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The Steve Laube Agency

Helping to Change the World…Word by Word

The Steve Laube Agency

The Steve Laube Agency

Helping to Change the World Word by Word

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Home » Pitching » Page 9

Pitching

How Do You Know It’s Something That Will Be Published?

By Steve Laubeon July 6, 2020
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A common question we agents get is “How to you know?” Or as Bob Hostetler put it, “When you know, how do you know?”

The answer is extremely subjective. And each agent, just like a consumer, will see an idea or read a book differently.

After thinking about this question, I believe it comes down to three things.

Instinct

For me it is an instinct that comes from reading voraciously for many years. After a while you start identifying the markers of which books were worth the time and which ones were not.

Instinct can be described as an innate impulse, something that cannot necessarily be taught but is something that can be learned.

Can I describe it? Not really. It is truly a gut feeling.

Am I right every time? How many LOLs would be too many to write? Ask any editor or agent about the “one they let get away.” But that’s part of the industry.

Once I sent a proposal I thought was marvelous to a variety of editors. One wrote back within an hour saying, “There is nothing new here. Pass.” An hour later a different editor from a different publisher wrote, “This fellow is the best writer I’ve read since Philip Yancey!” Guess which one contracted the book?

Experience

My experience, even that instinct, has been bred through many decades of working within the bookselling industry. Back in my bookstore days, it was that feeling when I held a new release in my hands and the title, cover, and description all shouted, “Bestseller.” The Beginner’s Bible was one. I was the national buyer for the chain at the time. I had only ordered a few copies for each store initially. But when I saw it? Wow! I immediately ordered hundreds of copies for the chain, enough to build a small endcap stack in each store. It quickly became the #1 bestselling children’s book in the industry.

After a while you begin to know, from experience, which topics, genres, titles, etc., have that special “snap” to them. The feeling, nay, the knowing, that this is the one.

Today that “feeling” happens at the proposal stage. It happens with clients all the time since they, too, have the experience and the instinct of what works, which is why they are published regularly. It also happens with the occasional unsolicited proposal.

In fiction it is a combination of brilliant writing (the kind where I don’t realize I’m reading anymore but am inside that world painted by the words of the author). This is a high threshold for the debut author. If the author is already established and coming to me for new or first-time representation, their sales history and network comes into the discussion.

In nonfiction I react like a consumer:
Does the title grab me? It’s that quick. Is the topic a salable one?
Does the author bring something special to the table?
At the same time, I’m thinking of our publishing partners, which ones would find this of interest?
Which marketing team and editorial team could get behind the project?

If all those cylinders are firing at once, then my interest is piqued.

I also look at whether this author is a one-book wonder (nothing wrong with that!) or if there is potential here for a long and successful career.

Blind Luck (or Providence, depending on your theology)

I don’t mean to be cavalier about God’s providence. I hope you understand the point. Sometimes a book is successful without people having anything to do with it.

There are cases inside our agency where I thought a proposal from another agent’s client was unlikely to find a home, only to be proven wrong by a tremendous new contract for that author’s project.

Or there have been times where I thought something might have a modest response in the market only to end up selling over 200,000 copies in less than a year.

Think of some of our industry’s bestselling books. Left Behind was thought to be an okay idea, but no one predicted 70 million in sales. The Shack was rejected by everyone, so was initially self-published. Who could have predicted that Jesus Calling would still be on the bestseller list over 10 years since it was released?

For that matter, did you buy Microsoft stock when it was trading for less than $20 a share in 2009?

This is an old saying: “Even a blind squirrel will find a nut once in a while.” I’m not sure whether I’m the squirrel or the nut. I’ll let you decide.

The Bottom Line

The bottom line is to be right more often than not. And our agency’s longevity and successful authors have been humbling to watch. (That’s where God’s providence and provision are on display.)

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Category: Agency, Agents, Book Proposals, Get Published, Pitch, Pitching, Rejection, The Publishing Life, The Writing Life

The Best Ways to Submit Your Work

By Bob Hostetleron June 17, 2020
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I started writing for publication back when dinosaurs roamed the earth. The process was fairly simple then, if unpromising of success. I wrote a query, article, or book proposal, put it into an envelope along with a self-addressed, stamped envelope (SASE) for its return, sealed it, and mailed it. And waited. And waited. And—you get the idea. That’s not how it’s done anymore. At least, not often. …

Read moreThe Best Ways to Submit Your Work
Category: Book Proposals, Pitching

Is It Ready to Submit?

