• Skip to main content
  • Skip to after header navigation
  • Skip to site footer

The Steve Laube Agency

Helping to Change the World…Word by Word

The Steve Laube Agency

The Steve Laube Agency

Helping to Change the World Word by Word

  • Home
  • About
    • Who We Are
    • Frequently Asked Questions
    • Interview with Steve Laube
    • Statement of Faith
    • Terms and Conditions
    • Privacy Policy
  • Guidelines
  • Authors
    • Who We Represent
    • Awards and Recognition
  • Resources
    • Recommended Reading
    • Christian Writers Market Guide Online
    • Christian Writers Institute
    • Writers Conferences
    • Freelance Editorial Services
    • Copyright Resources
    • Research Tools
    • Selling What You Write
  • Blog
  • Contact
  • Twitter
  • FaceBook
  • RSS Feed
  • Get Published
  • Book Proposals
  • Book Business
  • Writing Craft
    • Conferences
    • Copyright
    • Craft
    • Creativity
    • Grammar
  • Fun Fridays
Home » The Writing Life » Page 40

The Writing Life

When the Movie Isn’t True to Your Story

By Tamela Hancock Murrayon November 19, 2020
Share
Tweet
31

Most writers love the idea of a film company bringing their books to life. However, if past movies based on books serve as examples, most authors can’t count on their stories being presented with complete accuracy, hence, the phrases “adaption” and “based on” the novel.

Take the book Elmer Gantry, written in 1926. Sinclair Lewis, an atheist, wrote a satire about a minister who should never have been a minister.

One adaptation of this book, a 1960 movie, was controversial enough that the opening cautioned against allowing impressionable children to view the film. Note that the book also stirred controversy and was banned in Boston.

The book includes conversations about the religious conflicts of the day, which are similar to today’s. As a reader, I appreciated the conversations. However, arguments don’t always translate well to film, so the filmmakers ditched them.

In the film, invariably characters are altered and eliminated. For instance, an essential character, Lulu Baines, played by Shirley Jones, appears early in the book but not until late in the film. Her character combines two women, and Lulu is a prostitute in the movie. She is not a prostitute in the book. Although the film works, it’s not accurate to the book. Other characters are changed to fit how the medium works.

Also, consider that film is visual, whereas a book engages the inner imagination. To that effect, the drama must be observable. For instance, an angry congregation pelts Elmer Gantry with eggs in the film. I don’t recall this happening in the book.

Because film as a medium is visual and compact, nuance is lost. A book has the luxury of offering a character study. Character nuance is rare in cinema. Movies must take shortcuts and convey personalities and situations as stark to express their points.

Rare is the author who controls how her book appears on film. So, as the expression goes, “Be careful what you wish for.”

Your turn:

Do you enjoy movies adapted from books? Why or why not?

What is your favorite adaption? Why?

What is your least favorite? Why?

Leave a Comment
Category: The Publishing Life, The Writing LifeTag: Movie rights

Do Writers Read Differently?

By Bob Hostetleron November 18, 2020
Share
Tweet
10

Writers are readers. Right? Of course, right. In fact, I’d say that if you’re not a devoted, even voracious reader, you might not want to pursue writing for publication, as reading and writing tend to go hand-in-hand. But do writers read differently than other people? And if so, how? I asked that question of some of my friends and clients, and here’s what they said: Yes, I think writers read …

Read moreDo Writers Read Differently?
Category: Creativity, Reading, The Writing Life

Are You High Maintenance?

By Steve Laubeon November 16, 2020
Share
Tweet
19

by Steve Laube

Last week I was asked to define what is meant when an author is deemed "high maintenance" by an agent or a publisher. The more I thought about this the more I realized how difficult it is to quantify. Any attempt to do so is fraught with potential misunderstanding because most people are looking for specific rules to follow.

