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Home » Book Proposals » Page 10

Book Proposals

How to Find the Right Books for the Comparables Section of a Proposal

By Tamela Hancock Murrayon May 21, 2020
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Recently I received thoughtful questions from a writer about how to find the right comparable titles. Today I will offer my insights. Please note that my examples use classic novels. I recommend comparing your book to current offerings, preferably those released within the past two to three years.

The writer asked:

Could you elaborate on what types of similarities or level of similarities are important?

Is it about:

Plot? Yes. Offer a brief plot summary of your compared title, then show how yours is different. For example, if you are comparing your book to Gone with the Wind, you might say that while GWTW is about a woman sacrificing everything to keep her home during and after the Civil War, your plot focuses on a woman forfeiting everything to save her condo building in contemporary Manhattan from destruction.

Characters? Yes. For instance, you might say, And Ladies of the Club follows two women in Ohio after the Civil War; but your book follows two members of a women’s garden club in Savannah, Georgia, in the 1940s.

The subject of conflict or challenge? Yes. For instance, the adventure novel The Count of Monte Cristo focuses on revenge and takes place in the 1800s, while your adventure novel focuses on reconciliation and takes place during WWII.

Arc of the plot? Yes. If your book is a romance novel, you can use comparisons with other romance novels to show that yours fits that category. Use the same logic for other categories.

Language? I don’t recommend that even evil characters take the name of the Lord in vain in a Christian novel. Some publishers are more lenient on lesser swears than others. I recommend using great caution here. As for listing comparables, I don’t recommend emphasizing this category unless there is a particular reason to do so.

Setting? Setting can almost be a character in itself; and, indeed, there are times when a story can’t work in a different context. For instance, 1984 would not have been as powerful unless it was set in what was then the future. Now that the year has passed, some book critics enjoy showing how the story was accurate and where it was off in its predictions. Yet the plot, by taking place in the future but not the faraway future, worked well at the time.

Voice? You might want to compare your book to others written in the same POV, such as first person, first person present, omniscient, or third person, primarily if there is a reason you chose this POV.

 

Your turn:

 What suggestions can you offer?

What are two similar, yet different books that you enjoyed reading?

 

 

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Category: Book Proposals

Be a Luddite, Not a Lunkhead

By Bob Hostetleron May 20, 2020
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I recently read a letter to the editor in a writers magazine in which an aspiring writer of advanced years bemoaned those publishers who accept only electronic submissions (via email or website). “Surely I am not the only soul who still works with a typewriter,” the correspondent wrote. “Possibly it’s because I’m eighty-eight, but don’t accuse me of being completely out of touch.” Well, no. Not …

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Category: Book Proposals, Technology, The Writing Life

Ann’s Wise Advice

By Tamela Hancock Murrayon April 30, 2020
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My daughter Ann works with analysts who are always being asked for materials to present to high-level executives. Often her conversations sound like this: Coworker: “I don’t have any idea what they want.” Ann: “Create something, show it to them, and let them tell you how to change it.” This process has proven successful time and time again. I share this because it’s some of the best advice a …

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Category: Book Proposals

Is It Ready to Submit?

By Bob Hostetleron April 29, 2020
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You’ve poured out your soul. You’ve written your heart out. You’ve struggled and sweated over how to say what you want to say. You’ve paced the floor, clicked your heels, and now you think maybe it’s ready to submit. But how do you know? Good question. “Good question” usually means you’re going to get a lousy answer. I won’t promise you anything different now, because it can be so hard to know if …

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Category: Book Proposals, Editing, Grammar, Inspiration, Pitching

Your Comparisons Section Is Your Friend

By Tamela Hancock Murrayon April 8, 2020
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An essential part of a good book proposal is a “book comparisons” section. It’s usually only a few paragraphs or so in which you compare your idea to successful, fairly recent books in the marketplace. Many writers hate the comparison section. And no, hate is not too strong a word. For some, the comparison section (or “comps,” as the cool kids call it) ranks near the top of the list, along with …

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Category: Book Proposals

Our Favorite Typos

By Tamela Hancock Murrayon March 11, 2020
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Writers aren’t perfect. This may not be news to you. But occasionally we read or create typos that stay with us. Some become favorites, prompting smiles and giggles (and maybe embarrassment) for years to come. I asked writers, editors, and agents to share some from their experiences. Here are their favorites: “I submitted a post called ‘4 Reasons Why Writers Should Clothe Themselves with Humility’ …

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Category: Book Proposals, Grammar, The Writing Life, Writing Craft

Is Yours a Book or an Article?

By Steve Laubeon February 17, 2020
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The title question, “Is yours a book or an article?” comes up on a regular basis with nonfiction authors. Someone has lived an interesting life, survived a horrible disease, lost a precious loved one, suffered terribly (emotionally or physically) and feels led to write their story. But is it a story that can be sustained for an entire book? Or is it one that can be told in a shorter form? Or is it …

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Category: Agents, Book Proposals, Get Published, Rejection, The Writing Life

Letting Go of Your Babies

By Tamela Hancock Murrayon February 13, 2020
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One of the worst mistakes writers can make is being too possessive of their words. They fight for each adjective, adverb, and conversation tag.

My early writing suffered from too many words. I once wrote an artist didn’t “really” understand the difficulties of making a living in his profession. The editor kindly cut all instances of “really,” “just,” “so,” “very,” and other weak words …

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Category: Book Proposals, Craft, Writing CraftTag: Craft, Get Published, Writing Craft

How to Hear “No”

By Bob Hostetleron February 5, 2020
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In a recent media interview (yes, I am that cool), I was asked if as a literary agent I liked saying “no.” I answered emphatically—even a bit rudely, I’m afraid, as I started my answer before my questioner finished asking. “I hate it,” I said. It’s a part of the job. In fact, He-Who-Must-Not-Be-Named sometimes answers the question, “Steve Laube, what do you do?” by saying, “I say no …

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Category: Book Proposals, Encouragement, Get Published, The Writing Life

First Lines Are Kinda Important

By Bob Hostetleron January 29, 2020
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“It was a cold day in April and the clocks were striking thirteen.” That arresting line begins one of the most famous novels of the twentieth century: George Orwell’s 1984. The first sentence of any article or book is kinda important, even if it’s borrowed, like the first line of this blog post. Your first sentence should be well-written and striking, intriguing, promising, and/or inviting. It …

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Category: Book Proposals, Writing Craft
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