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The Steve Laube Agency

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The Steve Laube Agency

The Steve Laube Agency

Helping to Change the World Word by Word

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The Writing Life

Am I Head-Hopping or Is It Omniscient POV? – Guest Post by Kathy Tyers

By Guest Bloggeron March 24, 2025
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One of our regular readers asked, “What about the Omniscient Point of View? It exists, and some of us use it, but today’s writers aren’t taught the difference between OPOV and head hopping in a limited POV. ”

I thought I’d ask an expert! I’ve had the honor of working with Kathy Tyers for over 25 years. She is the author of Writing Deep Viewpoint: Invite Your Readers into the Story and is known for her award-winning Firebird series and two licensed Star Wars Legends novels, including New York Times bestseller The Truce at Bakura. Her messiah-in-space novel, Daystar, which concluded the original Firebird series, won a 2013 Carol award. In 2019, Shivering World received the Christy Award in the visionary category. At home in southwest Montana with her husband, William T. Gillin, Kathy focuses on writing, music, and short-season vegetable gardening. Kathy is active on Facebook, and her website is www.kathytyers.com.


Back in the 1800s, Charles Dickens used the omniscient point of view. So did J.R.R. Tolkien, my all-time favorite, in the mid-20th century. What is wrong with people today? Why has contemporary taste shifted away from the omniscient point of view?

Full disclosure: I write in deep, limited third-person point of view. I give my readers full access to the thoughts and senses of one character at a time. Several members of my first writers group were multipublished by traditional major houses. (Was I lucky or what?) In the reader’s mind, they explained, he or she becomes the viewpoint character.

Cool!

Learning to write limited third-person shipwrecked my love of Tolkien for awhile. Then, I discovered that there was such a viewpoint as omniscient, and Tolkien was a master. “Yes,” my writing friends said, “but you aren’t Tolkien. Poorly done, it’s just head-hopping.” Afraid that I might be tossed out of the group if I committed such sins, I stuck with deep third-person.

All these years later, though, the questions remain: What is omniscient POV? Does that just depend on who you ask? Can it be done well?

Classically defined (as I understand it), an omniscient POV story is told from the viewpoint of an omniscient narrator. That narrator has his or her own voice, which should not be confused with any of the characters’ voices. That “voice” is super important. Establish it early in the story, so the reader knows what to expect.

But what’s “voice”?

It’s your way of expressing how you see the world. It includes your vocabulary and how you use it, influenced by your locale, your profession, your age and habits, etc. It’s how your friends would know it was not really you on the phone begging for gift cards, but some scammer trying to impersonate you.

Omniscient POV means that the author can reveal any character’s thoughts or senses at any point in the story. However, those thoughts or sensations must be revealed using the narrator’s voice. Not the character’s voice. That narrator’s voice should be consistent throughout the story.

Here’s an example. If, in a supposedly omniscient-POV novel, I was writing along in Jonah’s point of view, using Jonah’s voice to describe a scene, but I wanted to reveal Mackenzie’s thoughts—and if I used Mackenzie’s voice to do it, not the narrator’s voice—that would be head-hopping. I would have used two on-stage characters’ voices, instead of the narrator’s voice.

In true omniscient, I would need to keep a certain distance from Jonah’s heart and soul, using a narrator to “tell” the readers about him, rather than “showing” how it felt to be Jonah. Then, after I moved my omniscient self across the room to focus on Mackenzie’s thoughts, I would be omnisciently “telling” my readers how it felt to be Mackenzie.

For me, that would ruin the fun. I would rather use Jonah’s senses and thoughts, watching Mackenzie’s face and body language. I could show Jonah guessing what she was thinking. He might be right. He might not. I could reveal Mackenzie’s actual thoughts in the next scene, as she recalls the conversation.

When both characters’ thoughts were absolutely required in a crucial scene (e.g., the space duel in my first Firebird book), I switched viewpoints a few times during that scene; but I separated those viewpoints with a strong visual cue, such as a centered hashtag. My publisher replaced that # with a blank line or an attractive symbol when the book went to print.

With ten-plus books traditionally published, I still don’t consider myself skilled enough to carry off an omniscient narrator. I share the contemporary preference for deep third-person limited POV. We live in the era of the eight-second attention span. We all understand how it feels to be a limited human being; very few of us know how it feels to be omniscient. Your mileage may vary, especially if you have mastered the craft. Many contemporary authors head-hop, and their plots and characters are apparently so compelling that their fans don’t care. Still, some of us wonder, Where were their editors?

To write omniscient viewpoint well, you must establish and maintain your omniscient narrator’s voice, whether or not you reveal his or her identity to your readers. Apparently, it’s that simple.

