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En-TITLE-ment: Finding the Perfect Title (Part One)

by Karen Ball

One of the most difficult—and important—things we did when I worked in the publishing house was come up with titles for our authors’ novels. Sometimes it was a breeze, either because the author’s title was spot-on or because the story lent itself organically to a certain title. But more often than not, it was a long process of back-and-forth with the author, marketing, and sales. So how can you, the author, develop a title that works well? Give the following tips a try.

1. Tone. Be sure your title reflects the tone of your story accurately. A whimsical title on a book that is dark and tense will leave the reader feeling suckered or betrayed. Avoid disconnects, so that when the reader is drawn by the title, what they find on the back cover and in the content will only make that draw even stronger. Be sure the title creates a sense of whimsy, tension, danger, romance, mystery, fantasy, the future…whatever best reflects the tone of your story.

Okay, so ready for a challenge? Based on the titles below…

Name That Tone!

The Boneman’s Daughters

Redeeming Love

The Shunning

The Riddlemaster of Hed

A Vase of Mistaken Identity

Without a Trace

Three Weddings & a Giggle

2. Genre. This goes hand in hand with tone. While it’s important to reflect the tone of your book, you also need to be sure the title fits the genre you’re writing. For example, many contemporary novels have a strong thread of romance in them, but you don’t want to put a title that focuses too much on the romance element. Those who read romances have specific expectations, some of which won’t be met by a contemporary novel. The beauty of genre, though, is that we often mix genres. Cozy mysteries, for example, mix mystery with a bit of a whimsical tone. Romantic adventure–self-evident. So you can use that interplay in titles. One caveat: you can offset the genre focus with the cover art. For example, a title like The Longing Heart could be romance, could be contemporary. How the designer treats the cover will clarify genres for the reader.

Name that Genre!

Kidnapped

Sister Chicks Down Under

Deadly Pursuit

The Twelfth Prophecy, A.D. Chronicles

 

Part two coming next week!

 

 

 

 

 

The Greatest Book (Ever) on Sales & Marketing

by Jim Rubart

Today’s guest post is from Jim Rubart. He and I first met at the Mt. Hermon writers conference where I infamously rejected him (see #10). A bit about Jim. Since 1994, Jim has worked with clients such as AT&T/Cingular, RE/MAX, ABC and Clear Channel radio though his company Barefoot Marketing, but his passion is writing fiction. His debut novel Rooms released in April 2010 and hit the bestseller list that September. His next novel, Book of Days released in January. He’s also a photographer, guitarist, professional speaker, golfer, and semi-pro magician. He lives in the Northwest with the world’s most perfect wife and his two almost-perfect sons. No, he doesn’t sleep much. Visit his website at www.jimrubart.com.

____________________

What’s the best book you’ve read on sales and marketing? I’m guessing that if you were to list your top five favorites,Green Eggs and Ham probably wouldn’t be in the mix.

But it should be.

Immortal Sam I Am is one of the greatest marketing men ever. Here are two reasons why:

1. He markets his product to his potential buyer sixteen times before he gets a yes.

Sixteen!

The average salesperson asks twice. (And if you are selling a product—your book(s)—you are a salesperson whether you want to be one or not.)

Sam knew the average sale is made when the customer is asked five times. To make this applicable to us authors, the average reader needs to hear about your book three to seven times before she or he will decide to buy it.

• They see a post from you on Facebook
• They see it in a bookstore
• You list your novel on a book club site
• Their friends mention they’ve read it
• You write an article and mention your novel in your byline
• Someone sees a four- or five-star review on Amazon
• You tweet about it
• There’s a review on Goodreads
• There’s a flyer in their mailbox
• They hear you on the radio
• You’re on someone’s blog talking about your novel

Then—after three to seven exposures—they buy your book.

2. Sam knew that simply promoting the same way again and again wasn’t enough.

That’s not marketing, that’s being a pain in the backside.

The Key

Sam came up with sixteen options, ideas, new ways of thinking about green eggs and ham.

“Would you like them in a box? With a fox? In a house? With a mouse? In a train? In the rain? Here or there?”

