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Home » Archives for Bob Hostetler » Page 16

Bob Hostetler

First Lines Are Kinda Important

By Bob Hostetleron January 29, 2020
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“It was a cold day in April and the clocks were striking thirteen.”

That arresting line begins one of the most famous novels of the twentieth century: George Orwell’s 1984.

The first sentence of any article or book is kinda important, even if it’s borrowed, like the first line of this blog post. Your first sentence should be well-written and striking, intriguing, promising, and/or inviting. It should draw in the reader like a carnival barker’s pitch or a Buzzfeed headline.

Some of the most famous lines in literature are opening sentences, such as “Call me Ishmael” (Moby Dick) and “It was the best of times, it was the worst of times” (A Tale of Two Cities).

To give you great examples and (one can hope) inspire your future first lines, below are eighteen opening lines. Can you identify the book and author? (Here’s a hint: All but two are from novels, and one is from an acclaimed children’s book).

  1. The cold passed reluctantly from the earth, and the retiring fog revealed an army stretched out on the hills, resting.
  1. Midway on this life’s journey I entered a dark wood.
  1. Whether I shall turn out to be the hero of my own life, or whether that station will be held by anybody else, these pages must show.
  1. It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife.
  1. If you really want to hear about it, the first thing you’ll probably want to know is where I was born, and what my lousy childhood was like, and how my parents were occupied and all before they had me, and all that David Copperfield kind of crap, but I don’t feel like going into it, if you want to know the truth.
  1. Through the fence, between the curling flower spaces, I could see them hitting.
  1. On Friday noon, July the twentieth, 1714, the finest bridge in all Peru broke and precipitated five travelers into the gulf below.
  1. In my younger and more vulnerable years my father gave me some advice that I’ve been turning over in my mind ever since.
  1. He was an inch, perhaps two, under six feet, powerfully built, and he advanced straight at you with a slight stoop of the shoulders, head forward, and a fixed from-under stare which made you think of a charging bull.
  1. I wake to the drone of an airplane engine and the feeling of something warm dripping down my chin.
  1. Buck did not read the newspapers, or he would have known that trouble was brewing, not alone for himself, but for every tide-water dog, strong of muscle and with warm, long hair, from Puget Sound to San Diego.
  1. He was an old man who fished alone in a skiff in the Gulf Steam and he had gone forty days now without taking a fish.
  1. He—for there could be no doubt about his sex, though the fashion of the time did something to disguise it—was in the act of slicing at the head of a Moor which swung from the rafters.
  1. By the time Eustace Conway was seven years old, he could throw a knife accurately enough to nail a chipmunk to a tree.
  1. Miss Brooke had that kind of beauty that seems to be thrown into relief by poor dress.
  1. The towers of Zenith aspired above the morning mist; austere towers of steel and cement and limestone, sturdy as cliffs and delicate as silver rods.
  1. When Gregor Samsa woke up one morning from unsettling dreams, he found himself changed in his bed into a monstrous vermin.
  1. “Where’s Papa going with that ax?”

 

 

Answers: (1) Stephen Crane, The Red Badge of Courage; (2) Dante Alighieri, The Divine Comedy; (3) Charles Dickens, David Copperfield; (4) Jane Austen, Pride and Prejudice; (5) J. D. Salinger, Catcher in the Rye; (6) William Faulkner, The Sound and the Fury; (7) Thornton Wilder, The Bridge of San Luis Rey; (8) F. Scott Fitzgerald, The Great Gatsby; (9) Joseph Conrad, Lord Jim;  (10) James Frey, A Million Little Pieces; (11) Jack London, The Call of the Wild; (12) Ernest Hemingway, The Old Man and the Sea; (13) Virginia Woolf, Orlando; (14) Elizabeth Gilbert, The Last American Man; (15) George Eliot, Middlemarch; (16) Sinclair Lewis, Babbitt; (17) Franz Kafka, The Metamorphosis; (18) E. B. White, Charlotte’s Web.

