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The Steve Laube Agency

Helping to Change the World…Word by Word

The Steve Laube Agency

The Steve Laube Agency

Helping to Change the World Word by Word

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Home » Pitching » Page 6

Pitching

Books, Hooks, and Good Looks

By Bob Hostetleron September 30, 2021
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I love hooks.

As a writer, I work hard on my hooks. When I was a magazine editor, the hook was often the best way for a writer to make a good first impression on me. And now, for me as a literary agent, the hook is the first and one of the most important criteria I use in evaluating a book pitch, proposal, or manuscript. A good book hook will often prompt me to give a project a more careful, hopeful look.

But some people really struggle with hooks. Some don’t even fully understand what a hook is. And that’s often not their fault, as hook is a fairly flexible term in the writing and publishing world. Editors, agents, and writers often use it to refer to several similar but different things.

Briefly, hook can mean:

  • The overall unique appeal of an article or book
  • The short, punchy summary of a book idea in a query or book proposal
  • The first page, paragraph, or sentence of an article, story, or book

So, to illustrate the first definition: You meet a big, fancy, famous editor at a baseball game; and when she finds out you’re working on a book manuscript, she asks, “What’s your hook?” You say, “It’s an Amish romance in which the male protagonist is a zombie.” That’s a hook. It may not be a good one, but it’s a hook.

In the second case, it’s usually only a few sentences (or even a few words) that compellingly crystallize your book. I like it when the hook is at the very beginning of the proposal, and I also like it when it sounds like a movie trailer: “One woman. One man. Unforgiving wilderness.” Okay, so that may be a bit cliché; but you get the idea.

Finally, you read the third kind of hook all the time. For example, the first line of 1984: “It was a bright cold day in April, and the clocks were striking thirteen.” That’s a hook. Or the first paragraph of Annie Dillard’s The Writing Life: “When you write, you lay out a line of words. The line of words is a miner’s pick, a woodcarver’s gouge, a surgeon’s probe. You wield it, and it digs a path you follow. Is it a dead end, or have you located the real subject? You will know tomorrow, or this time next year.”

See? A hook is called a “hook” because it hooks the reader like a fish and reels him or her in. It captures interest and compels him or her to keep reading.

And, for writers who can deliver on the promise of the hook, it often leads to fame and fortune.

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Category: Book Business, Book Proposals, Career, Get Published, Pitch, Pitching, Platform, Self-Publishing, Social Media, The Writing Life

Start with Your Winning Argument

By Tamela Hancock Murrayon September 23, 2021
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A few years ago, I received a call from someone who otherwise never contacts me. “You need to pay expenses for Dick and Jane. They’ve done so much for us!” Dick and Jane had done a lot for the caller, but they had done nothing for anyone I love. While I’m not so coldhearted as to hang up the phone based on this flawed opening, the caller had opened with an unconvincing pitch. Writers can make the …

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Category: Book Proposals, Marketing, Pitch, Pitching

Should I Personalize My Query?

By Bob Hostetleron September 1, 2021
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I’m frequently surprised by the things other industry professionals say. That could mean I’m still (and always) learning. Or it could be an indication that such people are much smarter than I am. Nah, that can’t be it. I was recently a tad nonplussed to see a fellow literary agent state that the personalization of a query or cover letter or email was a waste of a writer’s time. I must …

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Category: Book Proposals, Pitching

It’s New to Them

By Tamela Hancock Murrayon August 4, 2021
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The other day, I was surprised to see an ad for a book published fairly recently regarding Kitty Genovese, a woman murdered as bystanders watched in Queens, New York, in 1964. This case was so notorious for its study of human behavior (Why would witnesses fail to act?) that people have analyzed the event for decades. Most adults know the name and reference without blinking. But what about younger …

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Category: Creativity, Inspiration, Pitching

Should I Time My Novel’s Release to a Past Event?

By Tamela Hancock Murrayon July 1, 2021
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Novelists often ask me about timing their stories to the anniversary of a significant historical event. As with most questions, no definitive right or wrong answer exists. Here are a few thoughts. Does the event capture the public’s imagination? Since most Americans make yearly plans for the July 4th holiday, that event can offer perennial plots for novelists. But to time a novel to celebrate the …

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Category: Book Proposals, Marketing, Pitching

The Back Cover Blurb

By Tamela Hancock Murrayon June 23, 2021
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Even in the age of online shopping, the back cover blurb is essential in helping a customer choose a book. When a reader decides between two books, the one with the best back cover copy often wins. When referring to the back cover, the reader wants to know the following: What does this book reveal? Why should I care? Nonfiction Of course, nonfiction covers a wide swath, including instructional, …

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Category: Book Proposals, Pitching, The Writing Life

How Long Should My Summary Be for a Novel?

By Tamela Hancock Murrayon June 10, 2021
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Writers often ask about the length of a book summary for a proposal. How long should it be? I can say: The summary should be as long as you need it to be. Your goal is to present your story so an editor will want to read the book and then make an offer to publish it. If you can write a compelling summary, that’s a gift you should not be shy to use. Here are a few more tips: Present your proposal …

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Category: Book Proposals, Pitching

A Literary Agent’s Wish List

By Bob Hostetleron May 27, 2021
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People often ask me, “What are you looking for?” It’s a natural question to ask a literary agent, even when the questioner knows that the agent has offered a detailed answer on the agency website (here, for example). After all, something could’ve changed. I may, since updating my interests, have suddenly decided to get bold, branch out, and try to sell a systematic theology in iambic pentameter. …

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Category: Agents, Book Proposals, Craft, Grammar, Pitching, Platform, The Publishing Life, The Writing Life

Spoiler Alert!

By Tamela Hancock Murrayon May 12, 2021
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Sometimes authors submit proposals that don’t reveal the ending of a novel. I’m the first to admit that a teaser will encourage a reader to buy a book. Once the reader has to know how the story ends, they’re hooked! Yes, agents are readers. However, when evaluating a novel for representation, we are marketers. Agents must consider if editors will be interested in the book. In turn, editors must …

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Category: Book Proposals, Pitching

Why Is the Book Proposal So Important?

By Steve Laubeon April 12, 2021
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This question has been raised many times: “Why do I have to jump through your hoops to create a proposal only to have it rejected with a form letter?” It’s a Job Application Your proposal is, in essence, an application to have a business (corporate or sole proprietor) to pay you to publish your book, to spend their money on your work in a effort to create a profitable product. …

Read moreWhy Is the Book Proposal So Important?
Category: Book Proposals, Pitch, Pitching
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