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Home » Book Proposals » Page 25

Book Proposals

“The Great Unspoken” – Why Agents Don’t Critique

By Karen Ballon December 5, 2012
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There’s a secret agents and editors share. Something they seldom discuss with each other, and never with writers. It’s something they dislike. Intensely. It ties their hands when it comes to guiding writers guidance. It’s the #1 reason they turn down proposals, and the #2 (and sometimes #1) reason they’ve gone with form rejection letters. It’s something many inexperienced agents and editors try to change—I know I tried to change it, both as an editor and as an agent. I still try from time to time, but like most editors/agents, so far I’ve had to accept it’s inescapable. And trying to change it costs too much—in time, effort, and heartache.

It’s something we all know. And something we can never say to writers.

It’s something writers always tell us they want to know, but when we speak it, what we get in response, by more writers than you can imagine—and I’m talking about all levels of skill and experience and professionalism—is indignence. Outrage. Sometimes vitriol. About our knowledge, intelligence, and, believe it or not, salvation.

No, that’s not hyperbole. There have been times, when I’ve dared to utter The One Great Unspoken, that I’ve been told I’m stupid, insulting, arrogant, and, yes, unChristian.

But I’m going to try again. I’m going to speak it here, to you. Because I want you to know how we agonize over what we say to writers. How we wish we could just be up-front on this count and know that when we did so, writers would trust that we’re not trying to put them down or put on some false superiority. What we’re trying to do is help them. And be faithful to the task we’ve been given by our employers. Because when we accept a manuscript, we’re making a commitment on behalf of our employers to invest a major amount of money, time, and manpower.

So here it is, The One Great Unspoken. The tacit, time-tested truth many agents/editors hold to:

Thou shalt not comment on a person’s writing inability.

Notice that says inability, not ability. When someone’s writing is good, just not right for that editor or agent, it’s far easier to respond to that. And that’s far easier for a writer to hear than, “I’m sorry, but your writing just isn’t ready for publication.” Or, if we’re totally honest, “I’m sorry, but writing may not be the right career choice for you.”

Please note, I’d never tell someone not to write, period. But not all stories are meant for publication. That’s just one of the many reasons God gives people the task to write. But I also don’t want to give false encouragement. I think it’s wrong to do so.

Before I go on, I want to know what you think about that. You writers, be you new to the craft or someone who has been working hard at it for years—tell me: is saying that cruel, even if it’s the truth, even if it’s said with the utmost kindness? And please, don’t tell me: “You can’t make a statement like that.” Of course I can. It’s my job to decide whether or not someone is ready for publication. And in the process of doing this job, I’ve seen utterly beautiful writing. Writing that makes my heart ache because of truth and power it contains. And I’ve seen a lot of material that is not only not ready for publication, it’s flat-out awful. Painfully so. But do I think the writer of beautiful prose is better or smarter than the other writer? No. If I say someone can’t write professionally, it doesn’t mean I think the writer is awful or stupid or anything negative. I just think they can’t write. Not professionally. I’m not criticizing them personally or spiritually, I’m stating a professional opinion. One I’ve spent over 30 years developing.

But let me—or any agent or editor—dare to say that, and suddenly, no matter how kind we are in saying it, we’re terrible, mean-spirited, cruel, and arrogant. Hateful, even.

So you writers tell me, what are editors and agents to do?

One caveat: this is not the place to tell me what a terrible person I am, or what a bunch of meanies agents and editors are. This is your chance to give me—and the agents and editors out there—honest feedback on what has been a troublesome issue for years.

Thanks!

 

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Category: Book Proposals, Craft, Get Published, Karen, Writing CraftTag: book proposals, Critique, Rejection

Agents and Proposals: What to Expect

By Karen Ballon November 28, 2012
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Last week I left you with a question: How do editors/agents get through all the proposals they receive. For me, as an editor and now as an agent, the answer was to hire someone to be my first-pass reader. In my case, this person is someone I’ve worked with now for over fifteen years. She knows me and my tastes well, and, as an avid reader and a skilled writer herself, she knows quality writing. …

Read moreAgents and Proposals: What to Expect
Category: Agency, Book Proposals, Get Published, Karen, Writing CraftTag: Agents, book proposals

Why Don’t Agents/Editors Give You More Guidance?

