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Home » Writing Craft » Page 27

Writing Craft

First Lines Are Kinda Important

By Bob Hostetleron January 29, 2020
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“It was a cold day in April and the clocks were striking thirteen.”

That arresting line begins one of the most famous novels of the twentieth century: George Orwell’s 1984.

The first sentence of any article or book is kinda important, even if it’s borrowed, like the first line of this blog post. Your first sentence should be well-written and striking, intriguing, promising, and/or inviting. It should draw in the reader like a carnival barker’s pitch or a Buzzfeed headline.

Some of the most famous lines in literature are opening sentences, such as “Call me Ishmael” (Moby Dick) and “It was the best of times, it was the worst of times” (A Tale of Two Cities).

To give you great examples and (one can hope) inspire your future first lines, below are eighteen opening lines. Can you identify the book and author? (Here’s a hint: All but two are from novels, and one is from an acclaimed children’s book).

  1. The cold passed reluctantly from the earth, and the retiring fog revealed an army stretched out on the hills, resting.
  1. Midway on this life’s journey I entered a dark wood.
  1. Whether I shall turn out to be the hero of my own life, or whether that station will be held by anybody else, these pages must show.
  1. It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife.
  1. If you really want to hear about it, the first thing you’ll probably want to know is where I was born, and what my lousy childhood was like, and how my parents were occupied and all before they had me, and all that David Copperfield kind of crap, but I don’t feel like going into it, if you want to know the truth.
  1. Through the fence, between the curling flower spaces, I could see them hitting.
  1. On Friday noon, July the twentieth, 1714, the finest bridge in all Peru broke and precipitated five travelers into the gulf below.
  1. In my younger and more vulnerable years my father gave me some advice that I’ve been turning over in my mind ever since.
  1. He was an inch, perhaps two, under six feet, powerfully built, and he advanced straight at you with a slight stoop of the shoulders, head forward, and a fixed from-under stare which made you think of a charging bull.
  1. I wake to the drone of an airplane engine and the feeling of something warm dripping down my chin.
  1. Buck did not read the newspapers, or he would have known that trouble was brewing, not alone for himself, but for every tide-water dog, strong of muscle and with warm, long hair, from Puget Sound to San Diego.
  1. He was an old man who fished alone in a skiff in the Gulf Steam and he had gone forty days now without taking a fish.
  1. He—for there could be no doubt about his sex, though the fashion of the time did something to disguise it—was in the act of slicing at the head of a Moor which swung from the rafters.
  1. By the time Eustace Conway was seven years old, he could throw a knife accurately enough to nail a chipmunk to a tree.
  1. Miss Brooke had that kind of beauty that seems to be thrown into relief by poor dress.
  1. The towers of Zenith aspired above the morning mist; austere towers of steel and cement and limestone, sturdy as cliffs and delicate as silver rods.
  1. When Gregor Samsa woke up one morning from unsettling dreams, he found himself changed in his bed into a monstrous vermin.
  1. “Where’s Papa going with that ax?”

 

 

Answers: (1) Stephen Crane, The Red Badge of Courage; (2) Dante Alighieri, The Divine Comedy; (3) Charles Dickens, David Copperfield; (4) Jane Austen, Pride and Prejudice; (5) J. D. Salinger, Catcher in the Rye; (6) William Faulkner, The Sound and the Fury; (7) Thornton Wilder, The Bridge of San Luis Rey; (8) F. Scott Fitzgerald, The Great Gatsby; (9) Joseph Conrad, Lord Jim;  (10) James Frey, A Million Little Pieces; (11) Jack London, The Call of the Wild; (12) Ernest Hemingway, The Old Man and the Sea; (13) Virginia Woolf, Orlando; (14) Elizabeth Gilbert, The Last American Man; (15) George Eliot, Middlemarch; (16) Sinclair Lewis, Babbitt; (17) Franz Kafka, The Metamorphosis; (18) E. B. White, Charlotte’s Web.

 

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Category: Book Proposals, Writing Craft

The Editorial Process

By Tamela Hancock Murrayon January 27, 2020
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It is important to understand the process through which a book takes under the umbrella called “The Edit.” I meet many first timers who think it is just a one-time pass over their words and that is all that will ever happen. And many who self-publish think that hiring a high school English teacher to check for grammar is enough of an edit.

