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Home » Writing Craft » Craft » Page 4

Craft

Story Structure Part #2 – Three Act Structure

By Lynette Easonon October 31, 2023
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Welcome back to the continuation of story structure. For this series, I’m using the Three Act Structure. However, there are other models you can use. Just because I’m using this one doesn’t mean none of the others won’t work as well.

However, the three-act structure is a tried-and-true method for crafting a story and is utilized by screenwriters and novelists alike.

So, here we are in Act 1. Act 1 introduces the readers to the world, the characters, and their daily lives. Then comes the inciting incident, which upsets this daily routine, hinting at the forthcoming conflict. Last time, we left our character, Oliver Tyson, arriving at his office at the morgue to find it trashed. That was the inciting incident that jolted our main character out of his normal and into his story. From the inciting incident, we work our way toward the next crucial moment in the three-act structure known as Plot Point 1. In essence, Plot Point 1 catapults the main character into the primary conflict of the story, ending the first act and initiating the second.

Now, I do want to note that some three-act structures give percentages about where all of these things fall in the story. I’m fine with that, but my stories tend to have different percentages. Because I start out with a bang and the inciting incident happens so quickly and near the beginning of the story, I can’t go with what the percentages say. So keep that in mind if you do the same. The thing to remember is that the inciting incident has to happen fairly soon after the opening of the story if you want your reader to stay engaged.

Inciting incident: Oliver’s office is trashed. Someone has broken in and upended the place. The next few chapters will reveal key information. Sophia Porter and her partner are assigned to the case. They arrive at the scene, and this is where our heroine (Sophia) and hero (Oliver) meet.

**If you have a theme for your story (and you should!), some of that can be revealed here via character interaction, dialogue, etc.

When Sophia arrives at the scene, she learns that Oliver has been tasked with reconstructing a skull. He hopes to help identify a young woman who tragically died six years ago. She’s not linked to any cold cases or missing persons. This Jane Doe presents a profound mystery: Who was she?

For Sophia, the discovery of this skeleton is more than just another case. Every unidentified body carries the weight of possibility: Could it be Cassidy? So, needless to say, she’s intrigued and wants to follow this case—and Oliver—to its conclusion. Once she’s taken Oliver’s statement, the crime scene unit has done their job, and everyone has gone home, Sophia can’t get Oliver out of her head—or the work he’s doing on the skull. She calls him and asks him to meet for dinner. She’s got questions. He agrees.

In the parking lot of the restaurant, someone attacks him with the warning to “let the dead stay dead.” The attacker runs off and leaves Oliver bleeding from a head wound on the asphalt. A woman runs into the restaurant screaming for someone to help the man in the parking lot. That she’s just witnessed a mugging. Sophia runs out to find Oliver dragging himself into a sitting position.

He tells her what happened while someone calls for an ambulance. He insists he’s fine. Then he tells her the attack was personal and relays the message. “I think he was talking about the skull I have. Someone doesn’t want me to work on it.” She asks him if he plans to quit reconstructing the face. He looks at her and frowns. “Absolutely not. Whoever didn’t want her face to be revealed just made a huge mistake. I’m going to be working on that reconstruction day and night now.”

(Because that’s how real heroes respond, right?)

And here is where your Plot Point #1 (PP #1) will happen. It’s usually right at the end of Act 1. For those of you who want percentages, this is about 25% of the way into the story. If it’s 22% or 30%, it’s okay. 25% is an average. Anyway, PP #1 and the end of Act 1 is where the character has to make a decision. This is the point of no return and the end of Act 1.

More about Act 1. There are a few elements you want to make sure you have in your story up to this point:

  • the opening should set the mood/tone of the story
  • hero/heroine’s everyday “life as normal”
  • some reference to the theme
  • inciting incident
  • life changing moment: someone dies, divorces, discovers a secret, has a break-in, decides to fight back, etc.

You also want to make sure you:

  • Make the reader aware there’s an antagonist in the story somewhere.
  • Define the character’s goals. Let us know a bit of their backstory and why they’re where they are.
  • End Act I with a change of the playing field. A decision has been made, and now it’s time to head into Act II.

Now, it’s your turn. In thinking about your story, what is your first Plot Point? What is the point of no return for your character? Do you have one?

See you next time.

