thing was the most painful; and it defined the course of her life. Thankfully, her partner, Linc St. John, wasn’t about to let his partner and the woman he loved do something that would land her in prison—like kill someone in cold blood.
Now that I have my MPLM figured out, it’s easy to come up with a goal and the motivation because they’re all linked. But don’t be fooled. A character’s goal and motivation are two very different things. While they’re related, they serve different purposes.
A goal in a novel refers to what a character wants. It represents a specific objective or outcome that the character actively pursues. Goals provide direction to the character’s actions and decisions, and they often serve as the driving force behind the plot—such as Allie’s search for her family’s killer. Goals can be concrete and tangible, such as finding a killer; or they can be more abstract, such as seeking love or personal redemption.
Motivation, on the other hand, delves into the underlying reasons, desires, or emotions that compel a character to pursue their goals. It explores what is driving or influencing their behavior and/or choices. Motivations provide the rationale for why a character is pursuing a particular goal and help readers understand their actions on a more psychological level. Motivation is the backbone of their actions. For example, Allie’s motivation to find her family’s killer is driven by the desperate need to avenge their deaths—although this motivation does morph into the need for justice.
So, the short version of all of that: A goal (set by the character due to the MPLM) represents the specific objective a character works to achieve throughout the story, while motivation specifies the underlying reasons and emotions behind the character’s desire to pursue that goal.
Just to be clear, yes, goals and motivation can change as the story progresses. Because as your character changes (becomes a better person, admits to needing help, addresses a flaw, etc.) they may set new goals with new motivation propelling them. It’s not a bad thing when that happens; it just shows your characters are “real” people. At least they’ll feel real to the reader. 😊
Now, it’s your turn. Think about your current story’s character’s MPLM, goal, and motivation. Are they clear, or do they need some work? Is the goal strong enough to carry the story through 80K words? Is the motivation real and believable? Feel free to do this simple exercise, replacing my information with yours; and post it in the comments if you like:
MPLM: Allie’s family is murdered and she’s the only survivor.
Goal: To find and kill the person who murdered her family so she can finally have “peace.”
Motivation: Initially, to exact revenge for what he did because she believes that’s the only way she will ever find peace. But with the help of the hero, she admits that murder will not ever bring her peace and changes her goal to seeing justice done. The goal is still to find the person and make him pay—but by doing things the right way and bringing him to justice.
Andrew Budek-Schmeisser
Goal and motivation,
related, not the same,
the tracks to destination
of the plotline train.
Motivation sets crucible
in which is formed the goal,
a dyad irreducible
that makes coherent whole
that yet can change along the way
with sidings, spurs, and wyes
until that sad and happy day
of book-closing goodbyes
to characters that we came to meet
and love, whose arc is now complete.
Anne
Thank you. This makes a lot of sense. Your suggestions really help me to hon in on my main characters goal and motivation.
Loretta Eidson
Another educational article. Thank you, Lynette, for sharing more about characterization.
Patricia Iacuzzi
Great explanation. You take the internal conflict to the ultimate. Now, all I need is to be careful with my goal & motivation. Thank you, Lynette!
veronica Ogilvie
This type of community is so needed for prospective writers/authors like me. I just want to say, thank you for those insightful hints. Appreciated it!
veronica Ogilvie
Appreciated!
Appreciate it.
Beth Gooch
The way you’ve broken this down is very helpful.
Allie Lynn
I’ve been stalking my email for the next post of this since last time! Love this article series so much.
Now for my character Jackie…
If this is messy, it’s because it’s just what I was thinking as I wrote.
MPLM: When her parents were arrested for freeing slaves and her brother was taken into the slave trade.
Goal: To find the Patroda Raida, the legendary riders of the elemental horses known as the Myarta (and of which her parents were also a part of), to free her parents and brother.
Motivation: Initially, to survive on the streets after her parents are taken, trying to take care of her brother. Then when William is kidnapped into the slave trade, she learns from a group of Raida descendants who take her in (the Protectors), that finding the lost Raidas could not only help bring her family back, but also turn the entire country from its darkness. She feels like she owes her parents to help them since she failed to keep her brother safe.
Kristen Joy Wilks
That is a seriously dark motivation. Phew! Well, I’m writing middle grade and hopefully will not be taking my poor characters on quite that traumatic a journey. It also has a lot of humor, so just a bit lighter. However, my ten-year-old character is in a wheelchair and also a daredevil and my 12-year-old character and his older brother has determined to keep him safe … always … against his wishes!
Susan Sams Baggott
Planning Wise:
MPLM: Too many painful moments! Wow — just ONE, that helps.
Goal: Short and sweet, ok — avoid listing all the detours and bumps in the road.
Motivation: Boy do I get lost here — beginning, middle, end – boom!
You untangled my complicated spreadsheet and made it much more efficient. Thank you.
Jennifer Laird
Awesome article! Very helpful 🙂
Nora L. Taylor
Wonderful in detail~
I also cannot thank you enough for this reminder of how “Motivation” drives me to return to writing my own story. What is the “backbone” of our reason to write the story we have been given to tell?
The deeper the search, the more we find~ God is at the heart of it.