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Home » Money » Page 2

Money

The Myth of the Unearned Advance

By Steve Laubeon September 12, 2022
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[I wrote much of this article back in 2011. Upon review, I stand by the analysis. I’ve left the past comments to accentuate the discussion.]

______________

A common myth permeating the industry is that a book is not profitable if the author’s advance does not earn out. I would like to attempt to dispel this myth.

First, let’s define the term “advance.” When a book contract is created between a traditional publisher and an author, the author is usually paid an advance. This is like getting an advance against your allowance when you were a kid. It isn’t an amount that is in addition to any future earnings from the sale of the book. Instead, like that allowance, it is money paid in advance against all future earnings; and it must therefore be covered by royalty revenue (i.e., earned out) before any new royalty earnings are paid.

The advance is usually determined by a series of assumptions that the publisher makes with regard to the projected performance of each title. The publisher hopes/plans that the book will earn enough royalty revenue to cover the advance within the first year of sales.

A New York Times essay casually claimed “the fact that 7 out of 10 titles do not earn back their advance.” Of course, they did not cite a source for that “fact.” But I have seen it quoted so often that it must be true! (But it isn’t.) The implication then is that a book isn’t profitable if it doesn’t earn out its advance. The publisher overpaid and has lost money. The author is the happy camper who is counting their cash gleefully celebrating the failure of their publisher to project sales correctly.

Let me try to explain why that isn’t always true. And to do so means we have to do math together. This may be a little complicated, but realize that these calculations are critical; and each publisher runs this kind of Profit & Loss scenario on your books. To dismiss this conversation and claim you “don’t do math” is to ignore the lifeblood of your profession.

Realize that this is a generic model. Each number below fluctuates from title to title. That is the weakness of the exercise, but bear with me.

Assumptions:

Advance paid to the author: $10,000
Retail price: $13.00 (paperback)
Net price: $6.50 (what the publisher receives when they sell the book to dealers, big-box retailers, distributors, etc.)
Copies sold: 10,000

Scenario one: Author earns 14% of net for each book sold. ($6.50 net x 14% of net royalty x 10,000 sold).
Thus, after selling 10,000 copies, the author has earned $9,100, leaving $900 of the advance unearned.

Scenario two: Author earns 16% of net for each book sold ($6.50 net x 16% of net royalty x 10,000 sold).
Thus, after selling 10,000 copies, the author has earned $10,400. The publisher writes a royalty check to the author for $400, the amount above the original advance.

The myth says that scenario one equates to a failed and unprofitable book, while scenario two is a profitable book. But wait! Let’s do some more math.

New assumptions (remember these are all estimates based solely on this scenario):

BOTH scenarios have the publisher making the same amount of revenue. ($6.50 net x 10,000 sold.) Both scenarios generated $65,000 in net revenue for the publisher.

To determine profitability, we have to subtract costs.

Fixed costs:

Editorial expense: $8,000 (includes all stages of the editorial process)
Design (typesetting/cover): $4,000
Printing and warehousing:  $15,000 (the approximate cost of printing 12,000 copies)
Marketing and PR: $10,000 (an average of $1 per book)
Administrative costs: $13,000 (20% of the net revenue)
Advance paid to the author: $10,000
TOTAL COSTS: $60,000

Profit for the publisher: $5,000 (or 7.7% of revenue before tax) or the $65,000 in revenue minus the $60,000 of total costs.

Are you with me so far?

Now watch this.

Scenario one (with the unearned advance still on the books) has a profit of $5,000 for the publisher.

Scenario two (pays the author $400 for earnings beyond the advance) has a profit of $4,600 for the publisher.

In this comparison, it is the book that didn’t earn out the advance that actually makes more money for the publisher!

Why? Because scenario one pays a lower royalty per book sold. The advance itself has NOTHING to do with it. The advance is a fixed cost that is covered by the revenue generated by the publisher.

_____

Pause and reflect on that for a moment.

_____

The advance is a cost of acquisition. If that cost of acquisition in the above scenario were $50,000, of course neither scenario would have been profitable because sales would not have been enough to cover all the costs. And, it is likely, that if there were a $50,000 advance, the publisher would have spent more on marketing and PR.

So this is not an argument for bigger advances. Instead, it is an attempt to show, albeit using controlled statistics, that an unearned advance does not necessarily equate to the failure of a book.

So, when is a book profitable if there is a bigger advance?

Let me do one more set of numbers to illustrate:

Assumptions:

Advance paid to the author: $75,000
Retail price: $13.00 (paperback)
Net price: $6.50
Copies sold: 45,000
TOTAL NET REVENUE ($6.50 net x 45,000 sold): $292,500.

Fixed costs:

Editorial expense: $8,000
Design (typesetting/cover): $4,000
Printing and warehousing:  $55,000 (the approximate cost of printing 50,000 copies)
Marketing and PR: $75,000
Administrative costs: $58,500 (20% of the net revenue)
Advance paid to author: $75,000
TOTAL COSTS: $275,500

Profit for the publisher: $17,000 (or 5.8% of revenue before tax)

If you are an experienced person from the publishing side of the table, it is obvious that this is a generic scenario that has only an echo of reality. For example, the net revenue for a publisher is usually less than the 50% of retail that I used above. That is because distributors and specialty vendors (like the book racks you see in the airport) command a much higher discount off the retail. Thus, the true picture is highly complex. And we didn’t even touch on ebooks or ebook sales or royalties here. This exercise is merely to show a business model where the advance is a fixed cost, not a cost that has to be earned out for the book to be profitable.

