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The Steve Laube Agency

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Nagging Grammar Questions

By Bob Hostetleron October 14, 2020
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Some time ago I asked my clients what publishing terms or concepts they wished someone would define or explain for them. I covered some of those in my September 16 post on this site. Some, however, asked for help with some nagging grammar questions. (We all—even the most accomplished—have such questions.) So I was going to answer them, but then I thought, Why not ask my friend, editor, and grammar nerd Nancy Lohr to do the actual work? Not that I’m afraid of work; I just avoid it whenever possible. So, let me steal—er, borrow from—her expertise to answer these three questions my readers and clients have thrown at me:

Question 1: I never feel completely confident about when to use simple past tense and when to use past perfect. “I talked to Mary” or “I had talked to Mary”? Does past perfect always require a sequence of events, i.e., “I had talked to Mary before I left for the store”; otherwise, simple past will do, “I talked to Mary.” What about, “I talked to Mary, then I left for the store?” When is that troublesome “had” necessary?  

Answer: Of course you don’t feel confident. That’s because English is consistently inconsistent. I’ve even heard of authors and agents who want someone else to explain grammar for them, but I think you’ve got it. Here’s how I compare past and past perfect tenses.

Past tense simply refers to events that have already occurred: “It rained all night” or “I watched a movie yesterday.”

Past perfect tense (also called pluperfect if you want to sound as smart as Bob) refers to actions that occurred before a certain point in the past, so not only in the past, but also before a specific time in the past. The sentence will look like this: subject + “had” (the past tense of “to have”) + the past participle: “She had published five books before she turned thirty,” “A tree had fallen on our garage.”

So now you want to know what a past participle is—a verb form that typically ends in “-ed” and is used to form perfect and passive tenses.

E.g.—look=verb

looked=participle

Bottom line: If you need to indicate that something happened before a certain time, then you need past perfect. If you don’t, simple past tense is fine.

Here’s a bonus tense:
Historic (or historical) present tense is also called dramatic present or narrative present, and you have probably seen it. This is when present tense is used to narrate past events. So, for example, someone might write: “Paul hears footsteps on the stone passageway, and then the jailer calls out, ‘Paul! Silas! Are you still in there?’” This reads as if it’s present tense, but we know this took place long ago, so it could also be written in past tense with “Paul heard” and “the jailer called out.”

So, when do you use historic present tense or simple past tense? If you want to heighten the drama of the text or make it appear that events are unfolding at this moment, use the historic present. This is a conscious choice you need to make as a writer. Just stay consistent. If you toggle back and forth between tenses, you’ll give your reader literary whiplash.

Question 2: I can never seem to wrap my brain around what a past participle is. I think I know, but ask me to define it, and I’m always stumped on a good, clear answer. 

Answer to #2: Good thing we talked about past participles above, right? They’re verbs that end in “–ed” and are used to form the past perfect tense. I don’t want to speak for Bob, but he would probably want me to add that the past participle forms the past perfect tense in the active voice. It is also used to form all of the tenses in the passive voice.

Question 3: Tell me about gerunds—those pesky “–ing” words. I’ve heard they’ve fallen out of favor in today’s writing world. Why? Is it because they often travel with a tagalong passive partner that’s unnecessary and easily eliminated? “He was running,” instead of, “He ran.” What if you use an “–ing” word as a noun for sentence variety: “Turning the corner, he crashed into a little old lady coming from the other direction”? Is this bad? In or out? What’s the scoop on “–ing” words?

Answer to #3: In English, words are generally considered one part of speech. But with a modification or two, they can function as another part of speech as well. (Because we wouldn’t want this to be too easy, right?)

Gerunds are made by adding “–ing” to a verb and then using it as a noun.

E.g.—Let’s walk to the park. (walk=verb)
Walking is good exercise. (walking=gerund used as a noun, the subject of the sentence)

But who am I to say whether they have fallen out of favor? I just learned this week that periods at the end of a sentence can be considered hostile. I can’t keep up. I say, use gerunds accurately to add strength to your writing and adjust if your editor pushes back.

That’s exactly what I would’ve said if I’d felt like it. Thanks, Nancy. What about you? Are there nagging grammar questions about which—despite your many accomplishments and accolades—you still wonder? 

