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Home » Career » Page 7

Career

The Myth of the Unearned Advance

By Steve Laubeon September 12, 2022
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[I wrote much of this article back in 2011. Upon review, I stand by the analysis. I’ve left the past comments to accentuate the discussion.]

______________

A common myth permeating the industry is that a book is not profitable if the author’s advance does not earn out. I would like to attempt to dispel this myth.

First, let’s define the term “advance.” When a book contract is created between a traditional publisher and an author, the author is usually paid an advance. This is like getting an advance against your allowance when you were a kid. It isn’t an amount that is in addition to any future earnings from the sale of the book. Instead, like that allowance, it is money paid in advance against all future earnings; and it must therefore be covered by royalty revenue (i.e., earned out) before any new royalty earnings are paid.

The advance is usually determined by a series of assumptions that the publisher makes with regard to the projected performance of each title. The publisher hopes/plans that the book will earn enough royalty revenue to cover the advance within the first year of sales.

A New York Times essay casually claimed “the fact that 7 out of 10 titles do not earn back their advance.” Of course, they did not cite a source for that “fact.” But I have seen it quoted so often that it must be true! (But it isn’t.) The implication then is that a book isn’t profitable if it doesn’t earn out its advance. The publisher overpaid and has lost money. The author is the happy camper who is counting their cash gleefully celebrating the failure of their publisher to project sales correctly.

Let me try to explain why that isn’t always true. And to do so means we have to do math together. This may be a little complicated, but realize that these calculations are critical; and each publisher runs this kind of Profit & Loss scenario on your books. To dismiss this conversation and claim you “don’t do math” is to ignore the lifeblood of your profession.

Realize that this is a generic model. Each number below fluctuates from title to title. That is the weakness of the exercise, but bear with me.

Assumptions:

Advance paid to the author: $10,000
Retail price: $13.00 (paperback)
Net price: $6.50 (what the publisher receives when they sell the book to dealers, big-box retailers, distributors, etc.)
Copies sold: 10,000

Scenario one: Author earns 14% of net for each book sold. ($6.50 net x 14% of net royalty x 10,000 sold).
Thus, after selling 10,000 copies, the author has earned $9,100, leaving $900 of the advance unearned.

Scenario two: Author earns 16% of net for each book sold ($6.50 net x 16% of net royalty x 10,000 sold).
Thus, after selling 10,000 copies, the author has earned $10,400. The publisher writes a royalty check to the author for $400, the amount above the original advance.

The myth says that scenario one equates to a failed and unprofitable book, while scenario two is a profitable book. But wait! Let’s do some more math.

New assumptions (remember these are all estimates based solely on this scenario):

BOTH scenarios have the publisher making the same amount of revenue. ($6.50 net x 10,000 sold.) Both scenarios generated $65,000 in net revenue for the publisher.

To determine profitability, we have to subtract costs.

Fixed costs:

Editorial expense: $8,000 (includes all stages of the editorial process)
Design (typesetting/cover): $4,000
Printing and warehousing:  $15,000 (the approximate cost of printing 12,000 copies)
Marketing and PR: $10,000 (an average of $1 per book)
Administrative costs: $13,000 (20% of the net revenue)
Advance paid to the author: $10,000
TOTAL COSTS: $60,000

Profit for the publisher: $5,000 (or 7.7% of revenue before tax) or the $65,000 in revenue minus the $60,000 of total costs.

Are you with me so far?

Now watch this.

Scenario one (with the unearned advance still on the books) has a profit of $5,000 for the publisher.

Scenario two (pays the author $400 for earnings beyond the advance) has a profit of $4,600 for the publisher.

In this comparison, it is the book that didn’t earn out the advance that actually makes more money for the publisher!

Why? Because scenario one pays a lower royalty per book sold. The advance itself has NOTHING to do with it. The advance is a fixed cost that is covered by the revenue generated by the publisher.

_____

Pause and reflect on that for a moment.

_____

The advance is a cost of acquisition. If that cost of acquisition in the above scenario were $50,000, of course neither scenario would have been profitable because sales would not have been enough to cover all the costs. And, it is likely, that if there were a $50,000 advance, the publisher would have spent more on marketing and PR.

So this is not an argument for bigger advances. Instead, it is an attempt to show, albeit using controlled statistics, that an unearned advance does not necessarily equate to the failure of a book.

So, when is a book profitable if there is a bigger advance?

Let me do one more set of numbers to illustrate:

Assumptions:

Advance paid to the author: $75,000
Retail price: $13.00 (paperback)
Net price: $6.50
Copies sold: 45,000
TOTAL NET REVENUE ($6.50 net x 45,000 sold): $292,500.

