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Home » Book Proposals » Page 11

Book Proposals

First Lines Are Kinda Important

By Bob Hostetleron January 29, 2020
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“It was a cold day in April and the clocks were striking thirteen.”

That arresting line begins one of the most famous novels of the twentieth century: George Orwell’s 1984.

The first sentence of any article or book is kinda important, even if it’s borrowed, like the first line of this blog post. Your first sentence should be well-written and striking, intriguing, promising, and/or inviting. It should draw in the reader like a carnival barker’s pitch or a Buzzfeed headline.

Some of the most famous lines in literature are opening sentences, such as “Call me Ishmael” (Moby Dick) and “It was the best of times, it was the worst of times” (A Tale of Two Cities).

To give you great examples and (one can hope) inspire your future first lines, below are eighteen opening lines. Can you identify the book and author? (Here’s a hint: All but two are from novels, and one is from an acclaimed children’s book).

  1. The cold passed reluctantly from the earth, and the retiring fog revealed an army stretched out on the hills, resting.
  1. Midway on this life’s journey I entered a dark wood.
  1. Whether I shall turn out to be the hero of my own life, or whether that station will be held by anybody else, these pages must show.
  1. It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife.
  1. If you really want to hear about it, the first thing you’ll probably want to know is where I was born, and what my lousy childhood was like, and how my parents were occupied and all before they had me, and all that David Copperfield kind of crap, but I don’t feel like going into it, if you want to know the truth.
  1. Through the fence, between the curling flower spaces, I could see them hitting.
  1. On Friday noon, July the twentieth, 1714, the finest bridge in all Peru broke and precipitated five travelers into the gulf below.
  1. In my younger and more vulnerable years my father gave me some advice that I’ve been turning over in my mind ever since.
  1. He was an inch, perhaps two, under six feet, powerfully built, and he advanced straight at you with a slight stoop of the shoulders, head forward, and a fixed from-under stare which made you think of a charging bull.
  1. I wake to the drone of an airplane engine and the feeling of something warm dripping down my chin.
  1. Buck did not read the newspapers, or he would have known that trouble was brewing, not alone for himself, but for every tide-water dog, strong of muscle and with warm, long hair, from Puget Sound to San Diego.
  1. He was an old man who fished alone in a skiff in the Gulf Steam and he had gone forty days now without taking a fish.
  1. He—for there could be no doubt about his sex, though the fashion of the time did something to disguise it—was in the act of slicing at the head of a Moor which swung from the rafters.
  1. By the time Eustace Conway was seven years old, he could throw a knife accurately enough to nail a chipmunk to a tree.
  1. Miss Brooke had that kind of beauty that seems to be thrown into relief by poor dress.
  1. The towers of Zenith aspired above the morning mist; austere towers of steel and cement and limestone, sturdy as cliffs and delicate as silver rods.
  1. When Gregor Samsa woke up one morning from unsettling dreams, he found himself changed in his bed into a monstrous vermin.
  1. “Where’s Papa going with that ax?”

 

 

Answers: (1) Stephen Crane, The Red Badge of Courage; (2) Dante Alighieri, The Divine Comedy; (3) Charles Dickens, David Copperfield; (4) Jane Austen, Pride and Prejudice; (5) J. D. Salinger, Catcher in the Rye; (6) William Faulkner, The Sound and the Fury; (7) Thornton Wilder, The Bridge of San Luis Rey; (8) F. Scott Fitzgerald, The Great Gatsby; (9) Joseph Conrad, Lord Jim;  (10) James Frey, A Million Little Pieces; (11) Jack London, The Call of the Wild; (12) Ernest Hemingway, The Old Man and the Sea; (13) Virginia Woolf, Orlando; (14) Elizabeth Gilbert, The Last American Man; (15) George Eliot, Middlemarch; (16) Sinclair Lewis, Babbitt; (17) Franz Kafka, The Metamorphosis; (18) E. B. White, Charlotte’s Web.

 

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Category: Book Proposals, Writing Craft

Is Signing with an Agent Your New Year’s Resolution?