There are four major stages to the Editorial Process. …

Read moreThe Editorial Process
Category: Editing, Get Published, Publishing A-Z, Self-Publishing, The Writing Life, Writing CraftTag: Agents, Editors, Grammar, Proposals, Writing Craft

Floating … Floating … Gone …

By Tamela Hancock Murrayon January 23, 2020
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Writers conferences and blogs talk about this topic often so I don't pretend to be breaking new ground with this post. Yet I still see some floating body parts and cliches creep into otherwise great stories. No, I don't mean murder mysteries depicting a stray arm floating in a river. I mean much gentler fare.

Yes, floating body parts offer the reader -- and writer -- shortcuts. But relying on …

Read moreFloating … Floating … Gone …
Category: Craft, Writing CraftTag: Craft, Grammar, Tamela, Writing Craft

The Stages of Editorial Grief

By Steve Laubeon January 20, 2020
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Nearly every writer will tell you they have experienced the proverbial “red pen” treatment from their editor. The reactions to this experience can follow the well-known stages of grief popularized by Elizabeth Kubler-Ross.

Skip Denial, I’m Angry!

There is no denying that the edits have arrived. And for the author who was not expecting a hard-nosed edit, they can transition from …

Read moreThe Stages of Editorial Grief
Category: Editing, Writing CraftTag: Agents, Editors, Grief, Writing Craft

Tag, You’re It!

By Tamela Hancock Murrayon December 12, 2019
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One of the most common habits I see burdening stories is overemphasis on conversational tags, which goes hand in hand with not making good use of action tags. Here's an example I just made up:

"No," she exclaimed. She looked at the the pot of stew bubbling the stove and saw red juice splattering. She began to stir.

Unable to resist multitasking, I demonstrated several bad habits in the above …

Read moreTag, You’re It!
Category: Craft, Writing CraftTag: Craft, Dialogue tags, Grammar, Tamela, Writing Craft

How Do You Measure Success?

By Steve Laubeon December 9, 2019
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by Steve Laube

A few years ago while talking to some editors they described an author who was never satisfied (not revealing the name of course). It this author's latest book had sold 50,000 copies the author wondered why the publisher didn't sell 60,000. And if it sold 60,000 why didn't it sell 75,000? The author was constantly pushing for "more" and was incapable of celebrating any measure of …

Read moreHow Do You Measure Success?
Category: Book Business, Career, TrendsTag: Book Business, Career, Money, Success

Never Burn a Bridge!

By Steve Laubeon December 2, 2019
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The sale of Thomas Nelson to HarperCollins and last week's sale of Heartsong to Harlequin brought to mind a critical piece of advice:

Never Burn a Bridge!

Ours is a small industry and both editors and authors move around with regularity. If you are in a business relationship and let your frustration boil into anger and ignite into rage...and let that go at someone in the publishing company, …

Read moreNever Burn a Bridge!
Category: Agency, Book Business, Book Business, Career, Communication, Rejection, The Publishing Life, The Writing Life, TheologyTag: Agents, Editors, Get Published, Rejection, Trends, Writing Craft

Stop. Just Stop (Doing These Things)

By Bob Hostetleron November 20, 2019
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All editors and agents have a few pet peeves. Some of us have more than a few. In my case, it’s a virtual menagerie. So, while you may want to keep my OCD (obsessive-compulsive disorder), ODD (oppositional defiant disorder), and OCC (overly cantankerous condition) in mind as you read, please consider the following list of “things you should stop doing immediately and forever” if you’re writing for …

Read moreStop. Just Stop (Doing These Things)
Category: Grammar, The Writing Life, Writing Craft

What Caught My Eye

By Steve Laubeon November 18, 2019
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Last week we talked about the hook, the sound bite, or the ability to "say it in a sentence." One reader asked for examples so I thought I'd give you a few.

Below are the short pitches of proposals that have caught my eye over the years from debut authors. Please realize that the sound bite is only one of many factors that goes into a great proposal. Ultimately it is the execution of the …

Read moreWhat Caught My Eye
Category: Book Proposals, Pitching, Writing CraftTag: Pitching

To Romance or Not to Romance

By Tamela Hancock Murrayon November 14, 2019
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According to St. Teresa of Avila’s biography, the battle over romance novels has been going on at least since the 1500s:

Teresa's father was rigidly honest and pious, but he may have carried his strictness to extremes. Teresa's mother loved romance novels but because her husband objected to these fanciful books, she hid the books from him. This put Teresa in the middle -- especially since she …

Read moreTo Romance or Not to Romance
Category: Genre, Romance, Trends, Writing CraftTag: Ideas, Romance, Tamela, Trends, Writing Craft
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