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Category: Writing CraftTag: Grammar

How to Get Out of the Slush Pile – With Deborah Raney

By Thomas Umstattd, Jr.on October 13, 2020
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You would like to think that as soon as you are done with your proposal and send it off to an agent that he or she is sitting there by the inbox ready to read it as soon as it comes in. If only. Before email became the submission method, agents and acquisitions editors threw unsolicited proposals into a stack in the corner of the office called the slush pile. Then, once a month or so, they brewed …

Read moreHow to Get Out of the Slush Pile – With Deborah Raney
Category: The Writing Life

How to Get Out of the Slush Pile – With Deborah Raney

By Thomas Umstattd, Jr.on October 13, 2020
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You would like to think that as soon as you are done with your proposal and send it off to an agent that he or she is sitting there by the inbox ready to read it as soon as it comes in. If only. Before email became the submission method, agents and acquisitions editors threw […]
You can listen to this episode How to Get Out of the Slush Pile – With Deborah Raney on Christian Publishing Show.

Read moreHow to Get Out of the Slush Pile – With Deborah Raney
Category: The Writing Life

What if You Get a Book Deal on Your Own and Then Want an Agent?

By Steve Laubeon October 12, 2020
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One of our readers asked this via the green “Ask us a question” button.
What happens if you get a book contract before you have an agent? What if, by some miracle, an editor sees your work and wants to publish it? (1) would having a publisher interested in my work make an agent much more likely to represent me, and (2) would it be appropriate to try to find an agent at that point (when a …

Read moreWhat if You Get a Book Deal on Your Own and Then Want an Agent?
Category: Agents, Book Business, Conferences, Contracts, Get Published, SteveTag: Agent, Conferences, Contracts, negotiations, publishers

Fun Fridays – October 9, 2020

By Steve Laubeon October 9, 2020
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Is this a video of me when visiting a bookstore? Maybe it is a video of all booklovers? Substitute paint samples with books, and the face will look the same! Enjoy! [If you cannot see the embedded video in your newsletter email, please click the headline and go directly to our site to view it.]

Read moreFun Fridays – October 9, 2020
Category: Fun Fridays

How Do I Know It Is Ready to Submit?

By Tamela Hancock Murrayon October 8, 2020
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The “Your Questions Answered” Series __________ I’m a 78-year-old psychotherapist in a psychiatric practice and have been doing some writing for patients over the years. My question is, “How do you know when an article or book possibility is developed and written well enough to send to an agent?” As an agency, we don’t represent articles, so I’ll confine my remarks to books. The …

Read moreHow Do I Know It Is Ready to Submit?
Category: Book Proposals, Your Questions Answered Series

A Writer’s Fears (a prayer)

By Bob Hostetleron October 7, 2020
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Save me from fear, Lord.Give me courage to write;make me “bold in our God” (1 Thessalonians 2:2) to write for you,whatever the obstacles or blockages the Enemy may throw in my way. Save me from the fear of rejection;let me write today for your approval first and foremost,and if I receive it, let me be satisfied with it. Save me from the fear of inadequacy;remind me that “all my springs are in you” …

Read moreA Writer’s Fears (a prayer)
Category: Personal, Theology

476 Ways to Avoid Writing “Said”

By Steve Laubeon October 5, 2020
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The folks over at ProofreadingServices.com created the incredible infographic below. Four hundred and seventy-six alternatives to the word “said.” Take care not to use all 476 in your manuscript! Very often “said” is all that is needed. In fact, overusing alternatives can weigh your manuscript down unnecessarily. However, I do hope that having this handy dandy chart at your …

Read more476 Ways to Avoid Writing “Said”
Category: Writing CraftTag: Grammar

Fun Fridays – October 2, 2020

By Steve Laubeon October 2, 2020
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You thought the Lang Lang piano video was amazing the other week? Watch this one by Denis Matsuev. I’m exhausted watching the inhuman speed with which he plays. The sheer muscle memory is breathtaking since I’m not anyone who could actually think that fast to make their fingers become a blur. Be inspired that, with lots of hard work and lots of practice and a lifetime of mistakes, you, …

Read moreFun Fridays – October 2, 2020
Category: Fun Fridays

A Self-Editing Checklist

By Tamela Hancock Murrayon October 1, 2020
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The “Your Questions Answered” Series __________ How about more tips on some of the pitfalls of writing? What are things to look for when you are self-editing? Here is a short list: Grammar. Most people seem to have fallen asleep during the class on plural possessives, for example. Its and it’s can throw a reader. Weasel words: Look for terms that bog down your writing without adding impact. Those …

Read moreA Self-Editing Checklist
Category: Editing, Writing Craft, Your Questions Answered Series
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