Author Tamela Hancock Murray

Reasons I am Thankful Today and Every Day

I try to live in a spirit of gratitude every day, but this holiday is a chance to spend more time meditating upon a few specific reasons to be thankful. I hope you’ll read over this list slowly and think about your own life.

1.) God the Father.

2.) Jesus Christ, His only Son, Our Lord.

3.) My devoted, loving, and godly husband, John.

5.) Our beautiful daughters, Jill and Ann.

6.) That all four of our parents are still in good health.

7.) Extended family and friends.

8.) That I have a great boss and an interesting, challenging job I believe in and enjoy.

9.) The wonderful writers and other publishing professionals I work with.

10.) To live in America.

Now for a few fun reasons I’m thankful:

1.) Books.

2.) I have a good stuffing recipe I learned from a missionary, Matilda Alexander.

3.) I don’t feel compelled to rise at 3 AM or earlier to stand in line at a store for Black Friday specials.

4.) Mild Virginia weather.

5.) That we can nap after dinner.

Your turn:

I only highlighted a few reasons I’m thankful. Surely you have many you can add. Whether serious or fun, what are you thankful for today, and every day?

 

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Fun Words

I don’t usually stay up late enough to watch Conan O’Brien but awhile back I caught a show during which he campaigned to bring back use of the word thrice.

Thrice. Indeed, a fun word.

Yesterday Karen wrote about beautiful words so well that today I thought we could play with words and look at those that are entertaining. I’d like to suggest some other fun words that I think just aren’t used enough.

Slapdash

Because I’d rather negotiate contracts, send out proposals, and encourage writers, I employ a slapdash approach to housekeeping.

Draconian

While Steve Laube is draconian regarding book proposals, cooperative writers are rewarded with praise and contracts.

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A Matter of Taste

I always enjoy reading comments on our blog posts. Recently a reader posted a provocative question:

In this time of great emotional upheaval, instability, and unrest, aren’t we ready for something more solid and inspiring than just different types of romance novels?

Those of you familiar with my career know that I am the author of many romance novels and stories — and Bible trivia books!

And while I represent a variety of authors in fiction and nonfiction, my list is weighted heavily to romantic stories. I do realize that not everyone has the same taste — nor should we.

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Study the Market


What is the best way to find out what is successful in the current market?

This is a good question because while as an author, you don’t want to chase the market, you also don’t want to write books that are so far off from the current market that they have no chance of selling. First and foremost, marketing advice from any source assumes that authors submit their best, most polished, highest quality work. Just because vampire novels enjoy popularity now, doesn’t mean publishers will acquire just any novel with a vampire. The novel must sparkle to sell to a publisher and then to readers. I don’t recommend chasing nonfiction trends either, because one or two popular authors can quickly saturate the market on any given topic. Or as Steve Laube says, “If you are asking what’s hot…you are too late.” Although some topics are evergreen, as a rule the market can only absorb so many books on a topic. Writing about a tangent of a popular topic won’t help because then the book is in danger of being too narrow to sell to a large audience. It’s then a niche of a niche.

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Writing Contests: Panacea or Waste?

At a recent conference, a lovely writer who had finaled in a contest but wasn’t chosen as the winner asked if she could still submit a proposal to me. I told her “Yes! Of course!”

Her question brought to mind the role contests play in a writer’s career. I’m asked questions about contests at least once a month. I’ll try to answer two key questions here.

Should I Enter?

When considering whether to enter a contest, think about your career goals. Does the contest make sense for the type of book you write? A quick look at past winners may give you a clue as to the value of the particular contest for you.

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Conference Proposal Requests

The recent ACFW conference (attended by nearly 700 writers and industry professionals) has writers, agents, and editors in overdrive as we all attempt to follow up on conference proposal requests. Writers are working feverishly to get proposals to editors. Some are thinking, “Surely the editor who seemed so excited about my proposal is checking email at least once or twice a day looking for it. I must, must, must get the proposal out today!”

Not so fast

Our word is our bond, and we feel responsible when we promise to submit a proposal as soon as we can. Accountability is to be commended. Editors and agents appreciate conscientious writers. However, most of us are looking for a writer’s proposal under certain conditions, and those conditions are usually quite urgent in the careers of writers already established with us. From my perspective, conference requests are different. Here are a few examples:

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Loving to Laugh


At least once a week I’m asked if romantic comedy is currently marketable. While sometimes this category seems hot and then cold, I’d say that sharp, witty, well-executed romantic comedy can find a good home no matter what the publishing season. Note that I take the adjectives I used seriously. This is not a category that most writers can whip off with little effort. Successful writers of romantic comedy are gifted with the ability to find humor in everyday situations and the talent to share that humor in an entertaining way. The writing must fly like a magic carpet. The reader is looking for a fun story.
One successful writer of romantic comedy is Gail Sattler. Here is a great tip from Gail:

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One-Sheets versus Queries


A recent post inspired an excellent question. “Is a one-sheet the same as a query?”

Yes and no. There is some overlap, but the differences are significant.

A one-sheet gives writers a document for talking points about a project at a conference. The one-sheet can help authors be sure they convey the information they want to the editor or agent without forgetting anything critical. In turn, the one-sheet gives the editor or agent a memo of sorts to recall your pitch after the conference. This is one reason why an author photo is essential. Otherwise, the one-sheet includes information such as the book theme and brief plot summary, contact information, and sometimes another visual to make the page pop. One-sheets are often colorful and intended to grab attention. However, they are only a tool. The author’s professionalism and talent are key.

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Conquering Conference Jitters

Next week the annual American Christian Fiction Writers (ACFW) conference is upon us. While this particular conference is one of the largest in our industry (over 700 will be there in St. Louis), writers can become nervous before going to even the most intimate conference. We all want to make a good impression and show other industry professionals our best. You have already prayed and handed the conference over to the Lord, so here are a few more tips based on questions I’ve been asked over the years:

1.) What do I wear?

Each conference has its own personality and you’ll need to adjust accordingly.

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He Said. She Said.

A blog reader recently left an excellent comment on an earlier post:

Tamela, fiction workshop presenters taught me that the best word for “said” is “said”–that others only tend to slow down the reader’s eye. I’d appreciate a discussion on this.

While I don’t know the workshop presenters in question, what I can guess they meant is to avoid substituting creative verbs for “said” as a tag. For example:

“Cyrus, tell that joke about the tortoise and the hare,” the cowboy chuckled.

“This caviar is not up to my standards,” the dowager sniffed.

These tags aren’t without merit, because they do help convey the emotions and actions of the characters. In fact, they could even be expanded into effective action tags. At the least, simple punctuation would keep these characters from performing the improbable task of sniffing and chuckling words:

“Cyrus, tell that joke about the tortoise and the hare.” The cowboy chuckled.

“This caviar is not up to my standards.” The dowager sniffed.

So why would fiction workshop presenters tell writers to use the word “said” as a tag? I would say that there is a time and place to use a simple tag. In a fast-paced scene, a simple tag will keep the action flowing. For example:

“Get the gun,” Bruce said.

“What?”

“I said, get the gun.”

“Why?”

“Don’t ask questions,” Bruce said. “Just do as I say. Now.”

In a case such as this, complicated action tags could slow down the rhythm and urgency of the scene, distracting the reader rather than adding to the story. The “said” tag is used infrequently to help the reader keep track of the conversation.

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