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The Steve Laube Agency

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Helping to Change the World Word by Word

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Home » Book Proposals » Page 2

Book Proposals

Why Does It Take Editors and Agents So Long to Read My Proposal?

By Steve Laubeon October 28, 2024
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Recently, a writer posted this question:

I submitted a proposal to a publisher 6 months ago. The guidelines said that a response would be provided at the end of 4 months. At the end of 5 months I sent an email query to confirm that they had actually received the submission–still no response. Now I am at the end of 6 months.…Do I give up?

I wish I had a magic wand to solve this problem for every writer.

Outnumbered

The simplest answer is that the agents and the editors are outnumbered by the amount of writers who want their manuscripts to be considered. I’ve written about the stats before, but agents can get a couple thousand submissions every year. And it only got worse when email became a cheap way to contact an agent or an editor.

“But it only takes a couple minutes to read mine,” cries the writer.  That may be true; but when the queue is backed up and there are 100-200 things to look at, the task can seem enormous.

Don’t forget that both an agent’s and an editor’s first priority is with their clients or their contracted authors. Those proposals and conversations are always going to be reviewed first. They are top priority, every time.

The Evaluation Process

I try to set aside time to go through the unsolicited pile. It isn’t “scheduled” per se, but happens when there is a lull in the otherwise chaotic week. (Often it will be on a weekend.) But when I do, I’m moving very fast, especially with email submissions. Poorly written cover letters, clichéd ideas, badly written manuscripts, and the bewildering ones are going to be eliminated fairly easy.

It is the ones that are “okay” or “interesting” that get me to slow down. As I’ve said, I see a lot of really good proposals. But I can only get behind the great ones. That is a wholly subjective decision. And it is not infallible.

Angry Writers

The hardest thing is deciding how to reply to the ones for which I have no interest. What few realize is that there are writers who take offense to a “no thank you,” no matter how gently it is written. I get vicious and hateful replies in return. Ad hominem attacks that can be shocking. I’ve had people call and scream at me on the phone saying awful things. I’ve received letters or emails claiming everything from my obvious lack of intelligence, to my entrenched greed, to my even more obvious lack of spiritual character. (Spawn of Satan?)

Or when I attempt to give a short tip or piece of advice, I get a reply that argues with my advice.

After a while, it can wear on the agent or editor, who think, Why bother? (Yes, even agents “argue” with an editor when receiving a rejection letter too! But at least we normally don’t yell.)

The default is to simply not reply at all. It is unfortunate that a few loud and coarse people can ruin it for others. However, each one in our agency attempts to continue to be gracious and helpful when we feel we can. (It is nice to have a writer tell me years later how much my rejection letter helped them to knuckle down and learn the craft!)

To return to the example from the beginning of this blog, six months is most likely a “no thanks” by virtue of obsolescence (if that is the right word). It may be a fine project, but it just didn’t stick in the mind of the agent or editor. Or that idea has been superseded by something bigger and better.

Advice

Most agencies and publishers have some sort of guidelines by which proposals can be sent. If there is a time frame listed in those guidelines, you are free to contact that company as a follow-up. We agents do this with publishers all the time. But don’t expect an answer, or expect them to look up your submission to see if it is in the queue.

If double or triple the deadline time passes, consider it a silent “no thank you.”

By the way, as a literary agent, my record for longest wait for a proposal to be accepted for publication is 22 months. Sent in the proposal, and 22 months later the editor called to make an offer. Both I and the author had archived the idea and moved on to other projects and contracts. When I called the author, she had to pause and ask, “Which book is this again?” Good thing the author is a professional and did not sit around waiting for an answer!

You might think, That isn’t real. You made that up. I promise, it happened. To underscore that this can happen, a couple months ago an editor contacted me, writing, “Well, I’m embarrassed to say that it’s taken me this long to get to the proposal you sent to me….” It had been 377 calendar days since I had sent the proposal. A full year. At least the editor replied with an apology!

I’ve lost proposals before. Moved the email into the wrong folder or placed the physical proposal in the wrong pile. Hate to admit it, but I’m not perfect. (Confirming the above designation as one of Satan’s minions.)