Cheesy sales trainers love to spout, “Ya gotta remember ABC! Always Be Closing!” But what does that mean? Hammer on people till they give in? Let us hope not.

Some people on Facebook and Twitter think this is the way to promote their novels. They give the same message over and over, believing that will sell books.

It doesn’t. It turns people off.

If you’re going to market your books, get creative in the way you present them to potential buyers (and the way you promote yourself, because you are the brand, but that’s a topic for another column).

And promote with passion. It’s obvious Sam believes in his product. Do you believe that passionately in your novels? Attitudes are contagious—are yours worth catching?

You want to sell more books? Be like Sam.

Did you know a Random House editor bet ol’ Ted Geisel $50 he couldn’t write a book using only fifty words? Green Eggs and Ham was the result.

(It is entirely possible to read Rooms, Book of Days, and The Chair in a house, with a mouse, here or there, and on a train, but I’d skip the rain unless you have a really good umbrella.)

This article originally appeared in the Christian Fiction Online Magazine. We highly recommend you subscribe. It’s free!

And check out Jim’s latest novel Book of Days!

 

 

 

 

 

 

 

 

 

 

Three Questions About Publicity

by Steve Laube

Publicity is the art of telling the world about you and your book. We recently received a few questions about publicity via the green button you see in the right hand column of our blog (yes, it really works).

1.) When should a writer hire a publicist?
I think an author should wait to see what their publisher will provide in this area. If you do hire a publicist make sure they coordinate with your publisher so as to not duplicate efforts. (Don’t aggravate your local TV station with multiple PR contacts.)

But the question was “when” not “should.” So let me re-answer.

If you are on your own with regard to your PR, you should hire that firm six to nine months prior to the release date of your book. The PR firm will be handicapped if you wait too long. They need lead time especially in the area of getting reviews for your book. Few review outlets are interested in a book after it has already been released.

Seth Godin says that book marketing needs to start three years before publication date! (Read the linked article to see what he means by that.)

2.) What can a writer expect from a publicist?
A good publicist is all about communication, both to you and to your publisher and to the media.

A good publicist will respect your schedule and try not to book an interview at 6 a.m EST (when you live on the West coast).

A good publicist will know how to convert time zones. (I don’t know how many times an author has complained about this issue when making booking mistakes.)

A good publicist will be a champion for you book and help you figure out the best media-friendly talking points.

3.) What is the best type of book to promote on the radio or television?
Non-fiction topics lend themselves best. This is critical for the novelist to understand. If a novelist is to be attractive to media they must find a non-fiction issue or topic upon which they can comment…as it relates to their novel.

At the same time even a non-fiction author needs to be careful that their book is front and center in the talking points for the interview. Otherwise the opportunity for making a sale will be lost.

Hopefully you have a web site that is easily remembered after hearing the interview or a book title that does the same. For example, if I were on the air I would have to careful since my last name is pronounced “lobby” but spelled “laube.”

Are there any other questions you might have?

 

 

 

 

 

 

 

Marketing vs. Publicity

by Steve Laube

Recently I have run into a common misunderstanding. Some writers use the words “marketing” and “publicity” (or P.R. “public relations”) as synonyms when actually one is a subset of the other.

There are marketing departments that have a publicity division or a marketing department that outsources their publicity. The two go hand in hand and should compliment each other.

The best way I can define it is to say that:

Marketing is all about creating multiple impressions.

This can be through ad placement, in-store displays, banner ads, reviews, contests, etc.

Publicity is all about meeting the author.

This is done through radio and television as well as through all forms of social media.

The difference is that author “feels” publicity because they are involved. They do not “feel” marketing, per se.

I know of a publisher who focused all their attention on marketing and cut back on PR. Authors began to revolt claiming that the publisher wasn’t “doing enough to market my book!” The irony is that the publisher was doing the same things they did before in product sales and promotional efforts. The only difference is that there wasn’t anyone booking the author on radio talk shows. And, according to the publisher, the sales for those author’s titles were stronger.

