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Home » Archives for Lynette Eason

Lynette Eason

The Inciting Incident (Part 5)

By Lynette Easonon June 24, 2026
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Hey, friends, here’s the worksheet I promised you. I hope you find it helpful.

Your Inciting Incident Worksheet

Print this out. Fill it in. Use it on every project.

SECTION A: CHARACTER GROUNDWORK

My protagonist’s name:

Their ordinary world (daily routine, comfort zone):

Their deepest wound (what happened in their past):

Their greatest fear:

Their strongest desire:

Their weakest point:

SECTION B: THE DISRUPTION

What event would make it impossible for my character to keep living this way?

How does this event target my character’s wound, fear, or desire?

Describe the event as it happens on the page (external, concrete, specific):

When does this event occur in my manuscript? (chapter/page):

SECTION C: THE THREAD FORWARD

What central story question does this inciting incident create?

How does my climax answer that question?

SECTION D: DIAGNOSTIC CHECKLIST

Check each box. If any answer is no, revisit the step indicated.

  • Is it an event? (Something concrete happens on the page.) → Step 3
  • Does it disrupt the ordinary world? (The “before” is clearly broken.) → Step 1
  • Does it launch the main story? (Remove it and the story doesn’t exist.) → Step 4
  • Is it irreversible? (The character cannot go back to normal.) → Step 2
  • Does it catalyze transformation? (It targets wound, fear, or desire.) → Steps 1 & 2
  • Does it happen early enough? (Readers still have momentum.) → Step 3
  • Does the central story question connect to the climax? → Step 5
  • Is it the inciting incident and not just the hook? → Part 3, Mistake #1

And that’s it. You now have everything you need to craft an inciting incident that can carry a novel.

You’ve done the hard work of learning the craft behind this moment.

Next month I’ll start talking about another topic. I’m still noodling on that. Do you have any suggestions for what it should be? I’d love to hear what you want to me to share.

But for now …

… Go write your earthquake.

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Category: Writing Craft

Build Your Inciting Incident (Part Four)

By Lynette Easonon May 27, 2026
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Over the last three posts, I defined the inciting incident, established five rules it must follow, and identified the four biggest mistakes writers make. You’ve got the knowledge. Now, it’s time to put it to work. Today and next month, we’re going to roll up our sleeves and I’m going to walk you through building your inciting incident step-by-step. Next month, you’ll have a worksheet you can print …

Read moreBuild Your Inciting Incident (Part Four)
Category: Writing Craft

The Inciting Incident (Part Three)

By Lynette Easonon April 29, 2026
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We’ve covered a lot of ground in this series. You now know what the inciting incident is. You know what it must do. So, let’s wrap up this series by talking about what goes wrong—and how to get it right in your manuscript. The Four Biggest Mistakes Writers Make with the Inciting Incident Mistake #1: Confusing the Hook with the Inciting Incident This is one of the most common mistakes I …

Read moreThe Inciting Incident (Part Three)
Category: Writing Craft

The Inciting Incident (Part Two)

By Lynette Easonon March 25, 2026
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We’re still talking about the inciting incident. Last month, I gave you three rules it must do for your story. As promised, here are the last two rules. The inciting incident must create a point of no return. This event, this moment must be irreversible. This happens when: a secret is revealed a crime is committed or witnessed a moral line is crossed a promise is made a divine calling is heard …

Read moreThe Inciting Incident (Part Two)
Category: Writing Craft

The Inciting Incident Series (Part One)

By Lynette Easonon February 25, 2026
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Every unforgettable story begins with one catalytic moment—an interruption so sharp and unexpected that the protagonist cannot continue life as usual. This moment is known as the inciting incident, the event that not only disrupts the ordinary world but launches the main story arc. In other words, without the inciting incident, the story doesn’t exist. So, keeping that in mind, let’s take a deep …

Read moreThe Inciting Incident Series (Part One)
Category: Writing Craft

What I Am Looking For (Lynette Eason)

By Lynette Easonon January 22, 2026
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(Updated 1/22/2026) Ernest Hemingway once said, “There is no friend as loyal as a book,” and I’ve always known that to be true. I grew up reading mysteries and suspense—Nancy Drew, the Hardy Boys, Sweet Valley High, Alfred Hitchcock, Erle Stanley Gardner, Agatha Christie, C. S. Lewis, and others. Later, I discovered Christian fiction through writers like Dee Henderson, Terri Blackstock, Colleen …

Read moreWhat I Am Looking For (Lynette Eason)
Category: Agency

Crafting Dialogue That Heightens Suspense and Reveals Secrets (Part 3)

By Lynette Easonon December 10, 2025
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In my last two posts, I explored how dialogue can serve the story, reveal character, and create emotional resonance. But one of dialogue’s most powerful functions—especially in suspense and mystery—is what it doesn’t say. Sometimes, the words on the page are only the tip of the iceberg. Beneath them lies subtext, motive, and secrets waiting to surface. Today, let’s explore five ways to use …

Read moreCrafting Dialogue That Heightens Suspense and Reveals Secrets (Part 3)
Category: Writing Craft

Crafting Dialogue That Resonates (Part 2)

By Lynette Easonon November 12, 2025
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In last month’s post, I talked about how every line of dialogue should serve a purpose: revealing character, advancing the plot, building tension, or deepening theme. I also explored voice, subtext, and how to balance dialogue with internal thought and action. Today, I’m taking it a step further. Let’s look at five additional ways to elevate your dialogue, so it not only sounds real but …

Read moreCrafting Dialogue That Resonates (Part 2)
Category: Writing Craft

Dialogue in Your Novel

By Lynette Easonon October 15, 2025
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Dialogue is one of the most powerful tools in a writer’s toolbox. A single exchange between characters can reveal more about their motives, personalities, and relationships than pages of exposition—and trust me, readers prefer dialogue to exposition. Done well, dialogue pulls readers into the story, making them feel like they’re actually part of the conversation. If it feels forced or stalls the …

Read moreDialogue in Your Novel
Category: Writing Craft

Beyond Book One: Weaving Plot Continuity Across Your Series (part 3)

By Lynette Easonon September 10, 2025
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If you’re writing a fiction series, you already know it’s more than just writing more words—it’s about weaving together multiple books with continuity, cohesion, and ALL. THE. DETAILS. Because readers notice these things. So, today, I thought we’d talk about how to manage plot threads, foreshadowing, timelines, secondary characters, and tools that will help you stay sane—and impress your readers. …

Read moreBeyond Book One: Weaving Plot Continuity Across Your Series (part 3)
Category: Writing Craft
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