 

 

 

 

 

 

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Category: Craft, Writing Craft

Interrupting God

By Dan Balowon October 11, 2023
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I find it humorous when someone brings up a list of questions that they would like to ask God face-to-face when they get a chance. It is funny because the statement assumes that we would have a back-and-forth discussion, as we insert “Yeah, but what about …” between his responses to our questions. If there is a heavenly Q&A opportunity, if indeed we could manage to pick ourselves off the …

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Category: Craft, The Writing Life, Theology

Characterization Part 4

By Lynette Easonon August 9, 2023
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Give your characters a personality In the last post, we worked on figuring out what made our characters tick. We talked about Most Painful Life Moment, goals, motivations, and the difference between the last two. Today, I want to continue the discussion on characterization. So, by now you should know your characters pretty well when it comes to their “why”; now let’s talk about their “who.” WHO …

Read moreCharacterization Part 4
Category: Craft, Writing Craft

Everyone is a Critic

By Steve Laubeon July 10, 2023
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One of the burdens an artist must bear is the scrutiny of public opinion. It can either be exhilarating or devastating. At the risk of oversimplifying the issue, let’s look at some categories that define this topic. Opinion Everyone has an opinion. The problem for the author is to determine how much weight to give to those opinions. One mistake a writer will make is to ask someone or a group of …

Read moreEveryone is a Critic
Category: Book Business, Book Review, Career, Craft, Creativity, Writing CraftTag: Career, Critiques, reviews

One Agent’s Loves and Hates

By Bob Hostetleron June 29, 2023
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I recently posted on social media about my (possibly unhealthy) love for em dashes—that is, the dashes that are the width of the letter m, often used to set off examples, explanations, or descriptions, as I did in this sentence. (See how beautiful it is?) An editor friend named Linda commented, “This is so me. I love the em-dash. Nothing aggravates me more when editing than when a writer …

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Category: Craft, Grammar, The Writing Life, Writing Craft

I Did Not Finish Reading Your Book

By Steve Laubeon May 15, 2023
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In the past year, have you started reading a fiction or nonfiction book and did not finish it? I have. Many times. There are a lot of reasons for this to happen. Here are a few examples. Fiction: I didn’t care about your characters. The plot fizzled. The story became ridiculous and unrealistic. It was too easy to put down. Or, in other words, it was forgettable. Nonfiction: It became …

Read moreI Did Not Finish Reading Your Book
Category: Craft, Creativity, Editing, Writing CraftTag: Books, Craft, Writing Craft

Hacks for Inspiring Ideas and Descriptions

By Tamela Hancock Murrayon May 4, 2023
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Seeking inspiration? Here are fun and weird hacks for writers. 1. Read advice columns to find ideas for creating conflict in novels. The problems people pose to columnists are rife with family drama, misunderstandings among friends, marriage issues, and romantic entanglements. Even columns about etiquette offer an array of tenuous situations. When you locate some columnists online, you may …

Read moreHacks for Inspiring Ideas and Descriptions
Category: Craft, The Writing Life, Writing Craft

The Readability of Your Writing

By Steve Laubeon April 10, 2023
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The importance of communicating ideas with readable words has become more critical than ever in a TikTok world. Have you ever wondered what grade your writing’s reading level is? Dan Balow told me of a fun website, www.readabilityformulas.com, where you can post up to 3,000 words and find out its reading-level grade. I first tried the Bible using Daniel 7:1-7 in different translations. King …

Read moreThe Readability of Your Writing
Category: Craft, Creativity, Writing Craft

Define the Takeaway First

By Bob Hostetleron March 29, 2023
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A few months ago, one of my friends (don’t worry, Sarah, I won’t mention your name) asked this question on social media: Writer friends: Do you ever write something, think it’s nearly finished, and fail to be able to define the “take-away?” So, “writer friends,” I’m about to do you a favor. I will suggest an approach that will save a lot of time, stress, regret, and other bad things. Ready? …

Read moreDefine the Takeaway First
Category: Craft, Get Published, Pitch, The Writing Life, Trends

Wake Up Your Boring Verbs

By Steve Laubeon March 27, 2023
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I’m curious what our readers think about the infographic posted below from grammarcheck.net. Please comment below. I tend to think there is a time and place for “boring” verbs, but the danger is letting your work feel or read “flat.” I first wrote the below sentences and then arbitrarily replaced the “boring” verbs with ones from the list. Better? Worse? …

Read moreWake Up Your Boring Verbs
Category: Craft
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