By Bob Hostetleron April 29, 2020
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You’ve poured out your soul. You’ve written your heart out. You’ve struggled and sweated over how to say what you want to say. You’ve paced the floor, clicked your heels, and now you think maybe it’s ready to submit. But how do you know? Good question. “Good question” usually means you’re going to get a lousy answer. I won’t promise you anything different now, because it can be so hard to know if …

Read moreIs It Ready to Submit?
Category: Book Proposals, Editing, Grammar, Inspiration, Pitching

Who’s Your Book For?

By Bob Hostetleron December 11, 2019
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A critical part of writing a good book—and a good pitch or proposal for a book—is defining your book’s audience. We all know, of course, that you shouldn’t try to write a book “for everyone.” But your book’s audience can be an elusive target. I suggest three distinct and mutually exclusive phases for the process, which apply primarily to nonfiction but could also be kept in mind for various forms …

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Category: Book Proposals, Marketing, Pitching, The Writing Life

What Caught My Eye

By Steve Laubeon November 18, 2019
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Last week we talked about the hook, the sound bite, or the ability to "say it in a sentence." One reader asked for examples so I thought I'd give you a few.

Below are the short pitches of proposals that have caught my eye over the years from debut authors. Please realize that the sound bite is only one of many factors that goes into a great proposal. Ultimately it is the execution of the …

Read moreWhat Caught My Eye
Category: Book Proposals, Pitching, Writing CraftTag: Pitching

Write Like Paul

By Bob Hostetleron November 13, 2019
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Somerset Maugham wrote, “There is an impression abroad that everyone has it in him to write one book; but if by this is implied a good book the impression is false” (The Summing Up). Far be it from me to add to Maugham’s words, but I’m going to. So I guess it be not far from me, after all. I would say that many people (maybe not everyone) have a book in them, but relatively few have a marketable …

Read moreWrite Like Paul
Category: Book Proposals, Encouragement, Get Published, Pitching, The Writing Life

I Have Plans to Write That Book

By Tamela Hancock Murrayon November 7, 2019
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Last week, I talked about a few reasons why I don’t plan to write a nonfiction book on style, mainly because I have no desire to develop a presence or platform as an expert on style. But what if you want to write a nonfiction book about a topic you know and love? Let’s look at the list, revised from last week, to help you decide if you should: Are you well-known outside of your immediate circle of …

Read moreI Have Plans to Write That Book
Category: Book Proposals, Branding, Marketing, Pitching, Platform, The Writing Life

Say It in a Sentence

By Steve Laubeon November 4, 2019
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Can you present your book idea in one sentence?

Can you present that idea in such a way that the reader is compelled to buy your book?

What motivates someone to spend money on a book? It is the promise that there is something of benefit to me, the reader.

Books are generally purchased for one of three reasons:

Entertainment
Information
Inspiration

If your book idea can make me …

Read moreSay It in a Sentence
Category: Book Proposals, Get Published, Marketing, Pitching, The Writing LifeTag: Marketing, Pitching, Trends, Writing Craft

First Lines in Fiction

By Steve Laubeon August 26, 2019
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The opening words of your novel may be all a prospective buyer will read before making their purchasing decision. Are yours an opening salvo; an opening punch; or an opening sigh, easily dismissed? They will also be the first words an agent or an editor reads when they see the sample chapters you have pitched. Every story starts somewhere. Even “once upon a time” is a beginning. I thought it would …

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Category: Pitching, Romance, Romantic Suspense, Writing Craft

Your Submissions Questions Answered

By Bob Hostetleron July 31, 2019
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Submitting your work to an agent can be scary. What if I get the secret handshake wrong? What if my attempt at humor falls flat? What if this agent really is the ogre he’s rumored to be? And those questions are only the beginning. There are so many. So, in an effort to ease your mind a little and help you along, I’ve decided to list a few submissions-related questions I’ve been asked as an agent, …

Read moreYour Submissions Questions Answered
Category: Agents, Book Proposals, Pitching
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