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Home » Writing Craft » Craft » Page 8

Craft

What’s in a Name?

By Bob Hostetleron July 22, 2020
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Years ago I was reading a book by Louis L’Amour, a favorite author of mine. I don’t remember which book it was (I haven’t yet read them all, but I’ve read many of them), but I do recall being confused throughout. Why? I’m so glad you asked. Because three of the main characters had similar names, names that all started with the letter T. Something like, Taggart, Taylor, and Trevayne. I was constantly turning pages to reorient myself as to who was whom. And also as to whom was who.

Naming your fictional characters (or, in nonfiction, composite or substitute names) is one of many enjoyable tasks in the creative process. For some writers of fiction, it’s their favorite part of the whole process. But there are, unfortunately, a few pitfalls when it comes to naming your characters. Here are several:

  1. Giving characters the same names

If you’re George R. R. Martin writing the series A Song of Ice and Fire, I suppose you can get away with giving three important characters the name Jon and two prominent characters the name Rob. But are you George R. R. Martin? Of course, in historical fiction, this can be an almost unavoidable problem. In my two coauthored historical novels, Northkill and The Return, two of the five main characters were a father and son, both named Jacob, so we distinguished between them by using the Old Country spelling for the immigrant (and father) Jakob while spelling the son’s name Jacob. Not necessarily brilliant, but it helped.

  1. Giving characters similar names

In some cases, there are good reasons to want two or more characters to have similar names. Siblings, for instance, such as Margaret and Marianne Dashwood in Jane Austen’s Sense and Sensibility. At least their other sister was named Elinor. Margaret, Marianne, and Marabelle would’ve been too confusing.

  1. Giving characters unpronounceable names

I see this most often in aspiring fantasy writers’ efforts. (I don’t represent fantasy—Steve does—but still occasionally review or critique it.) Sure, it’s kind of cool to name your main character Zzysx, but I’m not sure how to pronounce it. Also, this is a problem in some historical fiction—especially if it takes place in Wales—like How Green Was My Valley, which provided a pronunciation key for names like Ianto and Iestyn and Mr. Gruffydd (pronounced “Griffith”). Even with the keys, the names can be a “bump” on the reader’s road.

  1. Giving a character multiple names

You know, sometimes a character named Naomi is called Dolly by her mother and Bug by her beloved grandfather. This sort of thing can add a note of authenticity and help to shape the  characters; but it can be a challenge for the reader, especially if Naomi, Mom, and Gramps are in the same scene.

  1. Giving a character an anachronistic name

If your novel’s setting is, say, Elizabethan England, and you give your English character the name Jolene, it might be a red flag to an informed reader since that name came into use much later. Similarly, if you’re writing a contemporary novel and name your character after a member of the U.S.A.’s 1787 Continental Congress, you might want to choose George or James instead of Governeur Morris or even Daniel of St. Thomas Jenifer (whose family, the Jenifer family, had a tradition of naming all male children Daniel, so they appended phrases, such as “of St. Thomas” to distinguish them from one another). Not to mention (but I will) that Daniel of St. Thomas Jenifer has another strike against it, in my view: His surname, when used alone (instead of his full first name) could be confused with a female’s first name.

I’ll stop there, and ask (1) what are your character-naming secrets, and/or (2) what character names have tripped you up in your reading or writing?

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Category: Craft, Creativity, Genre, Writing Craft

He Said. She Said.