 

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Category: Book Proposals, Writing Craft

How to Write Plenty in 2020

By Bob Hostetleron January 15, 2020
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We’re a couple weeks in, and it’s still hard to believe: It’s 2020! I’m still writing 2010 on the checks I hope no one cashes. I hope last year held many blessings for you, and I hope the coming year will be even better. Maybe you met your writing goals, hopes, and dreams in 2019. But even if you didn’t, you can still make this coming year a great one. And one way to help that happen will be to …

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Category: The Writing Life

This Agent’s Look Back at 2019

By Bob Hostetleron January 8, 2020
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2019 was quite a year for me. I suppose it was a year for nearly everyone who made it from January 1 to December 31. In my case, however, it was a year of much change, stress, and some success. The bulk of the change (and stress) involved a long-planned move for me and my wife from our Ohio home of 24 years. We spent the first five-plus months of 2019 packing and preparing for the sale of our home …

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Category: Book Business, Career, Personal, The Writing Life

Who’s Your Book For?

By Bob Hostetleron December 11, 2019
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A critical part of writing a good book—and a good pitch or proposal for a book—is defining your book’s audience. We all know, of course, that you shouldn’t try to write a book “for everyone.” But your book’s audience can be an elusive target. I suggest three distinct and mutually exclusive phases for the process, which apply primarily to nonfiction but could also be kept in mind for various forms …

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Category: Book Proposals, Marketing, Pitching, The Writing Life

Are Libraries Still Relevant for Writers?

By Bob Hostetleron December 4, 2019
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I recently asked my editor and writer friends on Twitter and Facebook if public libraries are still relevant for writers (and by their reply to give me permission to quote them). Well, that opened a can of words (see what I did there?)—so many that I can’t use them all—but here are some of their responses: __________ Brooke Jones Keith said, “I research online but I take inspiration from …

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Category: Book Business, ReadingTag: Libraries

A Writer’s Prayer of Thanks

By Bob Hostetleron November 27, 2019
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A Writer’s Prayer of Thanks Lord, Jesus, Logos, Living Word, thank you for the joy and privilege of being a writer. Thank you, a million times, thank you that I get to spend my days amid words and sentences and paragraphs that (mostly) cooperate and do my bidding. Thank you for the smell of pencil shavings, the elegance of a good fountain pen, the click-clack of ancient typewriter keys; for the …

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Category: Personal, The Writing Life, Theology

Stop. Just Stop (Doing These Things)

By Bob Hostetleron November 20, 2019
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All editors and agents have a few pet peeves. Some of us have more than a few. In my case, it’s a virtual menagerie. So, while you may want to keep my OCD (obsessive-compulsive disorder), ODD (oppositional defiant disorder), and OCC (overly cantankerous condition) in mind as you read, please consider the following list of “things you should stop doing immediately and forever” if you’re writing for …

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Category: Grammar, The Writing Life, Writing Craft

Write Like Paul

By Bob Hostetleron November 13, 2019
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Somerset Maugham wrote, “There is an impression abroad that everyone has it in him to write one book; but if by this is implied a good book the impression is false” (The Summing Up). Far be it from me to add to Maugham’s words, but I’m going to. So I guess it be not far from me, after all. I would say that many people (maybe not everyone) have a book in them, but relatively few have a marketable …

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Category: Book Proposals, Encouragement, Get Published, Pitching, The Writing Life

Alternatives to Using Comments As You Write

By Bob Hostetleron November 6, 2019
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In my blog post on this site last week, I shared the practices of a number of my wonderful clients who have found the word-processing comments feature useful, not only during the editorial process but even as they write (see that post here). But others take a different tack, for various reasons, as you’ll see in their comments about comments below: I do not use tracking for notes when I write. …

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Category: Technology, The Writing Life

Making Comments As You Write

By Bob Hostetleron October 30, 2019
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Today’s writers enjoy some advantages that weren’t available to scribes in the past. One of those is the ability in word-processing programs to track changes and add comments to a document. This is especially helpful during the editorial process. But some writers use that functionality as they write. So I asked my clients if they do anything like that. Here’s what some said: I use the Comment …

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Category: Technology, The Writing Life
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