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Home » Writing Craft » Page 22

Writing Craft

Don’t Know Much About Editors

By Bob Hostetleron August 26, 2020
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A literary agent is not an editor–or a publicist. That may seem obvious to some, since the words are all spelled quite differently. But I occasionally get a submission from an aspiring writer who wants me to act as one or the other. I have been an editor (of both magazines and books), but an agent has a different role from those people. So I thought I’d try to clarify the various kinds of editors and others you’re likely to encounter in the book-publishing process. (Some of these things have parallels in the newspaper and magazine business, but I’ll stick to books for the sake of, well, making my job easier.) Note these are general categories; and the titles or labels for the jobs can be different, depending on the publisher.

Acquisitions editor

This person’s role, like all the others I’m about to mention, differs from one publishing house to another; but, generally speaking, an acquisitions editor searches for and acquires new writers and new books for publication. Part of his or her role is also presenting those promising writers, proposals, and manuscripts to other decision-makers (such as an editorial board comprised of editors (go figure) and/or a publication board made up of editors as well as sales-and-marketing people).

Line editor (sometimes called a developmental editor)

A line editor reviews a manuscript with an eye on the big picture. For example: Is the writing style appropriate for the publishing house and the target audience? Do the ideas flow in a logical, orderly progression? In the case of fiction, are the characters believable, is the story line realistic, are the subplots crucial, does the dialogue ring true, does the pacing work? The line editor may recommend a substantive rewrite that involves deleting, rearranging, or adding whole sections to the manuscript.

Copy editor

If the line editor takes a big-picture approach, the copy editor may be said to take a fine-tooth-comb approach (if you’ll allow me to mix metaphors …and if you won’t, well, it’s too late now, isn’t it?). This person makes decisions on grammar, spelling, capitalization, punctuation, citations, footnotes, and more, along the way making sure that those decisions conform to “house style” (the thousands of little decisions that are consistent in books by that publisher, such as whether or not to capitalize pronouns referring to deity, etc.).

Proofreader

A proofreader (whether on staff or freelance) reads the galleys and identifies any mistakes, inconsistencies, and other problems that have either been missed in previous stages or have arisen in the editorial and design process.

Freelance book editor or book doctor

Publishers also sometimes engage freelance editors who fill many of the roles above, whether because of budget cuts, crunch times, or special needs. They’ll also sometimes engage a freelancer as a book doctor, which usually involves substantive and developmental tasks to fix a book that, perhaps, needs more fixing than staff editors can give it. And, freelance editors are often hired by writers to make sure that the manuscript they submit to an agent or editor is even better than the writer alone could’ve made it. (Even then, of course, the manuscript, when accepted for publication, is still put through each of the editorial steps above.)

Let me mention again that these roles differ from one publishing house to another and often overlap or are divided among different people according to sophisticated measures, such as tea-leaf readings and the alignment of planets. I’d say more, but you wouldn’t understand. I sure don’t.

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Category: Book Business, Editing, The Publishing Life

Should You Write Short Stories First?

By Tamela Hancock Murrayon August 20, 2020
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The “Your Questions Answered” Series __________ What are your thoughts on writing some short stories before you jump into your first novel? I don’t recommend writing short stories before jumping into your first novel IF your goal is to be a novelist. Writing where you don’t want your success to be is akin to the dieter craving a chocolate candy bar but eating a container of yogurt instead. I’ve …

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Category: Branding, Career, Craft, Creativity, Genre, Your Questions Answered Series

What I Learned from Editors

By Bob Hostetleron August 19, 2020
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I’ve been writing for publication since my teen years, when the world was young and the Garden of Eden’s discount fruit stand was still in business. As you might imagine, I’ve worked with more than a few editors over the years (and even been an editor myself). Though some writers see editors as “the enemy” (or perhaps the stumbling blocks in their paths), I’ve always had great relationships with …

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Category: Craft, Editing, The Writing Life

Realistic Language in Fiction

By Tamela Hancock Murrayon August 6, 2020
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The “Your Questions Answered” Series __________ I’m a former crime reporter and trauma survivor with lots of counseling writing a suspense novel. I’m trying to balance Christian fiction guidelines with the speech and behavior I’ve seen in police stations and at crime scenes. I’ve come up with some of my own ways to show through action that a cop is angry or frustrated, but can you guide us to some …

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Category: Craft, Your Questions Answered Series

Show Versus Tell – HELP!

By Tamela Hancock Murrayon July 30, 2020
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The “Your Questions Answered” Series __________ Could you write about the difference between showing and telling? I am constantly mixing them up. Thanks! Telling is like giving readers a grocery list. They must memorize facts to absorb your story. For example: She never stood out in a crowd, any crowd. She had bobbed hair the color of dishwater and expressionless brown eyes. Her clothes were …

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Category: Craft, Your Questions Answered Series

What’s in a Name?

By Bob Hostetleron July 22, 2020
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Years ago I was reading a book by Louis L’Amour, a favorite author of mine. I don’t remember which book it was (I haven’t yet read them all, but I’ve read many of them), but I do recall being confused throughout. Why? I’m so glad you asked. Because three of the main characters had similar names, names that all started with the letter T. Something like, Taggart, Taylor, and Trevayne. I was …

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Category: Craft, Creativity, Genre, Writing Craft

Help Save the 2021 Mount Hermon Christian Writers Conference

By Steve Laubeon July 13, 2020
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As you may know, the 2020 Mount Hermon Christian Writers Conference was canceled due to COVID-19, ending 50 years of continuous operation. In addition, the Mount Hermon organization decided they could no longer sponsor the event moving forward. Just like that, the longest-running Christian Writers Conference ended. We’ve been asked to stand in the gap and save the conference, running it as …

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Category: Conferences

Responding to Criticism

By Tamela Hancock Murrayon June 18, 2020
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When someone tells me she’s not sure she wants me to read her manuscript, I know she’s not ready for publication. Such sentiment shows a lack of confidence and a fear of both rejection and criticism. Even though readers usually treat writers with respect, a critical word can puncture the heart.

Imagine the wounds delivered on Internet sites such as Amazon from readers who lack that respect. A …

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Category: Book Business, Career, Social Media, The Writing Life, Writing CraftTag: Book Business, Criticism, Rejection, Writing Craft

Multigenre Writing: Good or Bad Idea?

By Bob Hostetleron June 10, 2020
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One of this blog’s readers recently directed the following question to me: You’ve been a successful writer in several genres. Is that possible for someone starting out today? I could debate the accuracy of the adjective “successful,” but I’ll let that slip for now. It’s true that I have written and published books in a variety of genres (I was a writer long before becoming an agent and …

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Category: Career, Creativity, The Writing Life

Barriers to Effective Communication

By Steve Laubeon June 8, 2020
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By Steve Laube

It has been said that ninety percent of all problems in the universe are failures in communication. And the other ten percent are failures to understand the failure in communication. In the publishing business, or any business for that matter, this is so true. There are a couple common barriers to effective communication, assumption and expectation.

But I Assumed

Often …

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Category: Book Business, Career, Communication, Writing CraftTag: Communication, e-mail, Gossip, Internet Usage
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