In my opinion, publicity can be extremely effective in adding “impressions” and awareness of a book in the marketplace. But it has to be done right. Too often an author thinks their book is wonderful but the media does not agree. The publicist works hard in pitching the author and the book to the various shows, but no one adds that title to their schedule. The author is mad at the publicist saying they didn’t do a good job when the problem may have been the book content itself.

Media desires a topic or an author that is engaging and keep people tuned in. If the topic is ho-hum or the author is inarticulate, the media is going to be that much more careful the next time.

However, at the same time, an author needs to realize that getting 35 radio bookings may not create a bestseller. If a radio show is broadcast at 11 p.m. on a remote station in Montana with only a 10,000 watt signal, the audience won’t be very large. But the author “feels” good about doing the publicity. Thus the tension between marketing and publicity. The publicity may feel good but it has very modest, if any, impact on your sales.

These days we hear that authors must “market” themselves. And that is true to some extent. But the individual still cannot have the influence on the big-box retailers or get endcap placement in a store. That may be a sales department function, but it still serves as a piece of marketing. The individual can buy a full page ad in Women’s Day magazine, but if that is all they do they have limited the number of impressions they have made.

Where the author’s work is critical is really more in the “publicity” side of things utilizing the internet their own blog, for blog tours, Facebook interactions, Twitter, etc. (One client is giving away a Kindle as part of their online social media efforts.)

So is the author’s efforts marketing or publicity? You see how these words become synonyms? It really depends on which side of the desk you are sitting. If you are talking to a traditional publisher it is important to keep the two words distinct. But if you are talking about the individual’s efforts…go ahead and mix ‘em up.

The next time you “feel” that your publisher is not marketing your work well, make sure you are talking about marketing and not publicity (PR). Otherwise the publisher will be confused as to why you are upset. Helping to know the terminology goes a long way in creating open lines of communication and successful relationships.

 

 

 

 

 

 

Build it Before They Come

by Tamela Hancock Murray

If you want to be a published writer, realize that someone will look for you on the web. Agents will Google your name. I guarantee that editors and marketing folks will visit your web site to find out more about you.

Thus your web site needs to be both professional and effective. It is a bit like putting on your “Sunday Best” before going to an interview. That first impression is critical.

Allow me to share unscientific, subjective thoughts regarding a few elements I especially enjoy as an agent learning about writers through their web sites:

1)    A home page sharing a good photograph of the author, a brief bio, and a sense of what type of books the author writes. Bold colors and dramatic images are great for edgy, suspenseful, mysterious, and speculative stories. Gentle color schemes and images of beauty take a visitor into soft stories. Writers of Amish fiction using those images on their home pages provide immediate brand and identity.

2)    A page about the writer’s books. Show visitors your book covers. Give a blurb about each plot. Mention awards. Include a link to an Internet retailer so the visitor can buy your books on the spot. This is also a great place to include a link to your publisher’s site. Show that you are in great company with other wonderful authors and what great taste your publisher has demonstrated in choosing your books.

3)    Your third page is tricky because it’s personal. To stay professional, be judicious in sharing. Anyone can stop by your web site. Someone once told me he could look at one picture on a site and locate a person’s house. Thankfully this wasn’t an ominous person! But in only a few clicks through social networking and mapping sites, anyone can piece together a profile of you and your family. An experienced webmaster can help decide how much family information to share.

4)    Another page might include hobbies if they reflect your work. For instance, if you write Westerns and have traveled to the West for research, share pictures. If your stories include sewing, perhaps offer sewing tips. Keep unrelated information off the site. For example, your author web site is not the place to advertise a second business. Save that for a different site. Here, focus on your books.

5)    Bloggers need to make it easy for visitors to find their blogs. Adding a link to an email address set up for your site only is a good idea. Agented authors, please also include a prominent place for your agent’s name and a link to the agent’s and/or agency’s site. Your agent will thank you!

My personal author web site was recently redesigned (email me if you would like their information). Our agency’s web site was put together by AuthorMedia.com. Karen Ball’s personal site was designed by Pulse Point Design. Check them out!

 

 

 

 

 

Promotion: Faithful or Self-full?

“What’s the difference between promotion and self-promotion? How do we promote ourselves/our books so that we honor God, respect others, and use common sense?”

