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Home » Writing Craft » Page 6

Writing Craft

Description Part #3

By Lynette Easonon August 15, 2024
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I’m back to talk a little more about description and how it can advance the plot. 

First, descriptions can foreshadow events or provide important information. What do I mean by foreshadowing events? First it helps to understand what foreshadowing means. If you think back to your freshman high school English 101 class, you’ll remember that foreshadowing involves giving subtle hints or clues about what will happen later in the story. Descriptive elements can be used to create an air of anticipation or forewarning without directly revealing future events.

For example: I have a character who is claustrophobic. She hates enclosed spaces. Like her biggest nightmare would be to be trapped in a small space with no way out. I show that a few times throughout the story as a way of foreshadowing the big climactic event where she’s–yep, you guessed it–trapped in a small, enclosed space. Specifically, a coffin. Yikes! 

What about in Oliver’s and Sophia’s story?

Click here to read the first scene again to refresh your memory if you need it.

Once you’re finished, see if the description advances the plot. Here are some thoughts on that.

  1. Foreshadowing: So, here we have a brief mention of Oliver’s work as a forensic artist and his daughter’s prayer for an unknown family. Both of these are hints at the darker side of his job and suggest that his work might play a significant role in the plot. (Which we know it does.)
  2. Building Tension: So, we start with Oliver in the everyday normal, right? The calm, routine morning of getting Gia off to school contrasts sharply with the chaos Oliver encounters at his lab. This contrast is like the needle scraping across the record. (Am I dating myself with that description?) The tension shoots toward the roof when he discovers the break-in, making the moment more impactful.
  3. Introducing Conflict: The description of the lab in total chaos introduces a clear conflict. The destruction of equipment, torn notes, and shattered laptop indicate that someone has deliberately targeted Oliver’s work. Now the reader wants to know why, right? All of that pushes the plot forward.
  4. Plot Progression: Oliver’s discovery of the break-in, his reaction, and his decision to call 911 set the stage for the following investigation and the challenges he will face.
  5. Emotional Engagement: The detailed description of Oliver’s morning routine with Gia and his mother creates an emotional connection, making the reader care about the characters and want to know more about them. 
  6. Suspense and Mystery: The description of the sound from behind the bathroom door at the end of the scene adds an element of suspense, leaving the reader eager to know who or what caused the noise and why the lab was targeted.
  7. Character Insight: Oliver’s gratitude for the small things in life, despite the exhaustion, reveals his resilience and positive outlook. This character trait is a good indication of how he’ll handle the challenging events that are coming his way.
  8. Setting Up Future Events: The detailed depiction of the break-in and the implied search for something specific hints at something bigger.
  9. Critical Information: Descriptions can also convey critical information that is necessary for understanding the plot, characters, or setting. This information helps to build the narrative and ensures that readers have the context needed to follow the story. 

Take a look at your work in progress and decide if your description pushes your story forward–advances the plot–or bogs it down. And if you can think of a good example where the author did a great job using description to advance the plot, please share.

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Category: Craft, Writing Craft

New Book Proposal Course

By Steve Laubeon August 12, 2024
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I have some exciting news to share! The Christian Writers Institute has released an all-new edition of my “Elements of an Effective Book Proposal” course. Completely revised and expanded to provide even more value and insight. Why This Course Matters I have long taught that writing a book proposal is one of the most critical steps in securing a publishing deal. Whether you’re a …

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Category: Book Business, Book Proposals, Career, Get Published, Pitching, Platform, The Publishing Life, The Writing Life, Writing Craft

Know Your Genre When Making a Pitch

By Steve Laubeon August 5, 2024
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Awhile ago I received a call that illustrates a common error a writer can make when making their pitch: the problem of not knowing the genre in which they are writing. The call went something like this: Writer: I’m calling to see if your agency handles westerns. Agent: That is a tough genre to sell in the current market, but a lot would depend on how well you can write it. Writer: Some …

Read moreKnow Your Genre When Making a Pitch
Category: Book Proposals, Branding, Conferences, Get Published, Marketing, PitchingTag: book proposals, Genre, Get Published, Pitch; Genre; proposals, Pitching

Writing Description Part 2

By Lynette Easonon July 31, 2024
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In my last blog post, I talked a lot about description. I talked about the purpose description serves. In the previous post, I set the scene for the story I’ve been using. Now let’s talk about: Does my description help develop the character? In the story with Oliver and Sophia, I wrote the opening scene. Let’s see if there’s anything I can improve on in this to develop the characters a little …

Read moreWriting Description Part 2
Category: Craft

Making the Most of Conference Season: The Importance of Follow-Up

By Megan Brownon July 25, 2024
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Ah, writers conference season—the time of year when writers come together to learn, connect, and get inspired. There’s something phenomenal about being surrounded by fellow creatives, soaking up knowledge from industry experts, and leaving with a head full of ideas and a heart full of inspiration. But as the dust settles and the conference high begins to fade, what comes next? How do you …

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Category: Conferences

The Power of a Referral

By Steve Laubeon July 22, 2024
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It was recently pointed out that a number of agencies will not accept unsolicited proposals. Instead they state, in their guidelines, that they only take proposals via referrals or from meeting someone at a writers conference. Our agency continues to keep the doors open to any and all who send material following our guidelines. It can be a challenge to read all the incoming proposals, but I prefer …

Read moreThe Power of a Referral
Category: Book Business, Career, Marketing, Pitching, PlatformTag: Agents, Referrals

Writing Description Part 1

By Lynette Easonon July 11, 2024
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Hello, my friends, and welcome back. In my last blog post, I asked what topics you’d like me to discuss. One person asked about description. How do you know when you have enough? How do you know how much to keep and what to edit out? So, first, let’s talk about: What is the purpose of description? Description should serve a specific purpose. It’s up to you as the author to determine that purpose. …

Read moreWriting Description Part 1
Category: Craft, The Writing Life

Subplots Part Three

By Lynette Easonon June 26, 2024
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And we’re back. First, I was at the Write to Publish Conference this past week. If you’re a writer and have never been, you need to put this on your conference bucket list. It was my first time to attend, and I truly hope not my last. Okay, now, on to subplots. I don’t know if you noticed this, but it’s clear that subplots are equal to relationships. The easy way to remember to incorporate …

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Category: Craft

Write to Publish 2024

By Steve Laubeon June 17, 2024
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The Write to Publish conference for 2024 concluded last Friday and was a wonderful success. We had over 300 in attendance, making for great opportunities to meet new people and develop what will be lasting connections. We heard from a variety of key speakers. Brett Harris gave a “Challenge to the Truly Ambitious.” Trillia Newbell had to cancel at the last minute due to pneumonia. …

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Category: Conferences

In Praise of Slow Reading

By Steve Laubeon June 10, 2024
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When asked what I do for a living I will sometimes answer, “I read.” Then when asked what I do for fun I smile and say, “I read.” That is one of the joys of being a literary agent, the privilege of reading…a lot. As such, the quantity of material that must be consumed just to keep up can be overwhelming. An ability to read quickly helps but also the ability to …

Read moreIn Praise of Slow Reading
Category: Craft, Creativity, Personal
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