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The Steve Laube Agency

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Helping to Change the World Word by Word

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Home » Pitching » Page 12

Pitching

Agents Share Their Pet Peeves

By Bob Hostetleron November 8, 2017
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Agents are people, too.

Most literary agents, that is.

And, like most people, we have our highs and lows. Our problems. Our irritations. Our pet peeves.

I asked my fellow agents at The Steve Laube Agency to share their pet peeves with me for the purpose of this blog post. Boy, did that open a Pandora’s box.

Tamela Hancock Murray, the “ACFW agent-of-the-year” award-winning agent, agreed to come down from the mount where such personages dwell, at least long enough to play along. She said, “I had to give this some thought because writers are quite good about being respectful. I can’t call it a ‘pet peeve’ but the error I see surprisingly often is an issue with word count. Hardly a week goes by that my office doesn’t receive a submission of 30,000 words or 150,000 words. Unfortunately, these are lengths I can’t work with, at least not in the current market. To avoid submitting a manuscript that will garner an automatic rejection because of word count, please refer to the guidelines for the publishers you are targeting before approaching an agent.”

Dan Balow said that his pet peeves include writers who send him something they know he is not looking for, sometimes saying, “I know you said you weren’t looking for this type of book, but…” He also laments submissions that claim, “Your agency website says you are looking for _______,” when a more careful read of the website would reveal that we are not looking for this type of book listed. He says, “I am not sure what type of professional relationship could develop between me and an author if the author starts by paying no attention to my stated focus.”

Steve Laube says, “I don’t think I have ‘pet peeves,’ per se. But if I did, one might be writers calling the agency to pitch a book idea, which is never a good idea. Please follow the guidelines first. As a writer, it is your ability to express your idea in writing that is important. Not your elocution. Also, sending a link to your Amazon listing and asking me to buy a copy of the book that you are now pitching is simply not going to happen.”

Wow. Right? My own pet peeves seem to pale in light of those. But they include pitches for a “fiction novel” (pro tip: there is no other kind). And mass submissions that include the addresses of dozens of other agents in the email address field (send it to as many agents as you want, but one size does not fit all when pitching a book to an agent, and you’re only hurting yourself in ignoring that reality). And, like my colleagues, I frequently shake my head at writers who don’t take the time and effort to read the (free!) guidelines for submission (or utterly and obviously ignore them) before pitching a project. If an agent or agency tells you how to look good, why would you ignore that advice?

Unless, of course, your pet peeve is looking good.

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Category: Agents, Book Proposals, Get Published, Pitch, PitchingTag: Agency, Agents, Pet Peeves

The Damaged Author

By Dan Balowon May 16, 2017
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Anyone can easily identify a person who has been damaged by life and in need of help. The same is true with damaged authors. If you are in this category, writing about your experiences and the lessons learned can be both cathartic and spiritually fruitful, but taking a damaged-life perspective into the professional world of book publishing will rarely work for anyone. If you know someone who is …

Read moreThe Damaged Author
Category: Book Proposals, Encouragement, Faith, Get Published, PitchingTag: Encouragement, Get Published

At What Point Would an Agent be Interested in an Indie Author?

By Steve Laubeon April 10, 2017
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I am an indie author. I’ve written several novels, some of which have sold well and all of which have *at least* 4.7 stars. Is there a point at which an agent would want to talk to someone like me? When/why might I consider getting an agent? Thanks to Heather for the question! A number of factors play a role in answering this question. (Are you getting tired of my “it depends” answer to all your …

Read moreAt What Point Would an Agent be Interested in an Indie Author?
Category: Agents, Book Proposals, Indie, Pitching, Self-Publishing, The Publishing Life, The Writing LifeTag: Agents, Indie

Frustrated by Rejection or No Response? Try This

By Tamela Hancock Murrayon March 30, 2017
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Last week I wrote about authors who send agents submissions despite the fact those agents clearly state that they don’t represent those categories. When this happens, I sense one of three things from the author: exuberance, ignorance, or frustration. Exuberance An author who’s been successful for decades still can be exuberant about her work. That’s not what I mean here. In this case, the author …

Read moreFrustrated by Rejection or No Response? Try This
Category: Book Proposals, Pitch, Pitching, PlatformTag: Agents, book proposals, Frustration, Pitching

When Proposing a Series of Novels

By Steve Laubeon March 27, 2017
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“Are today’s publishers more interested in an individual novel or a trilogy? Also, when submitting a proposal for the completed first novel in a planned trilogy, is it better to focus on the first novel or give an overview of the complete trilogy? Is there an upper limit to how many books should be in a series?” These are some excellent questions submitted by both Peter and …

Read moreWhen Proposing a Series of Novels
Category: Book Proposals, Genre, Get Published, PitchingTag: book proposals, Series, Stand Alones

WHAT Were They Thinking??

By Karen Ballon March 8, 2017
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You know, one of the things I’ve learned since becoming an agent is that people have an odd sense of what’s appropriate. Happily, quite a lot of what I receive is well prepared and enjoyable to read. But I’d have to say that anywhere from a fourth to even, on a bad week, a third, of what comes in falls squarely in the “I don’t THINK so” camp. So here, just to help you avoid such things, are some …

Read moreWHAT Were They Thinking??
Category: Book Proposals, Humor, PitchingTag: book proposals, Pitching

Should an Author Query by Phone?

By Tamela Hancock Murrayon January 12, 2017
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Recently I was asked by an author (not a client) if I could spend “ten minutes” talking on the phone about a book before I see the submission. I prefer to see the work first. Some questions may enter the author’s mind in response to that. Here are my answers. What’s the matter, are you too “busy” or snobby to talk to authors? No, I am not. In fact, I believe most people find time to do what they …

Read moreShould an Author Query by Phone?
Category: Book Proposals, Get Published, Pitch, Pitching, The Writing LifeTag: Agents, book proposals, pitch

How Long Should You Wait for an Answer?

By Steve Laubeon October 31, 2016
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You have sent your project to an editor or an agent. Their guidelines state “We will respond within 6-8 weeks.” Do you mark your calendar on day 56 and send that person a query the minute the deadline passed? This past week one of my clients set a personal record for waiting. She was contacted by a magazine asking to publish a poem she submitted…in 1990. You read that right. …

Read moreHow Long Should You Wait for an Answer?
Category: Agents, Book Proposals, Pitching, The Writing LifeTag: Agents, book proposals

Work First, Book Second

By Dan Balowon September 27, 2016
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For successful authors of non-fiction, no one career or life-path is common. Family situations, upbringing, education and experiences are unique to each person. Listening to an author explain how they became successful is always a combination of things someone else could never duplicate perfectly. It’s like someone giving a business seminar titled, “This is how I did it.” It is rarely an exact …

Read moreWork First, Book Second
Category: Book Proposals, Branding, Marketing, Pitch, Pitching, PlatformTag: Nonfiction, Pitching, Platform

Choosing a Good Title For Your Book

By Dan Balowon August 23, 2016
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Placing a good title on a book is not as simple as one might think. In fact, some prominent books have had rather circuitous journeys to their final title. Jane Austen’s Pride and Prejudice started out as First Impressions. Tolstoy’s All’s Well That Ends Well released to some yawns until it was re-titled and published as War and Peace. On the Road to West Egg; Under the Red, White, and Blue; …

Read moreChoosing a Good Title For Your Book
Category: Book Proposals, Branding, Craft, Get Published, Marketing, Pitching, Writing CraftTag: Craft, Titles, Writing Craft
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