By Tamela Hancock Murrayon January 9, 2020
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If you are currently without representation, signing with a fantastic agent is an excellent resolution to make! Here are some ideas to consider as you prepare to approach agents: Visit agency websites. Ask yourself: Does the agency have a website, such as www.stevelaube.com? Does the website appear professional? Is it easy to navigate? On the sites that list their clients such as we do, do you see …

Read moreIs Signing with an Agent Your New Year’s Resolution?
Category: Book Proposals, Career

Answers to Recent Questions from Clients

By Tamela Hancock Murrayon December 18, 2019
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In the course of a normal work week—if any of my work weeks can be called “normal”—I get asked a question or two. Or fifty. And, while there are no stupid questions, or so I was told by my second-grade teacher, Mrs. Hoffmann, some questions prompt more illuminating answers than others do. So I’ve picked a few that clients and others have asked recently, along with my answers (cleaned up a bit, …

Read moreAnswers to Recent Questions from Clients
Category: Book Proposals, Career, The Writing Life

Who’s Your Book For?

By Bob Hostetleron December 11, 2019
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A critical part of writing a good book—and a good pitch or proposal for a book—is defining your book’s audience. We all know, of course, that you shouldn’t try to write a book “for everyone.” But your book’s audience can be an elusive target. I suggest three distinct and mutually exclusive phases for the process, which apply primarily to nonfiction but could also be kept in mind for various forms …

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Category: Book Proposals, Marketing, Pitching, The Writing Life

What Caught My Eye

By Steve Laubeon November 18, 2019
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Last week we talked about the hook, the sound bite, or the ability to "say it in a sentence." One reader asked for examples so I thought I'd give you a few.

Below are the short pitches of proposals that have caught my eye over the years from debut authors. Please realize that the sound bite is only one of many factors that goes into a great proposal. Ultimately it is the execution of the …

Read moreWhat Caught My Eye
Category: Book Proposals, Pitching, Writing CraftTag: Pitching

Write Like Paul

By Bob Hostetleron November 13, 2019
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Somerset Maugham wrote, “There is an impression abroad that everyone has it in him to write one book; but if by this is implied a good book the impression is false” (The Summing Up). Far be it from me to add to Maugham’s words, but I’m going to. So I guess it be not far from me, after all. I would say that many people (maybe not everyone) have a book in them, but relatively few have a marketable …

Read moreWrite Like Paul
Category: Book Proposals, Encouragement, Get Published, Pitching, The Writing Life

I Have Plans to Write That Book

By Tamela Hancock Murrayon November 7, 2019
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Last week, I talked about a few reasons why I don’t plan to write a nonfiction book on style, mainly because I have no desire to develop a presence or platform as an expert on style. But what if you want to write a nonfiction book about a topic you know and love? Let’s look at the list, revised from last week, to help you decide if you should: Are you well-known outside of your immediate circle of …

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Category: Book Proposals, Branding, Marketing, Pitching, Platform, The Writing Life

Say It in a Sentence

By Steve Laubeon November 4, 2019
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Can you present your book idea in one sentence?

Can you present that idea in such a way that the reader is compelled to buy your book?

What motivates someone to spend money on a book? It is the promise that there is something of benefit to me, the reader.

Books are generally purchased for one of three reasons:

Entertainment
Information
Inspiration

If your book idea can make me …

Read moreSay It in a Sentence
Category: Book Proposals, Get Published, Marketing, Pitching, The Writing LifeTag: Marketing, Pitching, Trends, Writing Craft

Where Do You Get Your Ideas?

By Bob Hostetleron September 4, 2019
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“Where do you get your ideas?” This question was reportedly posed to Stephen King at a writers conference in New England. His answer may seem harsh, but it’s illuminating: “If you have to ask, don’t become a writer.” Most working writers have little trouble coming up with ideas. In fact, most have more ideas for writing projects than they could possibly complete in a lifetime. Ideas can come from …

Read moreWhere Do You Get Your Ideas?
Category: Book Proposals, Career, Inspiration, The Writing Life

Should I Write Genre Fiction for an Established Line?

By Tamela Hancock Murrayon August 8, 2019
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Sadly, Heartsong Presents is no more (shut down in 2014). It was a very popular line of Christian romance novels published by Barbour Publishing. However, when I was a young mother with school-aged children, I appreciated the fact that I didn’t have to market my books when I wrote for Heartsong. Instead, Barbour mailed books to subscribed readers every month. The books sold themselves. They did …

Read moreShould I Write Genre Fiction for an Established Line?
Category: Book Business, Book Proposals, Get Published, Romance, Romantic Suspense, The Writing Life, Trends
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