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Home » Archives for Lynette Eason

Lynette Eason

Mastering Subtext in Fiction, Part 2: Subtext in Dialogue

By Lynette Easonon April 9, 2025
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Let’s dig a little deeper into how subtext in dialogue works and what it looks like. In the previous post, I talked about how people rarely say exactly what they mean—especially when under stress or in a sticky situation—or maybe when the truth would hurt someone’s feelings. We dodge, deflect, soften our words, or hide our true feelings behind sarcasm or politeness. Great fictional dialogue works the same way. It’s not just about what’s said—it’s about what’s meant.

This is where subtext in dialogue becomes a powerful tool. It adds tension, reveals character, and invites the reader to dig deeper. When done well, it transforms a simple conversation into a scene brimming with emotion, conflict, and meaning.

So, what exactly is subtext in dialogue?

Again, subtext in dialogue is the underlying meaning behind a character’s words. I talked about the phrase “I’m fine.” Think about that. How many different meanings can those three words take on? A character might say, “I’m fine,” but the reader senses they’re anything but. The words act like a mask; but the truth is revealed through context, body language, tone, and what’s left unsaid.

Here are a few techniques to add subtext to dialogue:

  1. Deflection and Indirect Answers

Characters often dodge questions when they’re uncomfortable, afraid, or trying to hide something.

Example:
“Did you see him last night?”
“Oh, come on, Sis, I don’t remember. It was late.”

Here, the character isn’t answering directly, which creates tension and raises suspicion.

  1. Contradicting Body Language

Words say one thing, but actions say another.

Example from Collateral Damage by me: 
Brooke says, “I’m used to danger. It doesn’t bother me anymore.” But her hand trembles as she reaches for her water, showing the fear she’s trying to suppress.

She’s saying one thing, trying to convince herself of that fact when it’s clearly untrue.

  1. Strategic Silence

Sometimes the most powerful response is no response at all. I looked at this one a little bit last time.

Example:
A character is accused of something his wife doesn’t want to believe possible.
“You didn’t really do it, did you?”
He looked away, then at his hands.

That silence is louder than words.

  1. Subtext Through Tone and Context

Words take on different meanings, depending on the context or how they’re said.

Example:
“You’re so brave.”
This comment could be sincere, sarcastic, or even accusatory—depending on the situation and tone of voice.

  1. Saying the Opposite of What’s Meant (Irony or Sarcasm)

A character might use sarcasm or irony to hide vulnerability.

From Acceptable Risk by me:
Sarah tells Gavin, “You don’t have to protect me.”
But the context reveals she wants his protection—she just doesn’t want to appear weak. The subtext is her internal battle between independence and vulnerability.

Summary

When writing dialogue, remember: People rarely say what they really mean, especially in certain situations. The richest scenes are the ones where your characters are holding something back—and the reader feels it.

Exercise

Rewrite a short piece of dialogue and add your subtext. Here’s an example:

Too direct. No subtext involved here:
“Are you mad at me?”
“Yes, because you forgot my birthday. I feel hurt and disappointed.”

With subtext:
“Are you mad at me?”
“Why would I be? It’s just a date on a calendar, right?”

Now you try it.

 

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Category: Craft, Writing Craft

Mastering Subtext in Fiction, Part 1: Saying It Without Saying It

By Lynette Easonon March 12, 2025
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Subtext is the hidden layer of meaning beneath the words and actions of a story. It’s what characters don’t say, what emotions they suppress, and what truths are left for the reader to infer, rather than being explicitly stated. Great writing isn’t only about what’s written; it’s also about what’s implied. Readers love engaging with stories where they have to read between the lines, piecing …

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Category: Craft, Creativity, Writing Craft

Point of View #6

By Lynette Easonon February 12, 2025
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Common Pitfalls and How to Fix Them Hello, writer friends, I hope you’ve all had a great holiday and are back at the craft, learning and writing. Before we took some time off, I was writing a lot about point of view (POV). I want to wrap that up with this post, which can serve as a final checklist to ensure that you’ve got this topic down. So feel free to go back and look at your work in progress …

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Category: Writing Craft

What I Am Looking For (Lynette Eason)

By Lynette Easonon January 15, 2025
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(Updates 1/15/2025) Books, books, and more books! Gimme all the books! That’s been my motto for as long as I can remember. I grew up reading whatever I could get my hands on. Mostly mysteries and suspense like Nancy Drew, the Hardy Boys, Sweet Valley High, Alfred Hitchcock, Erle Stanley Gardner, Agatha Christie, C.S. Lewis, and so on. And then, I found Christian fiction in the form of Dee …

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Category: Agency

The Greatest Story Ever Told

By Lynette Easonon December 19, 2024
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Hello, my friends and fellow word-crafters, I’m taking a short break from writing posts on craft to celebrate the season of Christmas and offer you a bit of encouragement. As writers, we are in the business of storytelling—crafting worlds, creating characters, and weaving plots that resonate with readers. Or, if we’re nonfiction writers, putting together words that offer help, advice, and hope for …

Read moreThe Greatest Story Ever Told
Category: Inspiration, Personal

Point of View #5

By Lynette Easonon December 4, 2024
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We’re back and still talking about point of view because, let’s face it, it can be a hard thing to grasp. So, in review, last time we talked about: Get rid of “distance” words—words that can disconnect the reader from the story. Use strong, vivid verbs, not passive verbs like was and were. Ditch tags like “she thought,” “he pondered,” “she mused,” and so on Now, let’s continue the list: …

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Category: Writing Craft

Point of View #4

By Lynette Easonon November 13, 2024
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Last time I talked about Deep Point of View. Now, let’s jump into some practical tips for application. Eliminate “Distance” Words Eliminate “distance” words like “saw,” “heard,” “felt,” “thought,” “wondered,” “noticed,” and so on. Is there ever a time you’d use those? Of course, but for now, let’s try not to use them. I call them “distance” words because they distance the reader from …

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Category: Craft, Writing Craft

Point of View #3

By Lynette Easonon October 24, 2024
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I’m back to talk a little more about point of view, continuing to build on what I talked about in the last post. If you’ll remember, last time I dissected POV into three different types—the ones most often in fiction. Today, in this last post on point of view, let’s dig a little deeper and talk in depth about deep point of view since this is the preferred POV in fiction writing. Someone asked why …

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Category: Craft, Writing Craft

Point of View Post #2

By Lynette Easonon October 9, 2024
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Welcome back to our discussion about point of view (POV). I want to continue to build on what I talked about last time. In the last post, I explored what point of view actually is. Now I’m going to break down three different types of POV. Note that these are not the only other points of view, but ones used most often in fiction. First Person Point of View This is when the narrator is a character …

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Category: Craft, Writing Craft

Point of View #1

By Lynette Easonon September 19, 2024
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I’ve been discussing description over the past several posts, and I hope that’s been helpful. Let’s move on to a different topic. One that’s really important. Point of View (POV). I’ve been doing a lot of reading lately, and one thing that has jumped out at me has been the issue of  point of view. Many writers simply don’t seem to understand how to incorporate it into their stories correctly. …

Read morePoint of View #1
Category: Craft, Writing Craft
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