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Category: Agency, Book Business, Book Proposals, Common QuestoinsTag: book proposals, Rejection

Write Your Passion

By Tamela Hancock Murrayon August 21, 2024
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When authors approach me with several ideas, I enjoy hearing their thoughts. I appreciate the tremendous creativity that goes into developing many books. I always give authors with tons of ideas the same advice: Write your passion. What if the book of your heart has no chance of being sold to a publisher, though? Write it anyway. Write with abandon, for your eyes only. Then write the next book, …

Read moreWrite Your Passion
Category: Book Proposals, Career, Pitching

New Book Proposal Course

By Steve Laubeon August 12, 2024
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I have some exciting news to share! The Christian Writers Institute has released an all-new edition of my “Elements of an Effective Book Proposal” course. Completely revised and expanded to provide even more value and insight. Why This Course Matters I have long taught that writing a book proposal is one of the most critical steps in securing a publishing deal. Whether you’re a …

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Category: Book Business, Book Proposals, Career, Get Published, Pitching, Platform, The Publishing Life, The Writing Life, Writing Craft

Hooks and Gimmicks

By Bob Hostetleron August 7, 2024
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Someone recently asked me (as if I know stuff), “What’s the difference between a hook and a gimmick?” I had to think about it, an action to which I’m unaccustomed. But I’m pretty sure I gave a good answer. Sure, why not? But as I often do, I decided to ask my Steve Laube Agency colleagues for their perspective, and as always was delighted by their answers: Tamela Hancock Murray said, “A hook is a …

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Category: Book Proposals, Pitching

Know Your Genre When Making a Pitch

By Steve Laubeon August 5, 2024
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Awhile ago I received a call that illustrates a common error a writer can make when making their pitch: the problem of not knowing the genre in which they are writing. The call went something like this: Writer: I’m calling to see if your agency handles westerns. Agent: That is a tough genre to sell in the current market, but a lot would depend on how well you can write it. Writer: Some …

Read moreKnow Your Genre When Making a Pitch
Category: Book Proposals, Branding, Conferences, Get Published, Marketing, PitchingTag: book proposals, Genre, Get Published, Pitch; Genre; proposals, Pitching

Unsolicited Proposals: Aka “The Slush Pile”

By Steve Laubeon July 1, 2024
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All literary agents receive dozens of proposals each week. Most are via email these days, but some still come via the post. Last week was a relatively slow week; my office received only 28 unsolicited proposals via email and two in the post. For the month of June, it was around 170 total unsolicited proposals received. (Unsolicited means proposals that are not from our existing clients. We get a …

Read moreUnsolicited Proposals: Aka “The Slush Pile”
Category: Agency, Book Proposals, Get Published, Rejection, SteveTag: Get Published, Pitching, Proposals, Rejection

What About Affinity Groups?

By Tamela Hancock Murrayon June 27, 2024
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When showing author platform, many writers talk about affinity groups. That is, hobbyists, organization members, and people in a particular stage of life who might buy the book. For instance, an author may say that her devotional book titled Single Parents Who Fly Kites will appeal to: 1. Kite flyers 2. Single parents 3. People who work in kite factories 4. People who love windy days 5. Members of …

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Category: Book Proposals, Marketing, Pitching, Platform

I’m Not Interested in These Kinds of Writers

By Bob Hostetleron May 29, 2024
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I love my work as a literary agent. It’s a joy to represent some of the best authors writing today (and the rest of the best are represented by other Steve Laube Agency agents). But there are some kinds of writers I’m not interested in representing. Here’s a short list: Careless writers, such as the person whose cover letter began, “I am submitting my payer book propsal.” Or the proposal that …

Read moreI’m Not Interested in These Kinds of Writers
Category: Book Proposals, Get Published, Pitching

Is Your Submission Complete?

By Tamela Hancock Murrayon May 8, 2024
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Too often, I see great submissions that aren’t complete. Why not include everything when you first submit? Here are a few tips: What will happen in the novel? We need a book summary, even when you’re submitting a complete manuscript. Yes, I know seeing the ending ahead of time may be a spoiler for a reader; but as an agent, I’m accustomed to reading spoilers. I even enjoy …

Read moreIs Your Submission Complete?
Category: Book Proposals, Pitching

Before Pressing SEND

By Tamela Hancock Murrayon April 18, 2024
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I love seeing work from talented authors. Reading a marketable proposal from a hardworking author interested in a long-term career makes me take notice. Are you this author? If so, what I’d like to help you do today is to keep you from being rejected because of a misstep that’s easy to avoid.  The manuscript is too short. Gift books can be brief, but fiction is different. I often …

Read moreBefore Pressing SEND
Category: Book Proposals, Pitching
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