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Home » Writing Craft » Page 16

Writing Craft

The Myth of the Unearned Advance

By Steve Laubeon September 12, 2022
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[I wrote much of this article back in 2011. Upon review, I stand by the analysis. I’ve left the past comments to accentuate the discussion.]

______________

A common myth permeating the industry is that a book is not profitable if the author’s advance does not earn out. I would like to attempt to dispel this myth.

First, let’s define the term “advance.” When a book contract is created between a traditional publisher and an author, the author is usually paid an advance. This is like getting an advance against your allowance when you were a kid. It isn’t an amount that is in addition to any future earnings from the sale of the book. Instead, like that allowance, it is money paid in advance against all future earnings; and it must therefore be covered by royalty revenue (i.e., earned out) before any new royalty earnings are paid.

The advance is usually determined by a series of assumptions that the publisher makes with regard to the projected performance of each title. The publisher hopes/plans that the book will earn enough royalty revenue to cover the advance within the first year of sales.

A New York Times essay casually claimed “the fact that 7 out of 10 titles do not earn back their advance.” Of course, they did not cite a source for that “fact.” But I have seen it quoted so often that it must be true! (But it isn’t.) The implication then is that a book isn’t profitable if it doesn’t earn out its advance. The publisher overpaid and has lost money. The author is the happy camper who is counting their cash gleefully celebrating the failure of their publisher to project sales correctly.

Let me try to explain why that isn’t always true. And to do so means we have to do math together. This may be a little complicated, but realize that these calculations are critical; and each publisher runs this kind of Profit & Loss scenario on your books. To dismiss this conversation and claim you “don’t do math” is to ignore the lifeblood of your profession.

Realize that this is a generic model. Each number below fluctuates from title to title. That is the weakness of the exercise, but bear with me.

Assumptions:

Advance paid to the author: $10,000
Retail price: $13.00 (paperback)
Net price: $6.50 (what the publisher receives when they sell the book to dealers, big-box retailers, distributors, etc.)
Copies sold: 10,000

Scenario one: Author earns 14% of net for each book sold. ($6.50 net x 14% of net royalty x 10,000 sold).
Thus, after selling 10,000 copies, the author has earned $9,100, leaving $900 of the advance unearned.

Scenario two: Author earns 16% of net for each book sold ($6.50 net x 16% of net royalty x 10,000 sold).
Thus, after selling 10,000 copies, the author has earned $10,400. The publisher writes a royalty check to the author for $400, the amount above the original advance.

The myth says that scenario one equates to a failed and unprofitable book, while scenario two is a profitable book. But wait! Let’s do some more math.

New assumptions (remember these are all estimates based solely on this scenario):

BOTH scenarios have the publisher making the same amount of revenue. ($6.50 net x 10,000 sold.) Both scenarios generated $65,000 in net revenue for the publisher.

To determine profitability, we have to subtract costs.

Fixed costs:

Editorial expense: $8,000 (includes all stages of the editorial process)
Design (typesetting/cover): $4,000
Printing and warehousing:  $15,000 (the approximate cost of printing 12,000 copies)
Marketing and PR: $10,000 (an average of $1 per book)
Administrative costs: $13,000 (20% of the net revenue)
Advance paid to the author: $10,000
TOTAL COSTS: $60,000

Profit for the publisher: $5,000 (or 7.7% of revenue before tax) or the $65,000 in revenue minus the $60,000 of total costs.

Are you with me so far?

Now watch this.

Scenario one (with the unearned advance still on the books) has a profit of $5,000 for the publisher.

Scenario two (pays the author $400 for earnings beyond the advance) has a profit of $4,600 for the publisher.

In this comparison, it is the book that didn’t earn out the advance that actually makes more money for the publisher!

Why? Because scenario one pays a lower royalty per book sold. The advance itself has NOTHING to do with it. The advance is a fixed cost that is covered by the revenue generated by the publisher.

_____

Pause and reflect on that for a moment.

_____

The advance is a cost of acquisition. If that cost of acquisition in the above scenario were $50,000, of course neither scenario would have been profitable because sales would not have been enough to cover all the costs. And, it is likely, that if there were a $50,000 advance, the publisher would have spent more on marketing and PR.

So this is not an argument for bigger advances. Instead, it is an attempt to show, albeit using controlled statistics, that an unearned advance does not necessarily equate to the failure of a book.

So, when is a book profitable if there is a bigger advance?

Let me do one more set of numbers to illustrate:

Assumptions:

Advance paid to the author: $75,000
Retail price: $13.00 (paperback)
Net price: $6.50
Copies sold: 45,000
TOTAL NET REVENUE ($6.50 net x 45,000 sold): $292,500.

Fixed costs:

Editorial expense: $8,000
Design (typesetting/cover): $4,000
Printing and warehousing:  $55,000 (the approximate cost of printing 50,000 copies)
Marketing and PR: $75,000
Administrative costs: $58,500 (20% of the net revenue)
Advance paid to author: $75,000
TOTAL COSTS: $275,500

Profit for the publisher: $17,000 (or 5.8% of revenue before tax)

If you are an experienced person from the publishing side of the table, it is obvious that this is a generic scenario that has only an echo of reality. For example, the net revenue for a publisher is usually less than the 50% of retail that I used above. That is because distributors and specialty vendors (like the book racks you see in the airport) command a much higher discount off the retail. Thus, the true picture is highly complex. And we didn’t even touch on ebooks or ebook sales or royalties here. This exercise is merely to show a business model where the advance is a fixed cost, not a cost that has to be earned out for the book to be profitable.