Sometimes, though, “simple” isn’t “easy.”

It requires a master, and I am still not J.R.R. Tolkien.

 

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Category: The Writing Life

Commercial Writing (The Word Count Question)

By Dan Balowon February 27, 2025
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One of the common questions I get as an agent relates to how long a book should be. Many aspiring authors think about a target number of pages and chapters when they need to focus on word count. Using pages as a metric for book length likely comes from those who self-publish and are accustomed to being charged per page for their book. Depending on the type of project, there is an optimum word …

Read moreCommercial Writing (The Word Count Question)
Category: Book Proposals, Pitching, The Writing LifeTag: word count

Evaluating Surprise Contract Offers

By Tamela Hancock Murrayon February 19, 2025
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If you don’t work with an agent and you receive unexpected interest in your books, here are guidelines that may keep you from signing a contract that doesn’t further your career: Make no hurried promises over the phone or email. Take the time you need to assess the offer and interest. Legitimate book publishing normally moves slowly, so anyone demanding immediate decisions should be regarded with …

Read moreEvaluating Surprise Contract Offers
Category: Contracts, Get Published, The Writing LifeTag: Scams

Upon Further Review

By Dan Balowon February 13, 2025
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Every author or publisher assumes that the response will be positive when they send an about-to-be-published book out to professional book reviewers in the media. This is partially correct since many media outlets won’t comment on or publish a negative review. To illustrate, years ago I recall hearing from a book reviewer at a major Christian periodical that they would not publish a review because …

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Category: Reviews, The Writing Life

Beginnings and Endings of Novels With Angela Hunt

By Thomas Umstattd, Jr.on February 11, 2025
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Have you ever started reading a book and just couldn’t get past the first few chapters? Or maybe you enjoyed the book, but the ending left you feeling empty inside. It just didn’t quite work. Beginnings and endings can make or break your novels. If you want your reader to finish your book, you’ve got to start well. You’ve got to hook them in with a beginning that piques …

Read moreBeginnings and Endings of Novels With Angela Hunt
Category: The Writing LifeTag: Angela Hunt, Characters, Writing Craft

Fun Fridays – February 7, 2025

By Steve Laubeon February 7, 2025
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Today’s funny: A pastor, a rabbit, and a priest walked into a restaurant. The rabbit says, “I think I’m a typo in this story.”

Read moreFun Fridays – February 7, 2025
Category: The Writing Life

Writer’s Block Becomes Writer’s Talk

By Steve Laubeon February 3, 2025
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Seth Godin once wrote in a blog post: No one ever gets talker’s block. No one wakes up in the morning, discovers he has nothing to say and sits quietly, for days or weeks, until the muse hits, until the moment is right, until all the craziness in his life has died down. What a liberating concept! It reminded me of a great book by Joel Saltzman, If You Can Talk, You Can Write. Of course, …

Read moreWriter’s Block Becomes Writer’s Talk
Category: Common Questoins, Craft, Creativity, The Writing Life, Writing CraftTag: Writers Block

How to Write Your First Novel – an Interview

By Steve Laubeon January 20, 2025
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write your first novel book cover image

Thomas Umstattd Jr. interviews Steve Laube   Thomas: So, you’re thinking about writing a novel. You’ve tried your hand at writing a few times, but the story just hasn’t come together. Or maybe you wrote and wrote, but you didn’t quite like what you wrote. The method of starting to write and hoping for the best is the hardest way to write a novel. It’s like trying to …

Read moreHow to Write Your First Novel – an Interview
Category: Steve, The Writing Life, Writing CraftTag: Craft, The Writing Life, Writing Craft

Secrets of a Successful Author Aren’t Secret

By Dan Balowon December 12, 2024
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Because being a book author is more of a self-taught profession, those who are successful at it are often analyzed by aspiring authors to find out how they did it. Sometimes even asking, “What’s your secret?” If an author responds honestly, they will reveal that their pathway to success is not secret, nor does it contain shortcuts or easy-to-follow checklists. I remember watching a documentary …

Read moreSecrets of a Successful Author Aren’t Secret
Category: Book Business, Common Questoins, Get Published, The Writing Life

Keep Vigilant Online

By Tamela Hancock Murrayon December 5, 2024
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Since authors must maintain an online presence and many receive scam messages, I’m addressing online safety today. On impulse during a recent trip to the library, I checked out Keanu Reeves Is Not in Love with You by Becky Holmes. The author relates how she communicated with scammers and victims in this lively and well-researched book. The book focuses on romance scams; but the advice …

Read moreKeep Vigilant Online
Category: Legal Issues, The Writing Life
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