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Home » Writing Craft » Page 2

Writing Craft

Crafting Dialogue That Resonates (Part 2)

By Lynette Easonon November 12, 2025
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In last month’s post, I talked about how every line of dialogue should serve a purpose: revealing character, advancing the plot, building tension, or deepening theme. I also explored voice, subtext, and how to balance dialogue with internal thought and action. Today, I’m taking it a step further. Let’s look at five additional ways to elevate your dialogue, so it not only sounds real but lingers with readers long after the scene ends.

Let Dialogue Reveal Emotion, Not Announce It

Weak dialogue tells emotion. Strong dialogue shows it.

Instead of: “I’m angry with you, and I don’t want to talk.”

Try: “Don’t. Just don’t.” She grabbed her keys and shoved past him toward the door.

Readers don’t need your character to label how they feel. They’ll feel it through tone, rhythm, and behavior. Let the tension simmer under the words, rather than splashing emotion across the surface.

Use beats and pacing (short sentences, pauses, or interruptions) to mirror the emotion. Rapid-fire exchanges create urgency. Long silences heighten unease.

Use Dialogue to Control Pacing

Dialogue speeds up a scene. It creates momentum and keeps the story moving. But too much rapid back-and-forth can make readers feel breathless—or worse, detached.

How do you do this? Let’s take a look at some examples.

For fast-paced scenes, keep exchanges short and snappy to reflect tension or urgency.

For slower, emotional scenes, stretch pauses, add introspection, or allow one character to dominate the conversation.

Example:

“Run!”
“What? Why?”
“Now!”

Versus:

“I didn’t expect to see you here,” he said, his voice low. Tense.
“Neither did I.” Her eye lowered to the scar on his hand.

Both convey emotion, but one races forward while the other lingers in place.

Let Power Dynamics Shape the Conversation

Dialogue is rarely neutral. Every exchange has an undercurrent of power—who’s in control, who’s retreating, who’s trying to gain ground.

A confident boss might use short, declarative sentences. An insecure employee might hedge with qualifiers or questions. As the scene evolves, those dynamics can shift, creating subtle tension even in ordinary conversation.

Ask yourself this when creating the dialogue:
Who holds the upper hand in this exchange?
How can I show that through speech patterns, interruptions, or what’s not said?

Cut the Stage Directions

New writers often overuse dialogue tags and adverbs to prop up flat exchanges. Hint: Try to write your story without any adverbs.

Example:

“I don’t care,” she said angrily.
“You should,” he replied forcefully.

Instead, let the words do the heavy lifting:

“I don’t care.”
“You should.”

The emotion lands harder when the prose trusts the reader to infer it.

Use “said” and “asked” when you need tags; they’re invisible workhorses. But lean on action beats and rhythm to carry emotion, rather than cluttering dialogue with unnecessary explanations.

Layer the Meaning with “Echoes”

Great dialogue doesn’t just live in the moment; it echoes throughout the story.

A phrase repeated at key points (“You promised me”) can take on new weight as context changes. A bit of humor shared early can return later with deeper emotional resonance. These callbacks make dialogue feel intentional and layered, showing growth, irony, or heartbreak.

Example:

Early in the story:

“Don’t fall for me,” she said, her tone teasing while she grinned over the rim of her coffee mug.
“Too late,” he said. “I already did.”

Later, near the end:

“You told me not to fall for you,” he said, voice soft.
She blinked away the tears. “You should’ve listened.”

Why it works: The repeated phrase Don’t fall for me shifts from lighthearted banter to poignant regret. This full circle moment—or echo—underscores emotional evolution and loss, making readers feel the ache of what’s changed.

These moments connect the emotional dots for readers and remind them that words have consequences. Just like in real life.

Great dialogue is about more than what’s spoken. It’s about what’s meant, what’s withheld, and what’s at stake. Every word, pause, and glance adds texture to your characters and heartbeat to your story.

When you write or revise your dialogue, read it aloud. Does it sound like something a real person would say—or like something a writer would write? The difference is everything.

Next time, I’ll talk about using dialogue to heighten suspense and reveal secrets, because sometimes what’s unsaid is more dangerous than what’s spoken.

Your Turn

What’s one line of dialogue you’ve written that perfectly captures your character’s personality? Share it in the comments below; I’d love to see what you’re working on.