By Karen Ballon November 21, 2012
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Proposals are hard work. C’mon, be honest. All the research and writing and preparation that goes into them? Admit it, that sometimes feels like you’re being punished for wanting to write a book. And then, when you’ve poured your heart and time and effort into making that dreaded proposal as perfect as you can, what happens? You send it to the agent or editor, and wait.

And wait. And wait. And …

Read moreWhy Don’t Agents/Editors Give You More Guidance?
Category: Book Business, Book Proposals, Get Published, KarenTag: Agents, book proposals, Editors, Get Published

Covering the Cover Letter

By Tamela Hancock Murrayon August 30, 2012
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This is the last installment of my proposal series. You may think it strange to write about the cover letter last, but usually, it's the last part of the proposal an author writes. Our own Steve Laube has already written about the cover letter here.

His tips are so wonderful that I asked him if I should even attempt this post, but he encouraged me to write from my perspective. So here are key …

Read moreCovering the Cover Letter
Category: Book Proposals, Get Published, TamelaTag: book proposal, Cover Letter, Get Published

Read All About It! – The Back Cover Copy

By Tamela Hancock Murrayon August 23, 2012
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When you consider purchasing a book, either in a store or online, what do you notice first? The front cover grabs your attention. Right? After that, you might flip inside to read the first few sentences of the book, and then venture to the back cover (online the back cover is displayed as the “Description”). Or you may go to the back cover before opening the book. Regardless, the back cover copy …

Read moreRead All About It! – The Back Cover Copy
Category: Book Business, Book Proposals, Get Published, Tamela, Writing CraftTag: back cover copy, book proposals

High Concept: Catching Readers One at a Time

By Tamela Hancock Murrayon August 16, 2012
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Not every fiction proposal needs something called a High Concept, but I like to see one. A High Concept shows that the author can hone in on the story and has thought about what it says and how it can be positioned in the marketplace. It helps the publisher know in a snap of the fingers the unique and compelling nature of your story. One popular way to create a High Concept is to compare your work …

Read moreHigh Concept: Catching Readers One at a Time
Category: Book Proposals, Get Published, TamelaTag: book proposals, High Concept

Get Attention with the Right Title

By Tamela Hancock Murrayon August 9, 2012
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 When an agent or her assistant tackles the email slush pile, she sees one subject line after another written by authors vying for attention. Some lines describe the book category, while others make a claim about the author himself. But most include the book's title. I tell authors not to get attached to titles because all too often, they are changed somewhere between the time the editor takes the …

Read moreGet Attention with the Right Title
Category: Book Proposals, Marketing, TamelaTag: book proposals, Titles

Ebook-Originals, the Next Step in Traditional Publishing Strategy

By Steve Laubeon July 19, 2012
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Guest Post by Sue Brower

Our guest today is Sue Brower. She is Executive Editor at Zondervan in charge of fiction and thinks she has the best job in the world…she gets paid to read all day!  Zondervan is currently looking for completed manuscripts to fill the Zondervan First fiction eBook platform.  The ideal stories will primarily have romance-driven plots and vivid, realistic characters.  We …

Read moreEbook-Originals, the Next Step in Traditional Publishing Strategy
Category: Book Business, Book Proposals, Defense of Traditional Publishing, E-Books, Get Published, TrendsTag: ebooks, publishing, Strategy

A Few Tips on Social Media

By Tamela Hancock Murrayon July 5, 2012
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This may seem like an interruption to my series on writing proposals, but it is not. I plan to address the Marketing section of a proposal in the near future. However, before writers can think about marketing in general, they need to understand social media because an author who has mastered social media will be more attractive to a publisher. They want to partner with savvy authors. Thomas …

Read moreA Few Tips on Social Media
Category: Book Proposals, Get Published, Marketing, TamelaTag: book proposals, Social Media

Who Am I? – About the Author

By Tamela Hancock Murrayon June 28, 2012
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The author biography section in a book proposal seems to be one of the least anxiety-provoking sections, yet I often see areas that could be improved. Here are a few ideas on how to make your author bio section the best it can be.

Include a portrait

When I was an intern on Capitol Hill, one of my duties was to open the mail. On one occasion, we received a resume that included a portrait, …

Read moreWho Am I? – About the Author
Category: Book Business, Book Proposals, Branding, Get Published, Marketing, TamelaTag: book proposals, Proposals
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