The constant tension between marketing and ministry has plagued the Christian author, speaker, bookseller and publisher forever. Why? Because Jesus threw the money changers out of the temple. Because we are commanded to die to self and to humble ourselves in the sight of the Lord….

And yet, our society…our culture insists, even demands, that we market and promote our message.

Hanging on my office wall is the following saying from Ignatius Loyola:

Work as if everything depends on you.
Pray as if everything depends on God.

And another one is from James 5:16:
…the effectual fervent prayer of a righteous man availeth much.

Maybe that is the beginning of the balance. People in business, not just publishing, must work hard and make every effort to excel in their field of expertise. We never question a bank needing to marketing their wares, but if a “Christian” bank were to do so the critics would surge with vitriol. The principles of a successful business come into play with regard to our profession. We are in the “business” of communicating the message of redemption to a world that doesn’t read. Thus we are called to excellence in our craft for we have a message that can change lives. If we do not make every effort to be an “evangelist” (see marketer) of that message, the message will likely not be read or heard, and thus ministry would rarely occur.

Even the Mother Teresas, Thomas Mertons, Richard Fosters, John Eldreges, and Henri Nouwens of the world were “out there” in the public eye. They had a message of change that they were called to deliver. Thus they took the speaking engagements, they worked with their publishers in publicity, and they wrote absolutely stellar books that nearly sold themselves. Our challenge is to avoid the “Publican” attitudes of “I”, “Me”, and “My”. Instead we should strive to incorporate the “Us”, “Our”, and “We”.

How do you keep your balance?

Book Tour Lesson: Listen to Publisher

Melanie Benjamin, author of Alice I Have Been, reflects on book tours, in an article for the Huffington Post.  Especially the difference between the one she put together herself several years ago and the one she is currently doing with the help of her publisher.

“I’ve also learned to listen to my publisher. When a bookstore contacts me personally about an appearance, I pass the request on to my publicist. Only once did I ignore her advice and do an event anyway.

Only the janitor showed up.”

And this month’s issue of Christian Fiction Online Magazine features a great article by James Rubart and his recent book signing experiences.

Meanwhile, enjoy this hilarious YouTube video about a Waldenbooks signing:

HT: Shelf Awareness

Book Review – Inbound Marketing

In February I was in the Denver airport waiting for a flight. As usual I couldn’t resist browsing the bookstore shelves. Something about the book Inbound Marketing by Brian Halligan and Dharmesh Shah caught my eye. So, on impulse, I bought the book and began reading it on the plane. I learned a lot about this phenomenon called social marketing and thought that it would be a great book for all authors to read. But I never got around to writing a review!

The solution to this came yesterday when my friend Randy Ingermanson posted a review of the book as part of his Advanced Fiction Writing e-zine. Whether you write fiction or non-fiction, you owe it to yourself to subscribe to this free resource at advancedfictionwriting.com. And while you are there, read ALL of the past issues. In a short while you will receive a wonderful education!

Randy agreed to let me reprint his review of this book. He said the book had been recommended to him by Thomas Umstattd (authortechtips.com). Which goes to show, in a small way, how word-of-mouth sells books!

Let me step aside and let Randy’s review speak for itself:


The biggest mistake that I see authors making in marketing their book is based on the idea that “marketing is all about me.”

It isn’t, except in the very rare cases where the author is a celebrity, in which case the quality of the writing doesn’t matter. If Bill Clinton or Mother Teresa or Albert Einstein wrote a novel, it would fly off the shelves, whether it was any good or not.

Most novelists aren’t celebrities, and so we need to market our books, not ourselves. (If you do that well enough, you’ll become a celebrity and THEN you can market yourself.)

The second biggest mistake I see authors making in marketing their book is based on the idea that “marketing is all about my book.”

It is and it isn’t.

It is, in the sense that the success of a book depends in some way on its perceived quality in the market.

It isn’t, in the sense that you don’t persuade people that you have a great book by telling people, “I have a great book.” The problem is that “telling” doesn’t work any better in marketing than it does in fiction. “Show, don’t tell,” is a good maxim in marketing, just as in fiction writing.

What works in marketing is to show people that you have a great book, instead of telling them.