By Tamela Hancock Murrayon May 14, 2020
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A blog reader recently left an excellent comment on an earlier post:
Tamela, fiction workshop presenters taught me that the best word for “said” is “said”–that others only tend to slow down the reader’s eye. I’d appreciate a discussion on this.
While I don't know the workshop presenters in question, what I can guess they meant is to avoid substituting creative verbs for "said" as a tag. For …

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Category: Craft, Tamela, Writing CraftTag: Craft, Grammar, Tamela, Writing Craft

Use Your Thesaurus and Dictionary Correctly

By Steve Laubeon April 20, 2020
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Today we look at how one writer uses his thesaurus and dictionary in a fascinating way. The following is a five-minute video from Martin Amis, one of Britain’s well-known literary novelists and essayists. I recommend clicking the “cc” close-captioned on the bottom next to the settings button. That way you can read his words while also hearing them. Below the video I have a couple …

Read moreUse Your Thesaurus and Dictionary Correctly
Category: Craft, Editing, The Writing Life, Writing Craft

Don’t Make Your Readers Whack Through Weasel Words

By Tamela Hancock Murrayon February 20, 2020
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Since I waxed eloquently about weasel words last week, I just really thought I should share this very astonishing post. Truly it is just so important that authors really strive to write tightly so that the reader doesn’t just close the book because the writer uses, like, too many weasel words. As we survey various techniques to the establishment of accomplished prose, we are obliged to contemplate …

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Category: Craft, Writing Craft

Letting Go of Your Babies

By Tamela Hancock Murrayon February 13, 2020
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One of the worst mistakes writers can make is being too possessive of their words. They fight for each adjective, adverb, and conversation tag.

My early writing suffered from too many words. I once wrote an artist didn’t “really” understand the difficulties of making a living in his profession. The editor kindly cut all instances of “really,” “just,” “so,” “very,” and other weak words …

Read moreLetting Go of Your Babies
Category: Book Proposals, Craft, Writing CraftTag: Craft, Get Published, Writing Craft

Floating … Floating … Gone …

By Tamela Hancock Murrayon January 23, 2020
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Writers conferences and blogs talk about this topic often so I don't pretend to be breaking new ground with this post. Yet I still see some floating body parts and cliches creep into otherwise great stories. No, I don't mean murder mysteries depicting a stray arm floating in a river. I mean much gentler fare.

Yes, floating body parts offer the reader -- and writer -- shortcuts. But relying on …

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Category: Craft, Writing CraftTag: Craft, Grammar, Tamela, Writing Craft

Tag, You’re It!

By Tamela Hancock Murrayon December 12, 2019
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One of the most common habits I see burdening stories is overemphasis on conversational tags, which goes hand in hand with not making good use of action tags. Here's an example I just made up:

"No," she exclaimed. She looked at the the pot of stew bubbling the stove and saw red juice splattering. She began to stir.

Unable to resist multitasking, I demonstrated several bad habits in the above …

Read moreTag, You’re It!
Category: Craft, Writing CraftTag: Craft, Dialogue tags, Grammar, Tamela, Writing Craft

C.S. Lewis on Writing

By Steve Laubeon October 28, 2019
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by Steve Laube

On June 26, 1956, C.S. Lewis replied to letter from an American girl named Joan with advice on writing:

Always try to use the language so as to make quite clear what you mean and make sure your sentence couldn’t mean anything else.
Always prefer the plain direct word to the long, vague one. Don’t implement promises, but keep them.

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Category: Craft, Writing CraftTag: Craft, CS Lewis, Writing Craft

It’s All About the Plot

By Tamela Hancock Murrayon October 17, 2019
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Last week we discussed characters portrayed in a sympathetic light. Another type of plot relies less on the character being sympathetic, but the reader is engaged because the plot itself is intriguing enough to keep reading. For instance, books can: Solve a murder. Some authors make plenty of money with a series following a detective’s career as he or she solves crime after crime after crime. Some …

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Category: Craft, Writing Craft

Writing Sympathetic Characters

By Tamela Hancock Murrayon October 10, 2019
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Have you ever stopped reading a novel because you didn’t like or weren’t interested in the characters or you couldn’t muster enough caring about them to stick with them for 300 pages? Here are a few tips to try to keep this reaction from happening to your readers: 1. Portray your character as a true victim. Do use caution, so you don’t venture into melodrama. People like rooting for the underdog, …

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Category: Craft, Writing Craft
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