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Helping to Change the World…Word by Word

The Steve Laube Agency

The Steve Laube Agency

Helping to Change the World Word by Word

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Home » Book Proposals » Page 3

Book Proposals

Commercial Writing (The Word Count Question)

By Dan Balowon February 27, 2025
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One of the common questions I get as an agent relates to how long a book should be. Many aspiring authors think about a target number of pages and chapters when they need to focus on word count.

Using pages as a metric for book length likely comes from those who self-publish and are accustomed to being charged per page for their book.

Depending on the type of project, there is an optimum word count that affects the length of a project. There are some variations; but generally, they all fall into a range that gives authors an idea of how to proceed.

There are some dramatic exceptions to whatever general guidelines exist.

A generation ago, chapter books for grade schoolers were generally about 20,000 words and put into formats with larger print and paperback covers. Then along came Harry Potter, and the assumptions about what a ten-year-old would read went out the window. Harry Potter books started at 76,000 words for the first in the series, and another was over a quarter million words.

I have seen proposed projects that are significantly too long, like the 800,000-word memoir that could only be published as a set of books costing $300 to replace where you used to store a Funk & Wagnalls encyclopedia set on the bookshelf. Maybe there could be a payment plan to get a new volume monthly for twelve months?

I’ve also seen “books” that are too short, like the insightful 1,200-word info-piece that should be a free download PDF or a booklet given out on the street corner.

Neither of these examples is commercially viable. The first is too expensive to publish, and the second would not command a selling price that would make it worthwhile. In other words, they cannot be published and make financial sense for a publisher.

There are 800,000-word projects, like biblical commentaries, a history of human civilization, or the Bible (yes, it is around 800,000 words). But they are not the story of your family.

The specifics of commercial-length projects vary from category to category and by publisher.  So, what is commercial length?  It’s the word count that allows a publisher to create it for a reasonable and optimal price so it can sell the most copies and meet their financial targets.

These are broad generalities, of course, but here’s a start on word counts for your consideration:

Children’s board books – about 100 words

Early readers (ages 5-7) – 1,000-3,500 words

Chapter books – 15,000-35,000 words

Middle grade – 30,000-45,000 words

YA fiction – 50,000-80,000 words

Adult fiction novellas – 35,000-45,000 words

Other adult fiction – 70,000-100,000 words

Sci-fi/fantasy – 80,000-100,000 words

40-day devotionals – 30,000-40,000 words

90-day devotionals – 45,000-60,000 words

365-day devotionals – 90,000-100,000 words

Bible studies – 10,000-20,000 words

Memoirs – 40,000-70,000 words

Academic/reflective – 50,000-100,000 words

Other adult nonfiction – 40,000-70,000 words

These are general guidelines, not chiseled-in-stone laws. It’s always OK to do what you think is best, but the publisher may ask you to cut or expand.

Just stay away from books written either at blog or biblical length!

 

 

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Category: Book Proposals, Pitching, The Writing LifeTag: word count

How Do You Know What Will (or Will Not) Sell?

By Steve Laubeon February 24, 2025
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There is a mysterious magic embedded in the mythos of the publishing industry: the ability to pick successful books. I was recently asked, “You say ‘no’ so often, how do you know when to say ‘yes?’” I wish I could claim that every agent and publisher have a secret formula we consult to know what will sell. Ask any group of us for that secret and we will all laugh because there is no “secret.” We …

Read moreHow Do You Know What Will (or Will Not) Sell?
Category: Book Business, Book Proposals, Branding, Career, PlatformTag: Agents, book proposals, Career, Pitching, What Sells, Writers

Are You Pitch Perfect?

By Steve Laubeon December 2, 2024
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A critical key to landing a book deal is the presentation of your idea in such a way that the editor or agent is completely sold on the concept. In musical terms, perfect pitch is the rare talent to name or pick out a note without having any reference point. This is illustrated by this youtube video where they clear your mind, then give you a tone, and ask you to name the note; most people fail …

Read moreAre You Pitch Perfect?
Category: Book Proposals, PitchingTag: book proposals, Pitching

Why Does It Take Editors and Agents So Long to Read My Proposal?

