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Home » Writing Craft » Craft

Craft

Mastering Subtext in Fiction – Part 3

By Lynette Easonon June 18, 2025
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Words can lie. Actions rarely do—unless someone is a really good actor/actress. But taking that element out, there’s a reason for the saying, “Actions speak louder than words.” I talked a lot about subtext in the last two posts. So, let’s dig a little deeper into the topic one more time.

For example, a fictional character may say, “I’m fine.” But the tremble in her hands is in direct contrast with her words.

Another character may say, “I don’t care.” But the lingering look over his shoulder says he does.

When you layer subtext into your scenes through a character’s actions, gestures, and environment, your story becomes more immersive, emotional, and authentic.

So, let’s break these down. Let’s talk about them one by one.

Subtext Through Body Language

A character’s nonverbal cues can say what their mouth doesn’t. This kind of subtext is perfect for showing internal conflict, hidden feelings, or lies without having to “tell” the reader what’s going on in the character’s head. (Think show, don’t tell here as well.)

Examples:

Clenched fists = anger, frustration, patience being tried.

Avoiding eye contact = guilt, insecurity, fear.

Tight smile = masking pain or resentment.

Narrowed eyes = anger, rage, intense concentration.

Shifting weight or fidgeting = nervousness, discomfort.

Crossing arms = defensiveness or closed-off emotion, also a self-protection action.

On the surface: “I’m happy for you,” she said. Subtext: She forced a smile, arms crossed. Then turned her head and blinked fast to keep the tears from escaping.

Subtext Through Repetitive or Ritualized Actions

When a character does the same thing repeatedly—organizing, cleaning, double-checking locks—it may show anxiety, fear, or a desperate need for control (like OCD).

Example (from Code of Valor by Lynette Eason):

Emily avoids mirrors. She says it’s because she’s busy, but her constant glance away from reflective surfaces shows deep insecurity and shame.

Remember: Subtext can show long-held emotional wounds without the character ever naming them.

Subtext in Setting and Environment

The setting itself can become a powerful tool for subtext when it reflects the emotional state of the character or reinforces a theme.

Examples:

A spotless kitchen in a chaotic household might suggest a character who is desperate for control in just one area of her life.

A neglected garden could mirror grief, depression, or loss of hope. Or someone who’s just too busy to stop and take care of it.

A character sleeping on the couch while claiming everything is “fine” in their marriage adds silent tension to the scene.

Subtext Through What’s Missing

Sometimes, the absence of something is just as telling as its presence.

Examples:

No family photos in a character’s home = disconnection or unresolved pain, someone who doesn’t want to be associated with a family, and so on.

A character avoiding one particular room = a past event they can’t face (divorce, death of a loved one, etc.).

Carefully untouched belongings = grief not yet processed.

Quick Scene Exercise: Show, Don’t Tell

Write a short paragraph using only body language and setting to reveal that your character is (pick one):

  • Angry
  • Heartbroken
  • Anxious
  • Hiding something
  • Terrified of the person she loves the most.

Don’t use the actual emotion word. Let the reader feel it through what your character does, how they move, and what their space looks like.

Remember, your characters don’t need to speak to reveal their feelings, emotions, or thoughts. Let their actions speak louder than their words.

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Category: Craft, Writing Craft

How to Write a Story That Lives – A TED-Ed Presentation

By Steve Laubeon May 12, 2025
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If you missed this before, spend a little time this week with this great four-minute animated video written by Nalo Hopkinson on writing great fiction. It is also helpful for the nonfiction writer because you, too, tell stories. But yours happen to be nonfiction! Once you are done watching, you can take a short quiz and even go deeper on the TED-Ed site. (Click here for the quiz.) !