In the above case, a book with a $75,000 advance makes money after only 45,000 copies are sold.

So, what do you think? Is the math realistic? Does it make sense? What are the implications (either to the publisher or the author)?

 

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Category: Book Business, Career, Money, Writing CraftTag: Agents, Book Business, Contracts, Get Published, Money, Traditional Publishing

When the Gloves Come Off

By Steve Laubeon August 17, 2020
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Fist Slams Table in Anger

The publishing experience is rarely done in isolation. This means working with other people. And if their performances or efforts do not meet your expectations, conflict can occur. Over the years I’ve seen more conflict than you can imagine–of all types and variety. But the majority of issues boil down to four areas: Editorial Production (cover design?) Marketing and publicity Getting …

Read moreWhen the Gloves Come Off
Category: Book Business, Career, Communication, EditingTag: Career, Communication, Editing, Money

Where Is My Money?

By Tamela Hancock Murrayon February 10, 2020
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Before I became a literary agent I had no idea how much energy this profession spent being a “collections agent.” Recently someone asked us the following questions (use the green button to the right to ask your question!):
What do you do, as an agent, when a publisher does not pay advances on royalties on time as per their legal contract?
What if a publisher is consistently late (months) saying …

Read moreWhere Is My Money?
Category: Agency, Book Business, Contracts, MoneyTag: Agents, Money, Returns

How Do You Measure Success?

By Steve Laubeon December 9, 2019
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by Steve Laube

A few years ago while talking to some editors they described an author who was never satisfied (not revealing the name of course). It this author's latest book had sold 50,000 copies the author wondered why the publisher didn't sell 60,000. And if it sold 60,000 why didn't it sell 75,000? The author was constantly pushing for "more" and was incapable of celebrating any measure of …

Read moreHow Do You Measure Success?
Category: Book Business, Career, TrendsTag: Book Business, Career, Money, Success

How Authors Make Money

By Bob Hostetleron August 29, 2018
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So, you’ve written a book. Good for you. Now the money will start rolling in, right? Not exactly. There are a number of ways authors make money, but writing a book is only one step in a long and arduous journey. And, though the details vary widely from one author to another (and one book to another), there are six basic ways an author makes money. An advance When you sign a book contract, the …

Read moreHow Authors Make Money
Category: Book Business, Money, The Writing LifeTag: Career, Money, The Writing Life

The Minimum Wage Author

By Dan Balowon March 13, 2018
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Most authors earn less than legal minimum wage writing books. Most do so for their entire writing careers. (U.S. Federal minimum wage is $7.25 per hour. A full time person working 40 hours per week would earn an annual revenue of $15,000 at that rate.) In fact, they work for free for a long time before getting paid and once they do get paid, the amount earned almost never makes up for the long …

Read moreThe Minimum Wage Author
Category: Economics, Money, The Writing LifeTag: Career, Money, The Writing Life

A Writer’s Water Bill: A Hidden Cost of Doing Business

By Tamela Hancock Murrayon February 22, 2018
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If you’re dreaming of being a successful writer, you may not be aware of some hidden costs of doing business, such as buying your marvelous editor dinner every week,  subscribing to writing magazines and buying books on the writing craft, sending your fabulous agent gourmet coffee every month, increased coffee consumption for creativity and energy, a whopping Internet bill to help you do the …

Read moreA Writer’s Water Bill: A Hidden Cost of Doing Business
Category: The Writing LifeTag: Book Business, Creativity, Money, The Writing Life

Actually, It Is About Money

By Dan Balowon July 25, 2017
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It is well-documented, Jesus spoke about money more than any other subject, as recorded in Scripture. He knew it was part of everyone’s life and used it often to teach a myriad of lessons. Still, money can be a polarizing topic. One of my favorite sports books is Moneyball: The Art of Winning an Unfair Game by Michael Lewis. It is the story of Billy Beane, the general manager of the Oakland A’s …

Read moreActually, It Is About Money
Category: Book Business, Marketing, MoneyTag: Marketing, Money, The Writing Life

Show Me the Money!

By Karen Ballon June 7, 2017
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I’ll never forget the Sunday I was getting ready to leave church, and the pastor’s wife came up to me and touched my arm. “Karen, my son can’t find a job, so he’s decided to make some fast money by writing a book and having it published. Do you have any counsel for him?” I’m so proud of myself that I didn’t guffaw in her face. Not so proud that I fixed her with a hard look and replied, “Do me a …

Read moreShow Me the Money!
Category: Economics, Money, The Writing LifeTag: Economics, Faith, Money, The Writing Life

What is Your Writing Worth?

By Dan Balowon February 7, 2017
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The entire book publishing industry, both traditional and self-published, is dependent upon creating books other people will pay money for in sufficient number to make it worthwhile. Just about everything discussed on this agency blog is intended for people involved in revenue-generating publishing. Most authors can write something and give it away for free. Fewer can write something, which others …

Read moreWhat is Your Writing Worth?
Category: Book Business, MoneyTag: Book Business, Money
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