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Category: Writing Craft

Don’t Write What You Know

By Bob Hostetleron November 5, 2025
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It may be the most common writing advice of all time: “Write what you know.” It’s often misunderstood or misapplied; but it means, basically, draw from your own experience, emotion, environment, and passions to produce the most authentic creative work possible … for you. That’s not bad advice, as far as it goes. But it’s not “gospel.” After all, Nobel honoree Kazuo Ishiguro, author of The …

Read moreDon’t Write What You Know
Category: Career, Common Questoins, Writing Craft

Inspiration or Perspiration?

By Steve Laubeon November 3, 2025
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Thomas Edison was to have said, “Genius is one percent inspiration and ninety-nine percent perspiration.” Apparently, he made 1,000 failed attempts to invent the light bulb. After accomplishing it, he was asked about all the previous failures. Edison replied, “I didn’t fail 1,000 times. The light bulb was an invention with 1,000 steps.” The exercise of writing can be somewhat similar. If you wait …

Read moreInspiration or Perspiration?
Category: Career, Craft, Creativity, Editing, The Writing LifeTag: perseverance, The Writing Life

Dialogue in Your Novel

By Lynette Easonon October 15, 2025
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Dialogue is one of the most powerful tools in a writer’s toolbox. A single exchange between characters can reveal more about their motives, personalities, and relationships than pages of exposition—and trust me, readers prefer dialogue to exposition. Done well, dialogue pulls readers into the story, making them feel like they’re actually part of the conversation. If it feels forced or stalls the …

Read moreDialogue in Your Novel
Category: Writing Craft

A Few Misused Words and Phrases

By Steve Laubeon October 13, 2025
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I’ve written about this topic before, but thought it good to revisit it. There are some troublesome words regularly misused in emails or book proposals. Penultimate This term is often used carelessly to mean “the best” or “the greatest.” Penultimate means next to the last in a series or sequence. Not the best of the best. When used to mean “the best,” the …

Read moreA Few Misused Words and Phrases
Category: Craft, Grammar

7 Most Common Mistakes Writers Make

By Bob Hostetleron October 1, 2025
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An insightful writers conference attendee recently asked me to list the most common mistakes writers make. (She was insightful mostly because she was talking to me instead of some other author or agent at the conference, but also because it’s a good question.) I attempted an answer in the moment but have since come up with a few more. These are not primarily writing mistakes, mind you. Those are …

Read more7 Most Common Mistakes Writers Make
Category: Book Proposals, Common Questoins, The Writing Life, Writing Craft

How Many People Are Involved in Publishing Your Book?

By Steve Laubeon September 29, 2025
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Depending on your publisher, there can be quite a few people involved in getting your book to market. Even if you self-publish, there are still many functions that you may not do yourself. Below is not an exhaustive list, but a rambling stream of consciousness when thinking about the various jobs and the people who are involved in the publishing process: author (kinda important) literary agent (we …

Read moreHow Many People Are Involved in Publishing Your Book?
Category: Book Business, Book Business, Marketing, The Publishing LifeTag: Book Business, Traditional Publishing

Beyond Book One: Weaving Plot Continuity Across Your Series (part 3)

By Lynette Easonon September 10, 2025
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If you’re writing a fiction series, you already know it’s more than just writing more words—it’s about weaving together multiple books with continuity, cohesion, and ALL. THE. DETAILS. Because readers notice these things. So, today, I thought we’d talk about how to manage plot threads, foreshadowing, timelines, secondary characters, and tools that will help you stay sane—and impress your readers. …

Read moreBeyond Book One: Weaving Plot Continuity Across Your Series (part 3)
Category: Writing Craft

Avoid Weak Words

By Steve Laubeon August 25, 2025
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Below is a great infographic detailing some weak words and how to fix them. Do you agree with this exercise or not? Do you have anything you can add to it? Source: www.grammarcheck.net

Read moreAvoid Weak Words
Category: Craft, Writing CraftTag: Craft, Weak Words, Writing Craft

Beyond Book One: The Art of the Fiction Series (part 2)

By Lynette Easonon August 13, 2025
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Have you ever walked from one room in your house to the next, then wondered what you were there for? Yeah. Me too. I do remember that I’d gone there for a specific reason—only to find my mind completely blank. Why did I come in here? I find that happens occasionally when I’m writing and all of a sudden I can’t remember what color eyes I’d given my recurring police chief …

Read moreBeyond Book One: The Art of the Fiction Series (part 2)
Category: Writing Craft
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