Read moreHow to Write a Story That Lives – A TED-Ed Presentation
Category: Craft

Mastering Subtext in Fiction, Part 2: Subtext in Dialogue

By Lynette Easonon April 9, 2025
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Let’s dig a little deeper into how subtext in dialogue works and what it looks like. In the previous post, I talked about how people rarely say exactly what they mean—especially when under stress or in a sticky situation—or maybe when the truth would hurt someone’s feelings. We dodge, deflect, soften our words, or hide our true feelings behind sarcasm or politeness. Great fictional dialogue works …

Read moreMastering Subtext in Fiction, Part 2: Subtext in Dialogue
Category: Craft, Writing Craft

How to Write Your Novel From the Middle With James Scott Bell

By Thomas Umstattd, Jr.on April 8, 2025
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  Are you starting your book in the wrong place? I’m not referring to giving too much backstory. I mean, are you starting your story in the wrong place? Pantsers often start at the beginning and just let the story unfold. Plotters often want to outline the entire story from beginning to end before they write the first page. But what would happen if you started writing your book from the …

Read moreHow to Write Your Novel From the Middle With James Scott Bell
Category: Craft, The Writing Life, Writing CraftTag: Writing Craft

Mastering Subtext in Fiction, Part 1: Saying It Without Saying It

By Lynette Easonon March 12, 2025
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Subtext is the hidden layer of meaning beneath the words and actions of a story. It’s what characters don’t say, what emotions they suppress, and what truths are left for the reader to infer, rather than being explicitly stated. Great writing isn’t only about what’s written; it’s also about what’s implied. Readers love engaging with stories where they have to read between the lines, piecing …

Read moreMastering Subtext in Fiction, Part 1: Saying It Without Saying It
Category: Craft, Creativity, Writing Craft

Writer’s Block Becomes Writer’s Talk

By Steve Laubeon February 3, 2025
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Seth Godin once wrote in a blog post: No one ever gets talker’s block. No one wakes up in the morning, discovers he has nothing to say and sits quietly, for days or weeks, until the muse hits, until the moment is right, until all the craziness in his life has died down. What a liberating concept! It reminded me of a great book by Joel Saltzman, If You Can Talk, You Can Write. Of course, …

Read moreWriter’s Block Becomes Writer’s Talk
Category: Common Questoins, Craft, Creativity, The Writing Life, Writing CraftTag: Writers Block

Book Proposals I’d Love to See (What Tamela Hancock Murray Is Looking For)

By Tamela Hancock Murrayon January 7, 2025
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(Updated 1/7/2025) I’m thankful to the Lord that I’m a literary agent working for Him in Christian publishing. I’m grateful to the readers of this blog for being part of our writing community. As for approaching me with your work, let’s see if our passions match: Christian Romantic Suspense and Suspense Readers of Christian romantic suspense and suspense are a large and devoted …

Read moreBook Proposals I’d Love to See (What Tamela Hancock Murray Is Looking For)
Category: Agency, Book Business, Book Proposals, Career, Craft, Creativity, Romance, Trends, Writing CraftTag: Agency, book proposals

How to Become a Better Novelist With Brad Pauquette

By Thomas Umstattd, Jr.on December 10, 2024
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Imposter syndrome sometimes tells you the truth. Sometimes, you really do need to get better at the task in front of you to succeed. Many gurus will tell you that you already have everything you need. You just need to pay them money so you can be successful. But in the real world, success requires the hard work of improving your craft. Now, it’s true, sometimes imposter syndrome lies; but …

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Category: Craft, Writing CraftTag: Writing Craft

Point of View #4

By Lynette Easonon November 13, 2024
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Last time I talked about Deep Point of View. Now, let’s jump into some practical tips for application. Eliminate “Distance” Words Eliminate “distance” words like “saw,” “heard,” “felt,” “thought,” “wondered,” “noticed,” and so on. Is there ever a time you’d use those? Of course, but for now, let’s try not to use them. I call them “distance” words because they distance the reader from …

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Category: Craft, Writing Craft

Developing Characters’ Inner Conflicts

By Tamela Hancock Murrayon October 30, 2024
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My husband and I just read The Pursuit of Christian Maturity: Flourishing in the Grace and Knowledge of Christ by A. W. Tozer, compiled and edited by James L. Snyder. Steve Laube represents a portion of Tozer’s literary estate. The book offers many excellent points and is worth reading. An overarching lesson on obstacles to a fulfilling relationship with God made me think of writing about the …

Read moreDeveloping Characters’ Inner Conflicts
Category: Craft, Writing Craft
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