By Steve Laubeon October 28, 2024
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Recently, a writer posted this question: I submitted a proposal to a publisher 6 months ago. The guidelines said that a response would be provided at the end of 4 months. At the end of 5 months I sent an email query to confirm that they had actually received the submission–still no response. Now I am at the end of 6 months.…Do I give up? I wish I had a magic wand to solve this problem for …

Read moreWhy Does It Take Editors and Agents So Long to Read My Proposal?
Category: Agency, Book Business, Book Proposals, Common QuestoinsTag: book proposals, Rejection

Write Your Passion

By Tamela Hancock Murrayon August 21, 2024
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When authors approach me with several ideas, I enjoy hearing their thoughts. I appreciate the tremendous creativity that goes into developing many books. I always give authors with tons of ideas the same advice: Write your passion. What if the book of your heart has no chance of being sold to a publisher, though? Write it anyway. Write with abandon, for your eyes only. Then write the next book, …

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Category: Book Proposals, Career, Pitching

New Book Proposal Course

By Steve Laubeon August 12, 2024
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I have some exciting news to share! The Christian Writers Institute has released an all-new edition of my “Elements of an Effective Book Proposal” course. Completely revised and expanded to provide even more value and insight. Why This Course Matters I have long taught that writing a book proposal is one of the most critical steps in securing a publishing deal. Whether you’re a …

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Category: Book Business, Book Proposals, Career, Get Published, Pitching, Platform, The Publishing Life, The Writing Life, Writing Craft

Hooks and Gimmicks

By Bob Hostetleron August 7, 2024
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Someone recently asked me (as if I know stuff), “What’s the difference between a hook and a gimmick?” I had to think about it, an action to which I’m unaccustomed. But I’m pretty sure I gave a good answer. Sure, why not? But as I often do, I decided to ask my Steve Laube Agency colleagues for their perspective, and as always was delighted by their answers: Tamela Hancock Murray said, “A hook is a …

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Category: Book Proposals, Pitching

Know Your Genre When Making a Pitch

By Steve Laubeon August 5, 2024
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Awhile ago I received a call that illustrates a common error a writer can make when making their pitch: the problem of not knowing the genre in which they are writing. The call went something like this: Writer: I’m calling to see if your agency handles westerns. Agent: That is a tough genre to sell in the current market, but a lot would depend on how well you can write it. Writer: Some …

Read moreKnow Your Genre When Making a Pitch
Category: Book Proposals, Branding, Conferences, Get Published, Marketing, PitchingTag: book proposals, Genre, Get Published, Pitch; Genre; proposals, Pitching

Unsolicited Proposals: Aka “The Slush Pile”

By Steve Laubeon July 1, 2024
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All literary agents receive dozens of proposals each week. Most are via email these days, but some still come via the post. Last week was a relatively slow week; my office received only 28 unsolicited proposals via email and two in the post. For the month of June, it was around 170 total unsolicited proposals received. (Unsolicited means proposals that are not from our existing clients. We get a …

Read moreUnsolicited Proposals: Aka “The Slush Pile”
Category: Agency, Book Proposals, Get Published, Rejection, SteveTag: Get Published, Pitching, Proposals, Rejection

What About Affinity Groups?

By Tamela Hancock Murrayon June 27, 2024
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When showing author platform, many writers talk about affinity groups. That is, hobbyists, organization members, and people in a particular stage of life who might buy the book. For instance, an author may say that her devotional book titled Single Parents Who Fly Kites will appeal to: 1. Kite flyers 2. Single parents 3. People who work in kite factories 4. People who love windy days 5. Members of …

Read moreWhat About Affinity Groups?
Category: Book Proposals, Marketing, Pitching, Platform
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