Fixed costs:

Editorial expense: $8,000
Design (typesetting/cover): $4,000
Printing and warehousing:  $55,000 (the approximate cost of printing 50,000 copies)
Marketing and PR: $75,000
Administrative costs: $58,500 (20% of the net revenue)
Advance paid to author: $75,000
TOTAL COSTS: $275,500

Profit for the publisher: $17,000 (or 5.8% of revenue before tax)

If you are an experienced person from the publishing side of the table, it is obvious that this is a generic scenario that has only an echo of reality. For example, the net revenue for a publisher is usually less than the 50% of retail that I used above. That is because distributors and specialty vendors (like the book racks you see in the airport) command a much higher discount off the retail. Thus, the true picture is highly complex. And we didn’t even touch on ebooks or ebook sales or royalties here. This exercise is merely to show a business model where the advance is a fixed cost, not a cost that has to be earned out for the book to be profitable.

In the above case, a book with a $75,000 advance makes money after only 45,000 copies are sold.

So, what do you think? Is the math realistic? Does it make sense? What are the implications (either to the publisher or the author)?

 

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Category: Book Business, Career, Money, Writing CraftTag: Agents, Book Business, Contracts, Get Published, Money, Traditional Publishing

Is the Biggest Publisher the Best Publisher for You?

By Tamela Hancock Murrayon September 8, 2022
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I’ll respond to this question the same way Steve Laube responds to many publishing questions: “It depends.” Offers First of all, it depends on what offers you’re receiving. In choosing between several or even two offers, look at the overall offers to decide which course to take. This is where a savvy agent, who sees many authors, publishers, and contracts, can discuss your options. Situation The …

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Category: Career

Stop Procrastinating—Right Now!

By Bob Hostetleron July 13, 2022
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In my last post on this amazing blog (Steve Laube requires me to say that at regular intervals), I opined about seven consequences of procrastination. You may not have gotten around to reading it yet, but I promised in that post to follow up with some helpful tips or techniques for preventing procrastination. So, without further ado or delay, here are some ideas: Pray. Of course, right? But …

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Category: Career, Inspiration, The Writing Life

I’ve Put Off Writing This Blog Post Long Enough

By Bob Hostetleron June 30, 2022
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I wear many hats (so to speak) as an author, blogger, game writer, speaker, literary agent, and man-about-town. People sometimes ask me how I get it all done. Usually I answer with something self-effacing, such as, “I’m just awesome that way.” But when pressed, I’ll attribute whatever productivity I have to careful organizing, scheduling, and—most importantly—maniacally avoiding procrastination. …

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Category: Career, The Writing Life

When You Hit the Wall of Discouragement

By Steve Laubeon June 6, 2022
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by Steve Laube
 
I recently received the following question from a client (an award winning author):
Is it common for an author to hit a wall of discouragement? To feel as though they're working so hard for so little? To question why they're doing this?

Unfortunately it is quite common. Doesn't mean it aches any less. Sort of like getting old…everyone does and it aches, but it is a common …

Read moreWhen You Hit the Wall of Discouragement
Category: Book Business, Career, Personal, Writing CraftTag: Career, Discouragement

Publishing in Generalities

By Dan Balowon May 25, 2022
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While agents and publishers accept book proposals because they contain a number of specific things they like, most book proposals are turned down because of a general reason. For example, refer to the “Who We Are,” section of this website. Each agent has a set of filters we use to focus our efforts. The filters reflect our strengths and/or personal preferences. Outside of these, we decline. …

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Category: Book Proposals, Career, Get Published, Inspiration, The Writing Life

The Way Publishing Never Was

By Dan Balowon April 21, 2022
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In 1999, the book The Way Things Never Were: The Truth About the “Good Old Days” by Norman Finkelstein was published. I have a copy. My family grew weary of me referring to it in every conversation twenty years ago, so there it sits on the shelf. It is less than 100 pages, with plenty of pictures, so no one has the excuse that it is too long and complicated to read. Chapter titles …

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Category: Book Business, Career, Publishing History

Be Proactively Lazy

By Bob Hostetleron April 7, 2022
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In James Clear’s excellent, bestselling book Atomic Habits, he writes about a man who set up a number of systems and habits that impressed others, who commented on his energy and hard work in getting so much done. He shrugged off the compliments, however, saying something like, “I’m actually not that hard-working; I’m just proactively lazy.” I love it. I think “proactive laziness” is a good modus …

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Category: Career, Encouragement, Inspiration, The Writing Life

Chemistry Matters

By Tamela Hancock Murrayon March 24, 2022
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We’ve all heard about the stars who turned down roles that turned out to become cultural icons. For instance, at least six actors turned down the part of Neo in The Matrix.  Perhaps those who turned down roles might say, “Wow, that could have been me! I missed a great opportunity!”  Maybe. Or maybe not. Why? Because those films wouldn’t have been the same with the other actors. Perhaps the …

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Category: Career

Fearful Writing

By Dan Balowon March 23, 2022
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It is important for Christian writers to be bold, not worrying so much about who might be offended by the gospel or who might take biblical truth the wrong way. Despite society being fragile these days with so many people triggered by the littlest thing, this situation shouldn’t stop us from proclaiming God’s truth. We all need to be more fearless in the way we live and communicate. After all, as …

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Category: Career, Christian, Inspiration
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