Normally "high maintenance" is a description of …

Read moreAre You High Maintenance?
Category: Agents, Book Business, Get Published, The Writing LifeTag: Agents, Editors, high maintenance, publishers

Behind the Publishing Curtain: Fulfillment & Distribution with Tracy Higley

By Thomas Umstattd, Jr.on November 10, 2020
Share
Tweet
0

How do trees turn into books and get into people’s hands? At first glance, you may think they appear on bookshelves and in the mail as if by magic. But it is not magic. Behind the scenes thousands of people are working hard to make sure books get from the printer and into readers’ hands. If you want your book to wind up in readers’ hands, you will not want to miss this episode. Our guest today is …

Read moreBehind the Publishing Curtain: Fulfillment & Distribution with Tracy Higley
Category: The Writing Life

Behind the Publishing Curtain: Fulfillment & Distribution with Tracy Higley

By Thomas Umstattd, Jr.on November 10, 2020
Share
Tweet
0

How do trees turn into books and get into people’s hands? At first glance, you may think they appear on bookshelves and in the mail as if by magic. But it is not magic. Behind the scenes thousands of people are working hard to make sure books get from the printer and into readers’ hands. […]
You can listen to this episode Behind the Publishing Curtain: Fulfillment & Distribution with Tracy Higley …

Read moreBehind the Publishing Curtain: Fulfillment & Distribution with Tracy Higley
Category: The Writing Life

Talk Less, Write More

By Bob Hostetleron November 4, 2020
Share
Tweet
16

The hit musical Hamilton has many memorable moments. One of my favorites is the moment when the title character first meets his colleague (and later, nemesis), Aaron Burr, who says, “Let me offer you some free advice.” “Talk less,” Burr says. “Smile more.”  It’s a great character moment for the two characters. It reflects Burr’s slippery politician ways and foreshadows one of Hamilton’s fatal …

Read moreTalk Less, Write More
Category: Editing, The Writing Life, Writing Craft

How to Write Split-Time Fiction with Melanie Dobson

By Thomas Umstattd, Jr.on October 27, 2020
Share
Tweet
6

One popular genre in Christian publishing right now is split-time fiction. Split-time fiction is when you tell two stories separated by time that are connected in some way, sometimes by a theme or an item. Some popular split-time books include The Wedding Dress by Rachel Hauck in the Christian market and Outlander by Diana Gabaldon in the secular market.  While writing one story is hard, writing …

Read moreHow to Write Split-Time Fiction with Melanie Dobson
Category: The Writing Life

How to Write Split-Time Fiction with Melanie Dobson

By Thomas Umstattd, Jr.on October 27, 2020
Share
Tweet
0

One popular genre in Christian publishing right now is split-time fiction. Split-time fiction is when you tell two stories separated by time that are connected in some way, sometimes by a theme or an item. Some popular split-time books include The Wedding Dress by Rachel Hauck in the Christian market and The Nightingale by Kristin […]
You can listen to this episode How to Write Split-Time Fiction …

Read moreHow to Write Split-Time Fiction with Melanie Dobson
Category: The Writing Life

How to Get Out of the Slush Pile – With Deborah Raney

By Thomas Umstattd, Jr.on October 13, 2020
Share
Tweet
7

You would like to think that as soon as you are done with your proposal and send it off to an agent that he or she is sitting there by the inbox ready to read it as soon as it comes in. If only. Before email became the submission method, agents and acquisitions editors threw unsolicited proposals into a stack in the corner of the office called the slush pile. Then, once a month or so, they brewed …

Read moreHow to Get Out of the Slush Pile – With Deborah Raney
Category: The Writing Life

How to Get Out of the Slush Pile – With Deborah Raney

By Thomas Umstattd, Jr.on October 13, 2020
Share
Tweet
0

You would like to think that as soon as you are done with your proposal and send it off to an agent that he or she is sitting there by the inbox ready to read it as soon as it comes in. If only. Before email became the submission method, agents and acquisitions editors threw […]
You can listen to this episode How to Get Out of the Slush Pile – With Deborah Raney on Christian Publishing Show.

Read moreHow to Get Out of the Slush Pile – With Deborah Raney
Category: The Writing Life
  • Previous
  • Page 1
  • Interim pages omitted …
  • Page 38
  • Page 39
  • Page 40
  • Page 41
  • Page 42
  • Interim pages omitted …
  • Page 89
  • Next
  • Home
  • About
    • Who We Are
    • Frequently Asked Questions
    • Interview with Steve Laube
    • Statement of Faith
    • Terms and Conditions
    • Privacy Policy
  • Guidelines
  • Authors
    • Who We Represent
    • Awards and Recognition
  • Resources
    • Recommended Reading
    • Christian Writers Market Guide Online
    • Christian Writers Institute
    • Writers Conferences
    • Freelance Editorial Services
    • Copyright Resources
    • Research Tools
    • Selling What You Write
  • Blog
  • Contact

Copyright © 2026 · The Steve Laube Agency · All Rights Reserved · Website by Stormhill Media