In the above case, a book with a $75,000 advance makes money after only 45,000 copies are sold.

So, what do you think? Is the math realistic? Does it make sense? What are the implications (either to the publisher or the author)?

 

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Category: Book Business, Career, Money, Writing CraftTag: Agents, Book Business, Contracts, Get Published, Money, Traditional Publishing

Food vs. Medicine Books

By Dan Balowon September 7, 2022
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Even though this topic could be applicable to just about any type of book, we’ll be looking at those in the Christian publishing category today. Categorizing books has been part of publishing for a very long time. Officially, there are over four dozen primary book categories designated by the BISAC coding system, which spin off to thousands of subcategories. For example, one of the primary …

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Category: Book Business, Christian, Creativity, Theology

Grammar Refresh

By Tamela Hancock Murrayon August 31, 2022
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By popular demand, here is another grammar refresh. Lie/Lay “Lay” means to place something, whereas “lie” means that the object of the sentence can lie on its own. I will lay my blanket on the bed before I lie down. A trick I use to distinguish between these quickly is to use the word “place” as a substitute. If you can say “place” then you can say lay. If not, then it’s lie. I will place my …

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Category: Grammar, Writing Craft

7 Tips for Pitching Your Idea

By Steve Laubeon August 29, 2022
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You have a chance to pitch your book idea to an editor or an agent at a conference. I’ve written about this before (see “That Conference Appointment”) but thought it may be helpful to come at the topic from a different direction. The pitch itself. These tips can help whether or not your appointment is virtual or in-person. 1. Relax. Seriously. Relax. This 15-minute appointment won’t make or break …

Read more7 Tips for Pitching Your Idea
Category: Book Proposals, Conferences, Pitching

G Is for Great

By Steve Laubeon August 8, 2022
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“There are a lot of good manuscripts out there. What we want are those which are great.” I’ve said this many times but thought I should elaborate. Please note the following information applies mostly to nonfiction projects. When it comes to the nonfiction books that attract major publishers, I believe the author must have at least two of three “great” things: Great Concept Great Writing Great …

Read moreG Is for Great
Category: Book Business, Craft, Creativity, Platform, Publishing A-Z, Writing CraftTag: Concept, Platform, Writing Craft

What Do You Read to Stay Informed?

By Steve Laubeon June 20, 2022
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I am occasionally asked to list the magazines, newsletters, and blogs I read to stay informed about our industry. It is a good question. But when I started compiling the list, I realized how ridiculously long it is. Therefore, I can only list selected highlights by type of media. Lest you get the wrong impression, realize I’m an eclectic reader who skims the surface of the waters gleaning …

Read moreWhat Do You Read to Stay Informed?
Category: Book Business, Reading, TrendsTag: Informed, Reading

Your After-Conference Checklist

By Tamela Hancock Murrayon June 16, 2022
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Since the conference season is in full swing, you may have just returned from a beautiful event of learning and fellowship. Or you may be planning to go to a conference soon. With that in mind, consider a checklist of what to do upon your return. 1.) Rest. Give yourself at least a day after travel to refresh and relax. I realize very few authors take this advice, but I offer it all the same. …

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Category: Conferences

Hints for a Great Cover Letter

By Steve Laubeon June 13, 2022
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[I originally posted this piece over 12 years ago. The information still holds true, but I suspect many have not found the necessary information elsewhere, so I dare post it again. I’ve left all the comments intact since they add to the ongoing conversation. Feel free to add your thoughts.]] _________________________ Here are a few suggestions for you to consider when approaching an agent or …

Read moreHints for a Great Cover Letter
Category: Book Proposals, Get Published, Publishing A-Z, Writing CraftTag: book proposals, Cover Letter, Pitching

The Bronze Mirror

By Tamela Hancock Murrayon June 8, 2022
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I’m reading the HCSB Study Bible for Women with notes from Dorothy Kelley Patterson and Rhonda Harrington Kelley. The notes on Exodus 38:8 discuss how women donated bronze mirrors to build Temple basins for the priests. I thought, Bronze. That means they never saw themselves as we see ourselves. They only saw themselves through a yellow haze. I realize the Bible speaks of mirrors more than …

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Category: Craft, Inspiration

When You Hit the Wall of Discouragement

By Steve Laubeon June 6, 2022
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by Steve Laube
 
I recently received the following question from a client (an award winning author):
Is it common for an author to hit a wall of discouragement? To feel as though they're working so hard for so little? To question why they're doing this?

Unfortunately it is quite common. Doesn't mean it aches any less. Sort of like getting old…everyone does and it aches, but it is a common …

Read moreWhen You Hit the Wall of Discouragement
Category: Book Business, Career, Personal, Writing CraftTag: Career, Discouragement
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