How do you do that? That’s what makes marketing hard. I recently read a book that gives you a strategy for doing exactly that.

The title of the book is Inbound Marketing. The subtitle is “Get Found Using Google, Social Media, and Blogs.”

Be aware that Inbound Marketing is not about marketing fiction. It’s a general-purpose book on marketing and it’s all about using the internet to get found by customers who are interested in your product, rather than trying to go out and find customers and persuade them to be interested in your product.

Traditional advertising methods are “outbound marketing.” You buy time on TV or radio or you buy space on a billboard or a newspaper or a magazine and you shotgun out a message about your widget and you just hope that people who want widgets happen to see or hear your message just at the time when their desire for a widget is causing them to pull out their wallets.

Outbound marketing is horribly inefficient, because the vast majority of people don’t give a flip about widgets and they get annoyed when somebody makes an unwanted sales pitch about their great widget.

If you don’t want a widget, you don’t want a widget.

Outbound marketing can never change that.

“Inbound marketing” is all about making it easy for customers who already want a widget to find the best widget-makers. It’s far, far easier to sell a widget to a customer who wants one that to a customer who doesn’t.

The internet makes it fantastically easy for anybody to find a widget. Google will find you all the most popular pages about widgets. Blogs will give you a wide range of opinions on which widgets are good and which ones suck. Facebook and Twitter will give you comments by real-live widget users, happy or unhappy. LinkedIn will connect you to the leading experts in widget making. YouTube will show you videos of people using widgets, mocking them, or in some cases, blending them to bits. Amazon will show you all the current books on widgets. Wikipedia will tell you how to make your own widget.

The book Inbound Marketing explains all the strategic principles needed to help you get found by hungry customers who want the widget you happen to make.

The tools customers use to find widgets are constantly changing. What doesn’t change is that you can’t make people come to you by using the old outbound marketing methods with these new tools. Building a brochure web site is outbound marketing. Writing a blog in which you constantly pitch your book is outbound marketing.

Flogging your book on Facebook or Twitter or LinkedIn or YouTube is outbound marketing.

Inbound marketing, by contrast, is all about creating what Seth Godin calls “REMARKable content” — content that’s worth remarking on. I have traditionally called this simply “great content”. I like Seth’s term because it gets to the core of the matter. If people are remarking about your product, then they are creating word of mouth.

And that’s the key for novelists. Just about everybody in publishing agrees that the most powerful force in the marketing universe is word of mouth. If you can get people talking about your book, and if they like it, then your marketing job is done. (If they don’t like it, your book is toast, but we’re assuming here that your book really is a great piece of work.)

The book Inbound Marketing explains the strategic principles of creating REMARKable content and then making it findable. Understand that this is not a tactical book. If you want tactics, then look for one of the popular Dummies books on SEO, Facebook, Twitter, Podcasting, or whatever particular tool you want to use.

Tactics are great, because they teach you HOW, but I always believe in learning strategic thinking first, because it teaches you WHY. Once you know WHY, learning HOW is a cakewalk because you’re motivated to work through all the details.

Inbound Marketing is, in my opinion, a REMARKable book.

The authors have succeeded in getting me to remark on it here. The reason is simple. They’ve given me a number of good ideas that I’ll be putting into practice on my own web site.

If you’d like to know more, here’s an easy link to the Amazon page for Inbound Marketing:

http://www.AdvancedFictionWriting.com/blinks/inbound.php

Full disclosure: The above link contains Randy Ingermanson’s Amazon associates code, which will earn a referral fee if you click on it and then buy the book. Randy only make referrals to books that he likes, but if you prefer that he earn no referral fee, then feel free to go direct to Amazon and search for Inbound Marketing.


Award-winning novelist Randy Ingermanson, “the Snowflake Guy,” publishes the Advanced Fiction Writing E-zine, with more than 20,000 readers, every month. If you want to learn the craft and marketing of fiction, AND make your writing more valuable to editors, AND have FUN doing it, visit http://www.AdvancedFictionWriting.com.

Download your free Special Report on Tiger Marketing and get a free 5-Day Course in How To Publish a Novel.

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