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The Steve Laube Agency

Helping to Change the World…Word by Word

The Steve Laube Agency

The Steve Laube Agency

Helping to Change the World Word by Word

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Home » Pitch » Page 2

Pitch

Books, Hooks, and Good Looks

By Bob Hostetleron September 30, 2021
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I love hooks.

As a writer, I work hard on my hooks. When I was a magazine editor, the hook was often the best way for a writer to make a good first impression on me. And now, for me as a literary agent, the hook is the first and one of the most important criteria I use in evaluating a book pitch, proposal, or manuscript. A good book hook will often prompt me to give a project a more careful, hopeful look.

But some people really struggle with hooks. Some don’t even fully understand what a hook is. And that’s often not their fault, as hook is a fairly flexible term in the writing and publishing world. Editors, agents, and writers often use it to refer to several similar but different things.

Briefly, hook can mean:

  • The overall unique appeal of an article or book
  • The short, punchy summary of a book idea in a query or book proposal
  • The first page, paragraph, or sentence of an article, story, or book

So, to illustrate the first definition: You meet a big, fancy, famous editor at a baseball game; and when she finds out you’re working on a book manuscript, she asks, “What’s your hook?” You say, “It’s an Amish romance in which the male protagonist is a zombie.” That’s a hook. It may not be a good one, but it’s a hook.

In the second case, it’s usually only a few sentences (or even a few words) that compellingly crystallize your book. I like it when the hook is at the very beginning of the proposal, and I also like it when it sounds like a movie trailer: “One woman. One man. Unforgiving wilderness.” Okay, so that may be a bit cliché; but you get the idea.

Finally, you read the third kind of hook all the time. For example, the first line of 1984: “It was a bright cold day in April, and the clocks were striking thirteen.” That’s a hook. Or the first paragraph of Annie Dillard’s The Writing Life: “When you write, you lay out a line of words. The line of words is a miner’s pick, a woodcarver’s gouge, a surgeon’s probe. You wield it, and it digs a path you follow. Is it a dead end, or have you located the real subject? You will know tomorrow, or this time next year.”

See? A hook is called a “hook” because it hooks the reader like a fish and reels him or her in. It captures interest and compels him or her to keep reading.

And, for writers who can deliver on the promise of the hook, it often leads to fame and fortune.

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Category: Book Business, Book Proposals, Career, Get Published, Pitch, Pitching, Platform, Self-Publishing, Social Media, The Writing Life

Start with Your Winning Argument

By Tamela Hancock Murrayon September 23, 2021
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A few years ago, I received a call from someone who otherwise never contacts me. “You need to pay expenses for Dick and Jane. They’ve done so much for us!” Dick and Jane had done a lot for the caller, but they had done nothing for anyone I love. While I’m not so coldhearted as to hang up the phone based on this flawed opening, the caller had opened with an unconvincing pitch. Writers can make the …

Read moreStart with Your Winning Argument
Category: Book Proposals, Marketing, Pitch, Pitching

The Art of the Soft-Sell

By Dan Balowon April 14, 2021
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“How you sell is more important than what you sell.”– Andy Paul (author, speaker, podcaster) Whether you are traditionally published, self-published, desire-to-be-published, or whatever other combination resides between traditional and self-publishing, you are involved in the lively art of selling. Trying to convince an agent to represent you? Trying to convince a publisher to publish your book? …

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Category: Pitch, The Writing Life

Why Is the Book Proposal So Important?

By Steve Laubeon April 12, 2021
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This question has been raised many times: “Why do I have to jump through your hoops to create a proposal only to have it rejected with a form letter?” It’s a Job Application Your proposal is, in essence, an application to have a business (corporate or sole proprietor) to pay you to publish your book, to spend their money on your work in a effort to create a profitable product. …

Read moreWhy Is the Book Proposal So Important?
Category: Book Proposals, Pitch, Pitching

A Common Platform Mistake

By Bob Hostetleron April 7, 2021
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Some time ago I received a submission that went something like this (names and details have been changed to protect the innocent, guilty, and all those in between): I’ve published three successful nonfiction books. All three, in the area of business and leadership, are still selling very well. One of them, coauthored with Bill Gates (with a foreword by Warren Buffett), reached bestseller status …

Read moreA Common Platform Mistake
Category: Book Proposals, Pitch, Pitching

Selling Your Opinion

By Tamela Hancock Murrayon December 3, 2020
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After perusing several nonfiction books recently, I realized that authors are pitching opinions. So, as a nonfiction author, it’s your job to convince editors–and by extension, readers–why anyone should care about your advice over the wisdom of competing authors. Education: Have you completed schooling that contributes to your knowledge? If I want a book on Ancient Egypt, …

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Category: Book Proposals, Pitch, Pitching

Say the Right Thing

By Bob Hostetleron December 2, 2020
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Writers use words well. That may seem obvious, but—judging from some of the submissions I get from aspiring writers—it’s worth stating. Sure, one man’s métier is another man’s poison, but I’m regularly amazed at the ability of some writers to write the wrong word, so to speak, in submitting work to a literary agent, even one as gracious and forgiving as I am. That last part was meant to be …

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Category: Book Proposals, Communication, Pitch, Pitching, Rejection

A Writer’s “Voice”

By Bob Hostetleron October 28, 2020
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A couple months ago I asked some of my clients if there are terms they hear in writing and publishing that they wish someone would clearly and conclusively define. One said this: “Professionals say, ‘Find your voice,’ ‘Trust your voice,’ ‘Embrace your voice.’ I can recognize another writer’s voice, but I can’t for the life of me describe mine. Is ‘your voice’ something someone else has to describe …

Read moreA Writer’s “Voice”
Category: Craft, Creativity, Editing, Get Published, Pitch, Pitching, Writing CraftTag: voice, writing voice

How Do You Know It’s Something That Will Be Published?

By Steve Laubeon July 6, 2020
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A common question we agents get is “How to you know?” Or as Bob Hostetler put it, “When you know, how do you know?” The answer is extremely subjective. And each agent, just like a consumer, will see an idea or read a book differently. After thinking about this question, I believe it comes down to three things. Instinct For me it is an instinct that comes from reading …

Read moreHow Do You Know It’s Something That Will Be Published?
Category: Agency, Agents, Book Proposals, Get Published, Pitch, Pitching, Rejection, The Publishing Life, The Writing Life

Why Is Writing a Hook So Hard for Me?

By Bob Hostetleron May 22, 2019
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I love hooks. As a writer, I work hard on my hooks. As a magazine editor, the hook was often the best way for a writer to make a good first impression on me. And, as an agent, the hook is the first and one of the most important criteria I use in evaluating a book pitch, proposal, or manuscript. “Hook” is a fairly flexible term in writing and publishing. It can mean: The overall unique appeal of an …

Read moreWhy Is Writing a Hook So Hard for Me?
Category: Book Proposals, Marketing, Pitch, The Writing Life
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