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Home » Archives for Lynette Eason » Page 3

Lynette Eason

Point of View #3

By Lynette Easonon October 24, 2024
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I’m back to talk a little more about point of view, continuing to build on what I talked about in the last post.

If you’ll remember, last time I dissected POV into three different types—the ones most often in fiction. Today, in this last post on point of view, let’s dig a little deeper and talk in depth about deep point of view since this is the preferred POV in fiction writing.

Someone asked why that is the preferred POV. I hope the following information answers this question.

Description of Deep Point of View

Deep point of view (deep POV) aims to fully immerse readers into the character’s experience, allowing them to feel as if they are the character, rather than only observing that person. It’s just like in the movies when the director has the camera aimed right behind the character getting ready to jump out of the airplane. It makes you feel like you’re getting ready to jump too! The goal of deep POV is to remove any distance between readers and the character—any words or language that reminds readers someone is telling them a story. In other words, readers don’t only know what the character is doing or feeling, but they experience it firsthand.

Last time, I talked a little about the traditional third-person limited POV. While this is relatively close to deep POV, it still can maintain a layer of distance between the character and the reader. Deep POV removes this gap completely. It’s especially powerful in genres like romance, thriller, and suspense, where emotions and internal conflicts drive the story.

Why Is Deep POV the Preferred POV for Fiction?

There are several reasons in addition to the reader immersion one I just talked about:

  1. Emotional Impact: Imagine how powerful a story can wind up being when the reader has an unfiltered access to the raw emotions and thoughts of the characters without filters like “she thought” or “he felt.” This makes emotions feel more immediate and authentic, giving the story a heightened sense of realism and impact. Wow, right? Isn’t that what we want every single time we put words on the document? Absolutely.
  2. Natural Flow: Staying in deep POV allows the reader to seamlessly move through the character’s thoughts and actions without transitions or explanations. (This is not to say transitions and explanations don’t have their place, but that’s for another post.) This creates an uninterrupted reading experience, which makes the pacing smooth and the story more dynamic.
  3. Show, Don’t Tell: Finally, if you’ve been in the writing community for any length of time, you’ve been exposed to the “show, don’t tell” rule, right? Well, deep POV is one of the best ways to “show” rather than “tell.” Why? Because it cuts out the narrator. Instead of telling readers what a character is feeling, it shows the experience and lets the reader interpret the emotions through actions, thoughts, and sensory details.

Next time, I’ll go through some examples with you, showing you what all of this entails.

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Category: Craft, Writing Craft

Point of View Post #2

By Lynette Easonon October 9, 2024
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Welcome back to our discussion about point of view (POV). I want to continue to build on what I talked about last time. In the last post, I explored what point of view actually is. Now I’m going to break down three different types of POV. Note that these are not the only other points of view, but ones used most often in fiction. First Person Point of View This is when the narrator is a character …

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Category: Craft, Writing Craft

Point of View #1

By Lynette Easonon September 19, 2024
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I’ve been discussing description over the past several posts, and I hope that’s been helpful. Let’s move on to a different topic. One that’s really important. Point of View (POV). I’ve been doing a lot of reading lately, and one thing that has jumped out at me has been the issue of  point of view. Many writers simply don’t seem to understand how to incorporate it into their stories correctly. …

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Category: Craft, Writing Craft

Description Part 4

By Lynette Easonon September 4, 2024
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We’re still discussing description and how to use it effectively in your story. Today, let’s address how doing description right is crucial to the pacing of your story. Balancing description with action is key to maintaining the appropriate pace. Let’s write a little more of Oliver’s scene and see what happens to the pacing. Here’s the last little bit of the scene we’re writing: Someone had broken …

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Category: Craft, Writing Craft

Description Part #3

By Lynette Easonon August 15, 2024
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I’m back to talk a little more about description and how it can advance the plot.  First, descriptions can foreshadow events or provide important information. What do I mean by foreshadowing events? First it helps to understand what foreshadowing means. If you think back to your freshman high school English 101 class, you’ll remember that foreshadowing involves giving subtle hints or clues about …

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Category: Craft, Writing Craft

Writing Description Part 2

By Lynette Easonon July 31, 2024
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In my last blog post, I talked a lot about description. I talked about the purpose description serves. In the previous post, I set the scene for the story I’ve been using. Now let’s talk about: Does my description help develop the character? In the story with Oliver and Sophia, I wrote the opening scene. Let’s see if there’s anything I can improve on in this to develop the characters a little …

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Category: Craft

Writing Description Part 1

By Lynette Easonon July 11, 2024
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Hello, my friends, and welcome back. In my last blog post, I asked what topics you’d like me to discuss. One person asked about description. How do you know when you have enough? How do you know how much to keep and what to edit out? So, first, let’s talk about: What is the purpose of description? Description should serve a specific purpose. It’s up to you as the author to determine that purpose. …

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Category: Craft, The Writing Life

Subplots Part Three

By Lynette Easonon June 26, 2024
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And we’re back. First, I was at the Write to Publish Conference this past week. If you’re a writer and have never been, you need to put this on your conference bucket list. It was my first time to attend, and I truly hope not my last. Okay, now, on to subplots. I don’t know if you noticed this, but it’s clear that subplots are equal to relationships. The easy way to remember to incorporate …

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Category: Craft

Writing Conference Benefits

By Lynette Easonon June 6, 2024
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Hello all, I’m taking a little break from the subplots posts to write a special blog about writers conferences. I know there has been other information by other agents on this topic, but I wanted to put my thoughts down and share them with you. If you’re a writer seeking publication, I won’t say conferences are a must; but they sure do help on the journey to seeing your book in print. That …

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Category: Conferences

Subplots Part Two

By Lynette Easonon May 22, 2024
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Let’s start with Act I in our Oliver and Sophia story. Based on what we’ve already created in previous posts, here’s the beginning of my synopsis. Oliver Tyson, a forensic artist and single father to his nine-year-old daughter, Gia, is assigned to reconstruct the face of a young woman whose skeleton was found in an abandoned house. The Jane Doe, estimated to be around 21 years old at the time of …

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Category: Writing CraftTag: Subplots
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