Any author who experiences disappointment is bound to ask the question, “What am I doing wrong?”
Using Rick Warren’s first line of The Purpose Driven Life, “It’s not about you,” might just be one explanation of why it is so hard to get published and succeed at it.
Whether you have already been published or are an aspiring author, the greatest threat to your present or future writing career could be someone else’ less-than-successful performance with a book on the same general topic years before you even started writing your book.
You can surround yourself with all sorts of plaques, posters, verses and quotes about overcoming challenges and you can motivate yourself to press on against all odds. But realizing that many of the challenges and closed doors you face are not of your own making, might provide some solace to your damaged psyche.
“I am sorry, we published a book on that subject five years ago and it didn’t sell well.”
Publishers (and literary agents) have a plaque hanging on their walls too. It reads, “Never, ever make the same mistake twice.”
Agents try to view their work through the eyes of publishers to whom we sell various projects. After all, we want to sell them new books. Publishers tell us certain types of books will or won’t work for them, so we try to honor that as well as we can and send them things that fit what they want. If you send something to an agent on a subject we recently were unable to sell for another author or were told was a “soft” category by a publisher, we will avoid your proposal.
It wasn’t you after all.
Unseen publishing market forces affect you every day. A negative response from an agent or publisher to your proposal is a mix of predisposed opinion and a desire to avoid something bad from happening again. We don’t enjoy not selling a proposal any more than you like rejection.
Publisher’ decisions are heavily influenced by their respective sales departments. In many cases, sales leaders have virtual veto-power over publishing opportunities. Since one of the worst things for a sales person is to be given something to sell that they weren’t able to sell well before, avoidance of possible future failure is a strong influencer of present decisions.
Objectivity is overrated anyway.
Say what you want about trial and error, overcoming adversity, being persistent and unrelenting in your conviction and it being better to have loved and lost, blah, blah, blah. Of all the obstacles you need to overcome to be published, the less-than-successful performance (I am avoiding using the word “failure” in case you didn’t catch that) by someone else will have an effect on the decision related to your proposal.
There’s a person living a thousand miles from you who wrote a similar themed book ten years ago that didn’t sell well, so your proposal is being compared (probably unfairly) to that.
And if you are published and don’t meet expectations, you are putting a hurdle in the way of someone coming behind you. It is a never-ending cycle.
But this is not unique to book publishing.
If you had a bad experience with a car mechanic named “Butch” you probably aren’t going to take your car to the new repair shop that just opened up, “Butch’s Auto Repair” even though it is an entirely different guy. There is no rational reason to make that decision, but we simply cannot put ourselves in a position where something bad would happen again with a guy of the same first name. Sorry Butch.
I am an advocate of realistic thinking based on knowing how things really work, not how we would like them to work. Knowing that authors do not create in isolation is a key element of that. Your book has intense competition. Some of it negative competition.
On top of that, book publishers and agents are part of the “art” world, filled with subjective vision, predisposed thinking and personal preferences.
That’s what you get working with humans.
Dianne Barker
Thanks for this insight! Appreciate your taking time to explain a fact we writers have no way of knowing. I actually find this encouraging–a strong reason to emphasize in a proposal how my book is different.
Jeanne Takenaka
Interesting perspective, Dan. I knew my book would be compared with others on the market. I hadn’t considered that others might not like it because similarly themed book flopped five to ten years ago. I guess it’s good to keep this in mind, and remember not to take it personally.
Though it’s not a rejection of me personally, it can feel like it. The next step is developing the ability to separate the rejection from the work that I’ve done on my book and from me. 🙂
Remembering that publishers, and agents, have a much broader scope of the market, and that they know what is/isn’t selling can help with keeping the perspective that it’s not about me.
Great post!
Beverly Brooks
Writing is enjoyable all by itself with its own rewards. I’m happy to be able to indulge in imagination.
But right you are Dan to bring our feet to the fire of the publishing piece – we need the knowledge and appreciate your Paul Revere-type warning.
Blessings to those publishing, to those aspiring, and to those agents who bring the two together.
Brian Thoresson
Many thanks for those words. It has given me a better insight and understanding.
Jenelle. M
Dan, I have been busy and away from internet access most of the week and I’m not sure if this question will be answered since you posted this days ago.
So there is a writer who wrote a book that was similar to one published years ago that perhaps didn’t sell well. You said you avoid their proposal. But what if their writing voice is unique, fresh, and one that grabs your attention. Do you still avoid their project or sign them based on their writing skill? Would that person be one of those exceptions you have mentioned before?
Months ago, Steve wrote a post about how he had a client re-write almost half of a book and it sold. I forget if that was based on the plot or technical stuff. I have many writing friends who are represented in and or published in the CBA and ABA, and have learned from their experiences, that some agencies sign a writer solely on the premises they think they can sell the book being proposed and some agencies sign with that intention, but also think the writing is great and want to work with the writer on other projects. I think the latter is rares since money and selling factor are huge in this industry! What are your thoughts?
Thank you!